Um estranho em Goa [A Stranger in Goa]: Transitive Journey to a Sought-After Orient
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Via Atlântica (Online) |
Texto Completo: | https://www.revistas.usp.br/viaatlantica/article/view/117489 |
Resumo: | The work of José Eduardo Agualusa (Huambo, Angola, 1960) has the particularity of neither being limited to a single genre (his bibliography includes novels, short stories, chronicles, narrative notes and some poetry) nor to a single theme or area, be it spatial, temporal or cultural. Indeed, his characters are usually marked by geographical or historical discontinuities and intersecting trajectories within a "perspective of contact" that enablesconnections and interactions fo various sorts between different subjects in diverse spatio-temporal frames. Such fictional arborescences, especially present in his novels, though not always to a degree that generates cosmopolitan ramifications, construct transitive subjects and generate transcultural meanings. Um Estranho em Goa [A Stranger in Goa] is a case in point. Oscillating between the travel narrative and the fictionalisation of the real, the novel reinvents Goan identity in various ways, bringing onto the literary scene oriental exchanges and interlinkages and recovering the margins of political and ideological representations of the other, never losing sight of its otherness, in other words its potential as a site of diversity. |
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Um estranho em Goa [A Stranger in Goa]: Transitive Journey to a Sought-After OrientUm Estranho em Goa: viagem transitiva a um Oriente em demandaCorumbáBrasilGoaOriente – sujeitos transitivos – narrativa de viagens – ficcionalização do real – “zona de contacto”.CorumbáBrasilGoaOrienttransitive subjectstravel narrativesfictionalization of the realcontact zoneThe work of José Eduardo Agualusa (Huambo, Angola, 1960) has the particularity of neither being limited to a single genre (his bibliography includes novels, short stories, chronicles, narrative notes and some poetry) nor to a single theme or area, be it spatial, temporal or cultural. Indeed, his characters are usually marked by geographical or historical discontinuities and intersecting trajectories within a "perspective of contact" that enablesconnections and interactions fo various sorts between different subjects in diverse spatio-temporal frames. Such fictional arborescences, especially present in his novels, though not always to a degree that generates cosmopolitan ramifications, construct transitive subjects and generate transcultural meanings. Um Estranho em Goa [A Stranger in Goa] is a case in point. Oscillating between the travel narrative and the fictionalisation of the real, the novel reinvents Goan identity in various ways, bringing onto the literary scene oriental exchanges and interlinkages and recovering the margins of political and ideological representations of the other, never losing sight of its otherness, in other words its potential as a site of diversity.A obra de José Eduardo Agualusa (Huambo, Angola, 1960) tem a particularidade de não se deter nem numa prática genológica (a sua bibliografia inclui romances, contos, crónicas, apontamentos narrativos e alguma poesia) nem numa área temática ou uma geografia – espacial, temporal ou cultural. Com efeito, as suas personagens são normalmente marcadas por descontinuidades geográficas e históricas, com trajectórias que se cruzam numa “perspectiva de contacto” que potencia conexões e interacções de vária ordem entre sujeitos diferentes, em espácio-temporalidades diversificadas. Tais arborescências ficcionais, sobretudo romanescas, embora nem sempre suficientemente amplificadoras para criar sentidos cosmopolitas, são construtoras de sujeitos transitivos e geradoras de significados transculturativos. É o que acontece em Um Estranho em Goa, romance que, oscilando entre narrativa de viagens e construção ficcional do real, apresenta diferentes modalidades da reinvenção da identidade goesa, trazendo à cena literária trânsitos e conexões orientais num processo de resgate das margens das representações político-ideológicas do outro, apresentado na sua outridade – portanto, como possibilidade do diverso.Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas2016-12-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/xmlhttps://www.revistas.usp.br/viaatlantica/article/view/11748910.11606/va.v0i30.117489Via Atlântica; v. 17 n. 2 (2016): Goa - literatura e cultura 2; 131-149Via Atlântica; Vol. 17 No. 2 (2016): Goa - literatura e cultura 2; 131-1492317-80861516-5159reponame:Via Atlântica (Online)instname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/viaatlantica/article/view/117489/121979https://www.revistas.usp.br/viaatlantica/article/view/117489/196486Copyright (c) 2016 Inocência Matahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMata, Inocência2023-06-26T13:41:56Zoai:revistas.usp.br:article/117489Revistahttp://www.revistas.usp.br/viaatlanticaPUBhttp://www.revistas.usp.br/viaatlantica/oaiviatlan24@gmail.com2317-80861516-5159opendoar:2023-06-26T13:41:56Via Atlântica (Online) - Universidade de São Paulo (USP)false |
