¡Sucia Copia!
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | ARS (São Paulo. Online) |
Texto Completo: | https://www.revistas.usp.br/ars/article/view/134105 |
Resumo: | This text presents a re-reading of the artwork Tropicália from the point of view of a post-colonial theorization to review the previous national(ist) version of Oiticica’s work interpretation and of his figure. For that it focuses in the comparison of several concepts crucial for Homi Bhabha: mimesis, ambivalence and hybridization in comparison with the tropicalist proposal of the artist in his interest of Rio de Janeiro favelas, this place “quite the same, but not really” of the occidental modern city. |
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ARS (São Paulo. Online) |
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¡Sucia Copia!Dirty Copy!TropicáliaHélio OiticicaHomi BhabhamimesisambivalencehibridationTropicáliaHélio OiticicaHomi BhabhamimesisambivalenciahibridaciónThis text presents a re-reading of the artwork Tropicália from the point of view of a post-colonial theorization to review the previous national(ist) version of Oiticica’s work interpretation and of his figure. For that it focuses in the comparison of several concepts crucial for Homi Bhabha: mimesis, ambivalence and hybridization in comparison with the tropicalist proposal of the artist in his interest of Rio de Janeiro favelas, this place “quite the same, but not really” of the occidental modern city.Este texto realiza una relectura de la obra Tropicália, de Hélio Oiticica, desde la perspectiva post-colonial para revisar la versión nacional(ista) de la interpretación del trabajo y de la figura de Oiticica; para ello, se centra en una comparativa de los conceptos clave para Homi Bhabha, mimesis, ambivalencia e hibridación, en comparación con la propuesta tropicalista del artista en su atención a la favela de Rio de Janeiro, local “casi igual pero no exatamente” a la ciudad moderna occidental. Universidade de São Paulo. Escola de Comunicações e Artes2017-10-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.usp.br/ars/article/view/13410510.11606/issn.2178-0447.ars.2017.134105ARS (São Paulo); v. 15 n. 30 (2017); 87-94ARS; Vol. 15 Núm. 30 (2017); 87-94ARS; Vol. 15 No. 30 (2017); 87-942178-04471678-5320reponame:ARS (São Paulo. Online)instname:Universidade de São Paulo (USP)instacron:USPspahttps://www.revistas.usp.br/ars/article/view/134105/135023Copyright (c) 2017 Maria Iñigoinfo:eu-repo/semantics/openAccessIñigo, Maria2017-10-28T01:27:21Zoai:revistas.usp.br:article/134105Revistahttp://www.scielo.br/arsPUBhttps://old.scielo.br/oai/scielo-oai.php||ars@usp.br2178-04471678-5320opendoar:2017-10-28T01:27:21ARS (São Paulo. Online) - Universidade de São Paulo (USP)false |
dc.title.none.fl_str_mv |
¡Sucia Copia! Dirty Copy! |
title |
¡Sucia Copia! |
spellingShingle |
¡Sucia Copia! Iñigo, Maria Tropicália Hélio Oiticica Homi Bhabha mimesis ambivalence hibridation Tropicália Hélio Oiticica Homi Bhabha mimesis ambivalencia hibridación |
title_short |
¡Sucia Copia! |
title_full |
¡Sucia Copia! |
title_fullStr |
¡Sucia Copia! |
title_full_unstemmed |
¡Sucia Copia! |
title_sort |
¡Sucia Copia! |
author |
Iñigo, Maria |
author_facet |
Iñigo, Maria |
author_role |
author |
dc.contributor.author.fl_str_mv |
Iñigo, Maria |
dc.subject.por.fl_str_mv |
Tropicália Hélio Oiticica Homi Bhabha mimesis ambivalence hibridation Tropicália Hélio Oiticica Homi Bhabha mimesis ambivalencia hibridación |
topic |
Tropicália Hélio Oiticica Homi Bhabha mimesis ambivalence hibridation Tropicália Hélio Oiticica Homi Bhabha mimesis ambivalencia hibridación |
description |
This text presents a re-reading of the artwork Tropicália from the point of view of a post-colonial theorization to review the previous national(ist) version of Oiticica’s work interpretation and of his figure. For that it focuses in the comparison of several concepts crucial for Homi Bhabha: mimesis, ambivalence and hybridization in comparison with the tropicalist proposal of the artist in his interest of Rio de Janeiro favelas, this place “quite the same, but not really” of the occidental modern city. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-10-27 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.usp.br/ars/article/view/134105 10.11606/issn.2178-0447.ars.2017.134105 |
url |
https://www.revistas.usp.br/ars/article/view/134105 |
identifier_str_mv |
10.11606/issn.2178-0447.ars.2017.134105 |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://www.revistas.usp.br/ars/article/view/134105/135023 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Maria Iñigo info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Maria Iñigo |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade de São Paulo. Escola de Comunicações e Artes |
publisher.none.fl_str_mv |
Universidade de São Paulo. Escola de Comunicações e Artes |
dc.source.none.fl_str_mv |
ARS (São Paulo); v. 15 n. 30 (2017); 87-94 ARS; Vol. 15 Núm. 30 (2017); 87-94 ARS; Vol. 15 No. 30 (2017); 87-94 2178-0447 1678-5320 reponame:ARS (São Paulo. Online) instname:Universidade de São Paulo (USP) instacron:USP |
instname_str |
Universidade de São Paulo (USP) |
instacron_str |
USP |
institution |
USP |
reponame_str |
ARS (São Paulo. Online) |
collection |
ARS (São Paulo. Online) |
repository.name.fl_str_mv |
ARS (São Paulo. Online) - Universidade de São Paulo (USP) |
repository.mail.fl_str_mv |
||ars@usp.br |
_version_ |
1797688292659953664 |