Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México)
Autor(a) principal: | |
---|---|
Data de Publicação: | 2022 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Anais do Museu Paulista (Online) |
Texto Completo: | https://www.revistas.usp.br/anaismp/article/view/192814 |
Resumo: | The artistic, architectural and historical importance of the Rosario Chapel (Puebla) and the Church of Santa María Tonantzintla (Cholula), in Mexico, considering the small number of studies that relate these temples, makes it a challenge to analyze them simultaneously. Therefore, the objective of this article is to identify aesthetic elements that distinguish, throughout artistic miscegenation, an original decoloniality as an indigenous praxis of re-existence in the New World, after Tonantzintla. This demands an ontological exercise on being, duration and the irruption of aesthetic praxis in the native from the colonizing process and territorial conquest. Indigenous practices, expressions, objects or strategies that demarcate objection to colonial violence are pointed out, using the mechanisms of the Conquest itself, such as the Church and the baroque style. Four fieldworks were carried out, with direct observation, production ofimages and a detailed description of the ornamentation of the temples. The framework intersects the history and philosophy of the Latin American baroque, decolonial theory and the aesthetic dimension of the temples decoded by its most noteworthy interpreters. |
id |
USP-37_9204851859dd29780c4065343ac19d6d |
---|---|
oai_identifier_str |
oai:revistas.usp.br:article/192814 |
network_acronym_str |
USP-37 |
network_name_str |
Anais do Museu Paulista (Online) |
repository_id_str |
|
spelling |
Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México) Decolonialidad originaria, barroco mestizo y territorio en América Latina (del Rosario de Puebla a Tonantzintla de Cholula, México)Decolonialidad IglesiaArquitectura barrocaIndígenasAmérica LatinaDecolonialityChurchBaroque architectureIndigenousLatin AmericaThe artistic, architectural and historical importance of the Rosario Chapel (Puebla) and the Church of Santa María Tonantzintla (Cholula), in Mexico, considering the small number of studies that relate these temples, makes it a challenge to analyze them simultaneously. Therefore, the objective of this article is to identify aesthetic elements that distinguish, throughout artistic miscegenation, an original decoloniality as an indigenous praxis of re-existence in the New World, after Tonantzintla. This demands an ontological exercise on being, duration and the irruption of aesthetic praxis in the native from the colonizing process and territorial conquest. Indigenous practices, expressions, objects or strategies that demarcate objection to colonial violence are pointed out, using the mechanisms of the Conquest itself, such as the Church and the baroque style. Four fieldworks were carried out, with direct observation, production ofimages and a detailed description of the ornamentation of the temples. The framework intersects the history and philosophy of the Latin American baroque, decolonial theory and the aesthetic dimension of the temples decoded by its most noteworthy interpreters.La importancia artística, arquitectónica e histórica de la capilla del Rosario (Puebla) y de la iglesia de Santa María Tonantzintla (Cholula), en México, aunada al reducido número de estudios que relacionan dichos templos, se convierte en un desafío analizarlas simultáneamente. Por ello, el objetivo del artículo es identificar elementos estéticos que singularizan, con el mestizaje artístico, una ‘decolonialidad originaria’ como praxis indígena de re-existencia en el NuevoMundo, desde Tonantzintla. Ello demanda un ejercicio ontológico sobre el ‘ser’, la ‘duración’ y la ‘irrupción’ de la ‘praxis estética’ en el nativo a partir del proceso colonizador y de conquista territorial. Son señaladas expresiones, objetos o estrategias indígenas que demarcan objeción a las violencias coloniales, valiéndose de los mecanismos de la propia Conquista, como la Iglesia y el barroquismo. Fueron realizados cuatro trabajos de campo, con observación directa,producción de imágenes y minuciosa descripción de la ornamentación de los templos. El marco teórico entrecruza la historia y filosofía del barroco latinoamericano, la teoría decolonial y la dimensión estética de los templos descifrada por sus más notables intérpretes.Universidade de São Paulo. Museu Paulista2022-09-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.usp.br/anaismp/article/view/19281410.1590/1982-02672022v30e26Anais do Museu Paulista: História e Cultura Material; v. 30 (2022); 1-441982-02670101-4714reponame:Anais do Museu Paulista (Online)instname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/anaismp/article/view/192814/186030Copyright (c) 2022 Everaldo Batista da Costa, Percival Tirapeli, José Omar Moncadahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCosta, Everaldo Batista daCosta, Everaldo Batista daTirapeli, PercivalMoncada, José Omar2022-12-14T14:56:37Zoai:revistas.usp.br:article/192814Revistahttp://anais.mp.usp.br/PUBhttps://old.scielo.br/oai/scielo-oai.php||anaismp@usp.br1982-02670101-4714opendoar:2022-12-14T14:56:37Anais do Museu Paulista (Online) - Universidade de São Paulo (USP)false |