dc.title.none.fl_str_mv |
Um estranho em Goa [A Stranger in Goa]: Transitive Journey to a Sought-After Orient Um Estranho em Goa: viagem transitiva a um Oriente em demanda |
title |
Um estranho em Goa [A Stranger in Goa]: Transitive Journey to a Sought-After Orient |
spellingShingle |
Um estranho em Goa [A Stranger in Goa]: Transitive Journey to a Sought-After Orient Mata, Inocência Corumbá Brasil Goa Oriente – sujeitos transitivos – narrativa de viagens – ficcionalização do real – “zona de contacto”. Corumbá Brasil Goa Orient transitive subjects travel narratives fictionalization of the real contact zone |
title_short |
Um estranho em Goa [A Stranger in Goa]: Transitive Journey to a Sought-After Orient |
title_full |
Um estranho em Goa [A Stranger in Goa]: Transitive Journey to a Sought-After Orient |
title_fullStr |
Um estranho em Goa [A Stranger in Goa]: Transitive Journey to a Sought-After Orient |
title_full_unstemmed |
Um estranho em Goa [A Stranger in Goa]: Transitive Journey to a Sought-After Orient |
title_sort |
Um estranho em Goa [A Stranger in Goa]: Transitive Journey to a Sought-After Orient |
author |
Mata, Inocência |
author_facet |
Mata, Inocência |
author_role |
author |
dc.contributor.author.fl_str_mv |
Mata, Inocência |
dc.subject.por.fl_str_mv |
Corumbá Brasil Goa Oriente – sujeitos transitivos – narrativa de viagens – ficcionalização do real – “zona de contacto”. Corumbá Brasil Goa Orient transitive subjects travel narratives fictionalization of the real contact zone |
topic |
Corumbá Brasil Goa Oriente – sujeitos transitivos – narrativa de viagens – ficcionalização do real – “zona de contacto”. Corumbá Brasil Goa Orient transitive subjects travel narratives fictionalization of the real contact zone |
description |
The work of José Eduardo Agualusa (Huambo, Angola, 1960) has the particularity of neither being limited to a single genre (his bibliography includes novels, short stories, chronicles, narrative notes and some poetry) nor to a single theme or area, be it spatial, temporal or cultural. Indeed, his characters are usually marked by geographical or historical discontinuities and intersecting trajectories within a "perspective of contact" that enablesconnections and interactions fo various sorts between different subjects in diverse spatio-temporal frames. Such fictional arborescences, especially present in his novels, though not always to a degree that generates cosmopolitan ramifications, construct transitive subjects and generate transcultural meanings. Um Estranho em Goa [A Stranger in Goa] is a case in point. Oscillating between the travel narrative and the fictionalisation of the real, the novel reinvents Goan identity in various ways, bringing onto the literary scene oriental exchanges and interlinkages and recovering the margins of political and ideological representations of the other, never losing sight of its otherness, in other words its potential as a site of diversity. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-12-28 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.usp.br/viaatlantica/article/view/117489 10.11606/va.v0i30.117489 |
url |
https://www.revistas.usp.br/viaatlantica/article/view/117489 |
identifier_str_mv |
10.11606/va.v0i30.117489 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.usp.br/viaatlantica/article/view/117489/121979 https://www.revistas.usp.br/viaatlantica/article/view/117489/196486 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2016 Inocência Mata https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2016 Inocência Mata https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf text/xml |
dc.publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas |
publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas |
dc.source.none.fl_str_mv |
Via Atlântica; v. 17 n. 2 (2016): Goa - literatura e cultura 2; 131-149 Via Atlântica; Vol. 17 No. 2 (2016): Goa - literatura e cultura 2; 131-149 2317-8086 1516-5159 reponame:Via Atlântica (Online) instname:Universidade de São Paulo (USP) instacron:USP |
instname_str |
Universidade de São Paulo (USP) |
instacron_str |
USP |
institution |
USP |
reponame_str |
Via Atlântica (Online) |
collection |
Via Atlântica (Online) |
repository.name.fl_str_mv |
Via Atlântica (Online) - Universidade de São Paulo (USP) |
repository.mail.fl_str_mv |
viatlan24@gmail.com |
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1800222041496879104 |