Between Christianity and a project of a tradition: Jerusalén conquistada, by Lope de Vega

Detalhes bibliográficos
Autor(a) principal: Monteiro, Wagner
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Caracol (São Paulo. Online)
Texto Completo: https://www.revistas.usp.br/caracol/article/view/179733
Resumo: This article aims to locate the Jerusalén conquistada, by Lope de Vega within his religious production and the Golden Centuries in Spain. Published in 1609, Jerusalén is the result of the most ambitious project by Lope de Vega, a Spanish writer famous for theater, but who wrote several epic poems between the end of the 16th century and the first decades of the 17th. Using the Italian model of Torquato Tasso, with his Gerusalemme liberata (1581), Lope wrote his narrative to praise the Spanish court of the Austrias and, at the same time, to acquire on Spanish soil the status that Luís de Camões had achieved in Portugal.
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spelling Between Christianity and a project of a tradition: Jerusalén conquistada, by Lope de VegaEntre o cristianismo e uma tradição forjada: a Jerusalén conquistada, de Lope de VegaLope de VegaJerusalén ConquistadaEpic poetryLope de VegaJerusalén ConquistadaPoesia épicaThis article aims to locate the Jerusalén conquistada, by Lope de Vega within his religious production and the Golden Centuries in Spain. Published in 1609, Jerusalén is the result of the most ambitious project by Lope de Vega, a Spanish writer famous for theater, but who wrote several epic poems between the end of the 16th century and the first decades of the 17th. Using the Italian model of Torquato Tasso, with his Gerusalemme liberata (1581), Lope wrote his narrative to praise the Spanish court of the Austrias and, at the same time, to acquire on Spanish soil the status that Luís de Camões had achieved in Portugal.Este artigo tem como objetivo localizar a Jerusalén conquistada de Lope de Vega dentro de sua produção religiosa e dos Séculos de Ouro na Espanha. Publicada em 1609, a Jerusalén é fruto do mais ambicioso projeto de Lope de Vega, escritor espanhol famoso pelo teatro, mas que escreveu diversos poemas épicos entre o final do século XVI e nas primeiras décadas do XVII. Lançando mão do modelo italiano de Torquato Tasso, com sua Gerusalemme liberata (1581), Lope construiu sua narrativa para enaltecer a corte espanhola dos Austrias e, ao mesmo tempo, para adquirir em solo espanhol o status que Luís de Camões havia alcançado em Portugal.Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas2021-11-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/xmlhttps://www.revistas.usp.br/caracol/article/view/17973310.11606/issn.2317-9651.i22p366-387Caracol; Núm. 22 (2021): (jul-dic 2021) Dossier: El teatro en español del siglo XXI; 366-387Caracol; n. 22 (2021): (jul-dez 2021) Dossiê: El teatro en español del siglo XXI; 366-3872317-96512178-1702reponame:Caracol (São Paulo. Online)instname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/caracol/article/view/179733/176794https://www.revistas.usp.br/caracol/article/view/179733/184913Copyright (c) 2021 Wagner Monteirohttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessMonteiro, Wagner2021-11-01T17:53:15Zoai:revistas.usp.br:article/179733Revistahttp://www.revistas.usp.br/caracol/indexPUBhttp://www.revistas.usp.br/caracol/oairevista.caracol@usp.br||2317-96512178-1702opendoar:2021-11-01T17:53:15Caracol (São Paulo. Online) - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv Between Christianity and a project of a tradition: Jerusalén conquistada, by Lope de Vega
Entre o cristianismo e uma tradição forjada: a Jerusalén conquistada, de Lope de Vega
title Between Christianity and a project of a tradition: Jerusalén conquistada, by Lope de Vega
spellingShingle Between Christianity and a project of a tradition: Jerusalén conquistada, by Lope de Vega
Monteiro, Wagner
Lope de Vega
Jerusalén Conquistada
Epic poetry
Lope de Vega
Jerusalén Conquistada
Poesia épica
title_short Between Christianity and a project of a tradition: Jerusalén conquistada, by Lope de Vega
title_full Between Christianity and a project of a tradition: Jerusalén conquistada, by Lope de Vega
title_fullStr Between Christianity and a project of a tradition: Jerusalén conquistada, by Lope de Vega
title_full_unstemmed Between Christianity and a project of a tradition: Jerusalén conquistada, by Lope de Vega
title_sort Between Christianity and a project of a tradition: Jerusalén conquistada, by Lope de Vega
author Monteiro, Wagner
author_facet Monteiro, Wagner
author_role author
dc.contributor.author.fl_str_mv Monteiro, Wagner
dc.subject.por.fl_str_mv Lope de Vega
Jerusalén Conquistada
Epic poetry
Lope de Vega
Jerusalén Conquistada
Poesia épica
topic Lope de Vega
Jerusalén Conquistada
Epic poetry
Lope de Vega
Jerusalén Conquistada
Poesia épica
description This article aims to locate the Jerusalén conquistada, by Lope de Vega within his religious production and the Golden Centuries in Spain. Published in 1609, Jerusalén is the result of the most ambitious project by Lope de Vega, a Spanish writer famous for theater, but who wrote several epic poems between the end of the 16th century and the first decades of the 17th. Using the Italian model of Torquato Tasso, with his Gerusalemme liberata (1581), Lope wrote his narrative to praise the Spanish court of the Austrias and, at the same time, to acquire on Spanish soil the status that Luís de Camões had achieved in Portugal.
publishDate 2021
dc.date.none.fl_str_mv 2021-11-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/caracol/article/view/179733
10.11606/issn.2317-9651.i22p366-387
url https://www.revistas.usp.br/caracol/article/view/179733
identifier_str_mv 10.11606/issn.2317-9651.i22p366-387
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.usp.br/caracol/article/view/179733/176794
https://www.revistas.usp.br/caracol/article/view/179733/184913
dc.rights.driver.fl_str_mv Copyright (c) 2021 Wagner Monteiro
http://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Wagner Monteiro
http://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/xml
dc.publisher.none.fl_str_mv Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas
publisher.none.fl_str_mv Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas
dc.source.none.fl_str_mv Caracol; Núm. 22 (2021): (jul-dic 2021) Dossier: El teatro en español del siglo XXI; 366-387
Caracol; n. 22 (2021): (jul-dez 2021) Dossiê: El teatro en español del siglo XXI; 366-387
2317-9651
2178-1702
reponame:Caracol (São Paulo. Online)
instname:Universidade de São Paulo (USP)
instacron:USP
instname_str Universidade de São Paulo (USP)
instacron_str USP
institution USP
reponame_str Caracol (São Paulo. Online)
collection Caracol (São Paulo. Online)
repository.name.fl_str_mv Caracol (São Paulo. Online) - Universidade de São Paulo (USP)
repository.mail.fl_str_mv revista.caracol@usp.br||
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