dc.title.none.fl_str_mv |
Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México) Decolonialidad originaria, barroco mestizo y territorio en América Latina (del Rosario de Puebla a Tonantzintla de Cholula, México) |
title |
Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México) |
spellingShingle |
Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México) Costa, Everaldo Batista da Decolonialidad Iglesia Arquitectura barroca Indígenas América Latina Decoloniality Church Baroque architecture Indigenous Latin America |
title_short |
Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México) |
title_full |
Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México) |
title_fullStr |
Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México) |
title_full_unstemmed |
Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México) |
title_sort |
Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México) |
author |
Costa, Everaldo Batista da |
author_facet |
Costa, Everaldo Batista da Tirapeli, Percival Moncada, José Omar |
author_role |
author |
author2 |
Tirapeli, Percival Moncada, José Omar |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Costa, Everaldo Batista da Costa, Everaldo Batista da Tirapeli, Percival Moncada, José Omar |
dc.subject.por.fl_str_mv |
Decolonialidad Iglesia Arquitectura barroca Indígenas América Latina Decoloniality Church Baroque architecture Indigenous Latin America |
topic |
Decolonialidad Iglesia Arquitectura barroca Indígenas América Latina Decoloniality Church Baroque architecture Indigenous Latin America |
description |
The artistic, architectural and historical importance of the Rosario Chapel (Puebla) and the Church of Santa María Tonantzintla (Cholula), in Mexico, considering the small number of studies that relate these temples, makes it a challenge to analyze them simultaneously. Therefore, the objective of this article is to identify aesthetic elements that distinguish, throughout artistic miscegenation, an original decoloniality as an indigenous praxis of re-existence in the New World, after Tonantzintla. This demands an ontological exercise on being, duration and the irruption of aesthetic praxis in the native from the colonizing process and territorial conquest. Indigenous practices, expressions, objects or strategies that demarcate objection to colonial violence are pointed out, using the mechanisms of the Conquest itself, such as the Church and the baroque style. Four fieldworks were carried out, with direct observation, production ofimages and a detailed description of the ornamentation of the temples. The framework intersects the history and philosophy of the Latin American baroque, decolonial theory and the aesthetic dimension of the temples decoded by its most noteworthy interpreters. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-09-05 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.usp.br/anaismp/article/view/192814 10.1590/1982-02672022v30e26 |
url |
https://www.revistas.usp.br/anaismp/article/view/192814 |
identifier_str_mv |
10.1590/1982-02672022v30e26 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.usp.br/anaismp/article/view/192814/186030 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Everaldo Batista da Costa, Percival Tirapeli, José Omar Moncada http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Everaldo Batista da Costa, Percival Tirapeli, José Omar Moncada http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade de São Paulo. Museu Paulista |
publisher.none.fl_str_mv |
Universidade de São Paulo. Museu Paulista |
dc.source.none.fl_str_mv |
Anais do Museu Paulista: História e Cultura Material; v. 30 (2022); 1-44 1982-0267 0101-4714 reponame:Anais do Museu Paulista (Online) instname:Universidade de São Paulo (USP) instacron:USP |
instname_str |
Universidade de São Paulo (USP) |
instacron_str |
USP |
institution |
USP |
reponame_str |
Anais do Museu Paulista (Online) |
collection |
Anais do Museu Paulista (Online) |
repository.name.fl_str_mv |
Anais do Museu Paulista (Online) - Universidade de São Paulo (USP) |
repository.mail.fl_str_mv |
||anaismp@usp.br |
_version_ |
1800222817903443968 |