Artistas latino-americanos no Centre national des arts plastiques: presenças invisíveis

• Autor(a) principal: Simioni, Ana Paula Cavalcanti
• Data de Publicação: 2024
• Tipo de documento: Artigo
• Idioma: por; fra
• Título da fonte: Anais do Museu Paulista (Online)
• Texto Completo: https://www.revistas.usp.br/anaismp/article/view/214324
• topic: Artistas mulheres; Arte latino-americana; Cnap; Exílio; Feminismo; Femmes artistes; Art latino-américain; Cnap; Exil; Féminisme; Women artists; Latin-American art; Cnap; Exile; Feminism

The article focuses on the presence and visibility of Latin-American artists of the Centre national des arts plastiques (Cnap), in Paris- France. It is the first and most perennial world initiative to create a state fund of works dedicated to “living art,” an initiative that began in the end of the eighteenth century and persists to this day. The study of the temporality of the entrance of works in the collection, pointing to the importance of the decade of 1980, it contributes to the history of the global art by repositioning the institutional impact of the exhibition “Magiciens de la terre,” and the centrality of Paris to the Latin-American artists, especially during exile. In this ample context, we discuss the invisibility of women artists from the corpus of works in the Cnap.