Luis Bello, el ilustrador de Roberto Arlt
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | Caracol (São Paulo. Online) |
Texto Completo: | https://www.revistas.usp.br/caracol/article/view/157534 |
Resumo: | The Argentine writer Roberto Arlt began to work as a chronicler for the newspaper El Mundo from the moment of its appearance, in May 1928. In August of the same year his column devoted mostly to the representation of the modernization of the city began to carry the title that would grant recognition in the journalistic environment of the time: “Agua Fuertes porteñas”. But also, for almost eight years, these chronicles were printed on the newspaper page along with illustrations made by one of the cartoonists of El Mundo, Luis Bello. In front of the emptiness of references on the incidence that these drawings had in the configuration of the column, the objective of this work is to analyze how these illustrations were also part of the “Agua Fuertes porteñas”. Forthis, at first, will be examined the characteristics of Bello’s drawings and their links with the cartoon genre, in the second part of the work, to investigate how the intermediate cross between text and image influenced the composition of the chronicles of Arlt. |
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Luis Bello, el ilustrador de Roberto ArltLuis Bello, the illustrator of Roberto ArltChronicleArltIntermedialityIllustrationBelloCrónicaArltIntermedialidadIlustraciónBelloCrónicaArltIntermedialidadIlustraciónBelloThe Argentine writer Roberto Arlt began to work as a chronicler for the newspaper El Mundo from the moment of its appearance, in May 1928. In August of the same year his column devoted mostly to the representation of the modernization of the city began to carry the title that would grant recognition in the journalistic environment of the time: “Agua Fuertes porteñas”. But also, for almost eight years, these chronicles were printed on the newspaper page along with illustrations made by one of the cartoonists of El Mundo, Luis Bello. In front of the emptiness of references on the incidence that these drawings had in the configuration of the column, the objective of this work is to analyze how these illustrations were also part of the “Agua Fuertes porteñas”. Forthis, at first, will be examined the characteristics of Bello’s drawings and their links with the cartoon genre, in the second part of the work, to investigate how the intermediate cross between text and image influenced the composition of the chronicles of Arlt.El escritor argentino Roberto Arlt comenzó a trabajar como cronista para el diario El Mundo desde el momento mismo de su aparición, en mayo de 1928. En agosto del mismo año su columna dedicada mayormente a la representación de la modernización de la ciudad comenzó a portar el título que le otorgaría reconocimiento en el ambiente periodístico de la época: “Aguafuertes porteñas”. Pero además, durante casi ocho años, estas crónicas fueron impresas en la página del periódico junto a ilustraciones realizadas por uno de los dibujantes de El Mundo, Luis Bello. Frente al vacío de referencias sobre la incidencia que estos dibujos tuvieron en la configuración de la columna, el objetivo de este trabajo consiste en analizar de qué modo estas ilustraciones también formaron parte de las “Aguafuertes porteñas”. Para ello, en un primer momento, se examinarán las características de los dibujos de Bello y sus vinculaciones con el género caricatura para, en la segunda parte del trabajo, indagar cómo el cruce intermedial entre texto e imagen influyó en la composición de las crónicas de Arlt.Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas2020-06-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/xmlhttps://www.revistas.usp.br/caracol/article/view/15753410.11606/issn.2317-9651.v0i19p830-859Caracol; Núm. 19 (2020): (jan- jun 2020) Dossiê: A língua espanhola: estudos descritivos, comparativos e sobre aquisição/aprendizagem; 830-859Caracol; n. 19 (2020): (jan- jun 2020) Dossiê: A língua espanhola: estudos descritivos, comparativos e sobre aquisição/aprendizagem; 830-8592317-96512178-1702reponame:Caracol (São Paulo. Online)instname:Universidade de São Paulo (USP)instacron:USPspahttps://www.revistas.usp.br/caracol/article/view/157534/161490https://www.revistas.usp.br/caracol/article/view/157534/184818Copyright (c) 2020 Pilar María Cimadevillahttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessCimadevilla, Pilar María2020-07-01T21:05:54Zoai:revistas.usp.br:article/157534Revistahttp://www.revistas.usp.br/caracol/indexPUBhttp://www.revistas.usp.br/caracol/oairevista.caracol@usp.br||2317-96512178-1702opendoar:2020-07-01T21:05:54Caracol (São Paulo. Online) - Universidade de São Paulo (USP)false |
