Notes on Berthold Brecht's reception in Brazil, by Anatol Rosenfeld
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Data de Publicação: | 2013 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Pandaemonium Germanicum (Online) |
Texto Completo: | https://www.revistas.usp.br/pg/article/view/80104 |
Resumo: | One of the most important chapters in the reception of German theater in Brazil began in 1958 with the presentation of Berthold Brecht's play The Good Woman of Setsuan. The subsequent performance of many of his works brought up new dramaturgic and theoretical questions in a context that was open to aesthetic experimentation and marked by a dialectic between the theater and the turbulent social context of the period. Groups such as Arena, Oficina, and CPC discussed, updated and articulated Brecht's work through their experimentation. Since this reception in Brazil, both in the late 1950s and today, is based on several different theoretical and critical references, it would seem well to go back to Anatol Rosenfeld's critique of Brecht. From his broad knowledge of aesthetic theater, epic theater theory, Brazilian theater and Brecht's work, Rosenfeld holds an important place in the debates on Brecht's works and Brecht's influence on Brazilian theater. In this article we take up several phases in Rosenfeld's work, which is theoretical as well as historical and critical. His contributions are considered among the most lucid and updated studies on Brecht and the Brazilian theater. |
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Notes on Berthold Brecht's reception in Brazil, by Anatol Rosenfeld Apontamentos sobre a recepção de Bertolt Brecht no Brasil via Anatol Rosenfeld One of the most important chapters in the reception of German theater in Brazil began in 1958 with the presentation of Berthold Brecht's play The Good Woman of Setsuan. The subsequent performance of many of his works brought up new dramaturgic and theoretical questions in a context that was open to aesthetic experimentation and marked by a dialectic between the theater and the turbulent social context of the period. Groups such as Arena, Oficina, and CPC discussed, updated and articulated Brecht's work through their experimentation. Since this reception in Brazil, both in the late 1950s and today, is based on several different theoretical and critical references, it would seem well to go back to Anatol Rosenfeld's critique of Brecht. From his broad knowledge of aesthetic theater, epic theater theory, Brazilian theater and Brecht's work, Rosenfeld holds an important place in the debates on Brecht's works and Brecht's influence on Brazilian theater. In this article we take up several phases in Rosenfeld's work, which is theoretical as well as historical and critical. His contributions are considered among the most lucid and updated studies on Brecht and the Brazilian theater. Um dos capítulos mais importantes da recepção do teatro alemão no Brasil se iniciou em 1958, com a montagem de A alma boa de Setsuan. A encenação de muitas entre suas obras a partir de então colocou novas questões dramatúrgicas e teóricas num cenário aberto à experimentação estética e marcado pela dialética entre o teatro e o turbulento contexto social brasileiro da época. Grupos como o Arena, o Oficina e o CPC discutiram, atualizaram e articularam a obra de Brecht com suas próprias pesquisas. Como essa recepção, ontem como hoje no Brasil, é feita a partir dos mais diferentes referenciais teóricos e críticos, faz-se necessária a revisitação da crítica esclarecedora de Anatol Rosenfeld sobre Brecht. Profundo conhecedor de estética teatral, da teoria do teatro épico, da obra de Brecht e do teatro brasileiro, Rosenfeld tem papel decisivo em vários debates em torno de sua obra e de sua influência no teatro brasileiro. Nesse artigo, a partir de questões que surgem da recepção contemporânea de Brecht, pretendemos acompanhar algumas etapas desse percurso na obra de Rosenfeld, que é tanto teórico como histórico e crítico e se constitui como um dos mais lúcidos e atuais estudos sobre Brecht e o teatro brasileiro. Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas2013-12-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.usp.br/pg/article/view/8010410.1590/S1982-88372013000200004Pandaemonium Germanicum; v. 16 n. 22 (2013); 55-831982-88371414-1906reponame:Pandaemonium Germanicum (Online)instname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/pg/article/view/80104/83986Copyright (c) 2018 Pandaemonium Germanicuminfo:eu-repo/semantics/openAccessFlory, Alexandre Villibor2015-06-15T19:45:42Zoai:revistas.usp.br:article/80104Revistahttp://www.scielo.br/pgPUBhttps://old.scielo.br/oai/scielo-oai.php||pandaemonium@usp.br1982-88371414-1906opendoar:2023-09-13T11:52:47.911178Pandaemonium Germanicum (Online) - Universidade de São Paulo (USP)false |
dc.title.none.fl_str_mv |
Notes on Berthold Brecht's reception in Brazil, by Anatol Rosenfeld Apontamentos sobre a recepção de Bertolt Brecht no Brasil via Anatol Rosenfeld |
title |
Notes on Berthold Brecht's reception in Brazil, by Anatol Rosenfeld |
spellingShingle |
Notes on Berthold Brecht's reception in Brazil, by Anatol Rosenfeld Flory, Alexandre Villibor |
title_short |
Notes on Berthold Brecht's reception in Brazil, by Anatol Rosenfeld |
title_full |
Notes on Berthold Brecht's reception in Brazil, by Anatol Rosenfeld |
title_fullStr |
Notes on Berthold Brecht's reception in Brazil, by Anatol Rosenfeld |
title_full_unstemmed |
Notes on Berthold Brecht's reception in Brazil, by Anatol Rosenfeld |
title_sort |
Notes on Berthold Brecht's reception in Brazil, by Anatol Rosenfeld |
author |
Flory, Alexandre Villibor |
author_facet |
Flory, Alexandre Villibor |
author_role |
author |
dc.contributor.author.fl_str_mv |
Flory, Alexandre Villibor |
description |
One of the most important chapters in the reception of German theater in Brazil began in 1958 with the presentation of Berthold Brecht's play The Good Woman of Setsuan. The subsequent performance of many of his works brought up new dramaturgic and theoretical questions in a context that was open to aesthetic experimentation and marked by a dialectic between the theater and the turbulent social context of the period. Groups such as Arena, Oficina, and CPC discussed, updated and articulated Brecht's work through their experimentation. Since this reception in Brazil, both in the late 1950s and today, is based on several different theoretical and critical references, it would seem well to go back to Anatol Rosenfeld's critique of Brecht. From his broad knowledge of aesthetic theater, epic theater theory, Brazilian theater and Brecht's work, Rosenfeld holds an important place in the debates on Brecht's works and Brecht's influence on Brazilian theater. In this article we take up several phases in Rosenfeld's work, which is theoretical as well as historical and critical. His contributions are considered among the most lucid and updated studies on Brecht and the Brazilian theater. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-12-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.usp.br/pg/article/view/80104 10.1590/S1982-88372013000200004 |
url |
https://www.revistas.usp.br/pg/article/view/80104 |
identifier_str_mv |
10.1590/S1982-88372013000200004 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.usp.br/pg/article/view/80104/83986 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Pandaemonium Germanicum info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Pandaemonium Germanicum |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas |
publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas |
dc.source.none.fl_str_mv |
Pandaemonium Germanicum; v. 16 n. 22 (2013); 55-83 1982-8837 1414-1906 reponame:Pandaemonium Germanicum (Online) instname:Universidade de São Paulo (USP) instacron:USP |
instname_str |
Universidade de São Paulo (USP) |
instacron_str |
USP |
institution |
USP |
reponame_str |
Pandaemonium Germanicum (Online) |
collection |
Pandaemonium Germanicum (Online) |
repository.name.fl_str_mv |
Pandaemonium Germanicum (Online) - Universidade de São Paulo (USP) |
repository.mail.fl_str_mv |
||pandaemonium@usp.br |
_version_ |
1800221978007699456 |