Color and sound: significant interfaces in the work of Sonia Coutinho

Detalhes bibliográficos
Autor(a) principal: Silva, Lilian Santana da
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Linha D'Água (Online)
Texto Completo: https://www.revistas.usp.br/linhadagua/article/view/191992
Resumo: This study addresses the inter-artistic relations between music, art and literature in Sonia Coutinho's short stories. The aim is to analyze the integration of verbal and musical constructions as a complex system in which the melodic structure projects and acts simultaneously in the constitution and representation of the characters in Coutinho’s stories. The interpretive approach of the stories allows us to observe the significant relationships between discursive and sonic elements. Theories about the relationship between literature and music and Feminist Literary Criticism provided the theoretical basis for the social-historical context of the analysis. The atmosphere built in the stories by jazz music and characters superimposed with images of cinema divas illustrates the intertextual play character produced by the author in her fiction.
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spelling Color and sound: significant interfaces in the work of Sonia CoutinhoCor e som: interfaces significantes na obra de Sonia CoutinhoLiterature of Female AuthorshipMusicSonia CoutinhoIntertualityArtLiteratura de Autoria FemininaMúsicaSonia CoutinhoIntertextualidadeArteThis study addresses the inter-artistic relations between music, art and literature in Sonia Coutinho's short stories. The aim is to analyze the integration of verbal and musical constructions as a complex system in which the melodic structure projects and acts simultaneously in the constitution and representation of the characters in Coutinho’s stories. The interpretive approach of the stories allows us to observe the significant relationships between discursive and sonic elements. Theories about the relationship between literature and music and Feminist Literary Criticism provided the theoretical basis for the social-historical context of the analysis. The atmosphere built in the stories by jazz music and characters superimposed with images of cinema divas illustrates the intertextual play character produced by the author in her fiction.Este estudo tem como temática as relações interartísticas entre música, arte e literatura nos contos de Sonia Coutinho. Objetiva-se analisar a integração entre as construções verbal e musical, como um sistema complexo em que a estrutura melódica projeta e atua ao mesmo tempo na constituição e na representação das personagens na contística da autora baiana. A abordagem interpretativa dos contos permite a observação de relações significativas entre elementos discursivos e sonoros. As teorias sobre as relações entre literatura e música e a Crítica Literária Feminista forneceram a base teórica para o contexto histórico-social da análise. A atmosfera construída para os contos por meio de músicas de jazz e personagens sobrepostas às imagens de divas do cinema exemplificam o caráter de jogo intertextual produzido pela autora na sua ficção.Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas2022-12-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/xmlhttps://www.revistas.usp.br/linhadagua/article/view/19199210.11606/issn.2236-4242.v35i3p171-183Linha D'Água; v. 35 n. 3 (2022): Estudos comparativistas – Literatura comparada & estudos interartes; 171-1832236-42420103-3638reponame:Linha D'Água (Online)instname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/linhadagua/article/view/191992/188867https://www.revistas.usp.br/linhadagua/article/view/191992/196814Copyright (c) 2022 Lilian Santana da Silvahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessSilva, Lilian Santana da2024-04-03T20:26:34Zoai:revistas.usp.br:article/191992Revistahttp://www.revistas.usp.br/linhadaguaPUBhttp://www.revistas.usp.br/linhadagua/oai||ldagua@usp.br2236-42420103-3638opendoar:2024-04-03T20:26:34Linha D'Água (Online) - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv Color and sound: significant interfaces in the work of Sonia Coutinho
Cor e som: interfaces significantes na obra de Sonia Coutinho
title Color and sound: significant interfaces in the work of Sonia Coutinho
spellingShingle Color and sound: significant interfaces in the work of Sonia Coutinho
Silva, Lilian Santana da
Literature of Female Authorship
Music
Sonia Coutinho
Intertuality
Art
Literatura de Autoria Feminina
Música
Sonia Coutinho
Intertextualidade
Arte
title_short Color and sound: significant interfaces in the work of Sonia Coutinho
title_full Color and sound: significant interfaces in the work of Sonia Coutinho
title_fullStr Color and sound: significant interfaces in the work of Sonia Coutinho
title_full_unstemmed Color and sound: significant interfaces in the work of Sonia Coutinho
title_sort Color and sound: significant interfaces in the work of Sonia Coutinho
author Silva, Lilian Santana da
author_facet Silva, Lilian Santana da
author_role author
dc.contributor.author.fl_str_mv Silva, Lilian Santana da
dc.subject.por.fl_str_mv Literature of Female Authorship
Music
Sonia Coutinho
Intertuality
Art
Literatura de Autoria Feminina
Música
Sonia Coutinho
Intertextualidade
Arte
topic Literature of Female Authorship
Music
Sonia Coutinho
Intertuality
Art
Literatura de Autoria Feminina
Música
Sonia Coutinho
Intertextualidade
Arte
description This study addresses the inter-artistic relations between music, art and literature in Sonia Coutinho's short stories. The aim is to analyze the integration of verbal and musical constructions as a complex system in which the melodic structure projects and acts simultaneously in the constitution and representation of the characters in Coutinho’s stories. The interpretive approach of the stories allows us to observe the significant relationships between discursive and sonic elements. Theories about the relationship between literature and music and Feminist Literary Criticism provided the theoretical basis for the social-historical context of the analysis. The atmosphere built in the stories by jazz music and characters superimposed with images of cinema divas illustrates the intertextual play character produced by the author in her fiction.
publishDate 2022
dc.date.none.fl_str_mv 2022-12-05
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/linhadagua/article/view/191992
10.11606/issn.2236-4242.v35i3p171-183
url https://www.revistas.usp.br/linhadagua/article/view/191992
identifier_str_mv 10.11606/issn.2236-4242.v35i3p171-183
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.usp.br/linhadagua/article/view/191992/188867
https://www.revistas.usp.br/linhadagua/article/view/191992/196814
dc.rights.driver.fl_str_mv Copyright (c) 2022 Lilian Santana da Silva
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Lilian Santana da Silva
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/xml
dc.publisher.none.fl_str_mv Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas
publisher.none.fl_str_mv Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas
dc.source.none.fl_str_mv Linha D'Água; v. 35 n. 3 (2022): Estudos comparativistas – Literatura comparada & estudos interartes; 171-183
2236-4242
0103-3638
reponame:Linha D'Água (Online)
instname:Universidade de São Paulo (USP)
instacron:USP
instname_str Universidade de São Paulo (USP)
instacron_str USP
institution USP
reponame_str Linha D'Água (Online)
collection Linha D'Água (Online)
repository.name.fl_str_mv Linha D'Água (Online) - Universidade de São Paulo (USP)
repository.mail.fl_str_mv ||ldagua@usp.br
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