dc.title.none.fl_str_mv |
Luis Bello, el ilustrador de Roberto Arlt Luis Bello, the illustrator of Roberto Arlt |
title |
Luis Bello, el ilustrador de Roberto Arlt |
spellingShingle |
Luis Bello, el ilustrador de Roberto Arlt Cimadevilla, Pilar María Chronicle Arlt Intermediality Illustration Bello Crónica Arlt Intermedialidad Ilustración Bello Crónica Arlt Intermedialidad Ilustración Bello |
title_short |
Luis Bello, el ilustrador de Roberto Arlt |
title_full |
Luis Bello, el ilustrador de Roberto Arlt |
title_fullStr |
Luis Bello, el ilustrador de Roberto Arlt |
title_full_unstemmed |
Luis Bello, el ilustrador de Roberto Arlt |
title_sort |
Luis Bello, el ilustrador de Roberto Arlt |
author |
Cimadevilla, Pilar María |
author_facet |
Cimadevilla, Pilar María |
author_role |
author |
dc.contributor.author.fl_str_mv |
Cimadevilla, Pilar María |
dc.subject.por.fl_str_mv |
Chronicle Arlt Intermediality Illustration Bello Crónica Arlt Intermedialidad Ilustración Bello Crónica Arlt Intermedialidad Ilustración Bello |
topic |
Chronicle Arlt Intermediality Illustration Bello Crónica Arlt Intermedialidad Ilustración Bello Crónica Arlt Intermedialidad Ilustración Bello |
description |
The Argentine writer Roberto Arlt began to work as a chronicler for the newspaper El Mundo from the moment of its appearance, in May 1928. In August of the same year his column devoted mostly to the representation of the modernization of the city began to carry the title that would grant recognition in the journalistic environment of the time: “Agua Fuertes porteñas”. But also, for almost eight years, these chronicles were printed on the newspaper page along with illustrations made by one of the cartoonists of El Mundo, Luis Bello. In front of the emptiness of references on the incidence that these drawings had in the configuration of the column, the objective of this work is to analyze how these illustrations were also part of the “Agua Fuertes porteñas”. Forthis, at first, will be examined the characteristics of Bello’s drawings and their links with the cartoon genre, in the second part of the work, to investigate how the intermediate cross between text and image influenced the composition of the chronicles of Arlt. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-06-24 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.usp.br/caracol/article/view/157534 10.11606/issn.2317-9651.v0i19p830-859 |
url |
https://www.revistas.usp.br/caracol/article/view/157534 |
identifier_str_mv |
10.11606/issn.2317-9651.v0i19p830-859 |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://www.revistas.usp.br/caracol/article/view/157534/161490 https://www.revistas.usp.br/caracol/article/view/157534/184818 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Pilar María Cimadevilla http://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Pilar María Cimadevilla http://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf text/xml |
dc.publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas |
publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas |
dc.source.none.fl_str_mv |
Caracol; Núm. 19 (2020): (jan- jun 2020) Dossiê: A língua espanhola: estudos descritivos, comparativos e sobre aquisição/aprendizagem; 830-859 Caracol; n. 19 (2020): (jan- jun 2020) Dossiê: A língua espanhola: estudos descritivos, comparativos e sobre aquisição/aprendizagem; 830-859 2317-9651 2178-1702 reponame:Caracol (São Paulo. Online) instname:Universidade de São Paulo (USP) instacron:USP |
instname_str |
Universidade de São Paulo (USP) |
instacron_str |
USP |
institution |
USP |
reponame_str |
Caracol (São Paulo. Online) |
collection |
Caracol (São Paulo. Online) |
repository.name.fl_str_mv |
Caracol (São Paulo. Online) - Universidade de São Paulo (USP) |
repository.mail.fl_str_mv |
revista.caracol@usp.br|| |
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1797231606265544704 |