Between Christianity and a project of a tradition: Jerusalén conquistada, by Lope de Vega
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Caracol (São Paulo. Online) |
Texto Completo: | https://www.revistas.usp.br/caracol/article/view/179733 |
Resumo: | This article aims to locate the Jerusalén conquistada, by Lope de Vega within his religious production and the Golden Centuries in Spain. Published in 1609, Jerusalén is the result of the most ambitious project by Lope de Vega, a Spanish writer famous for theater, but who wrote several epic poems between the end of the 16th century and the first decades of the 17th. Using the Italian model of Torquato Tasso, with his Gerusalemme liberata (1581), Lope wrote his narrative to praise the Spanish court of the Austrias and, at the same time, to acquire on Spanish soil the status that Luís de Camões had achieved in Portugal. |
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Between Christianity and a project of a tradition: Jerusalén conquistada, by Lope de VegaEntre o cristianismo e uma tradição forjada: a Jerusalén conquistada, de Lope de VegaLope de VegaJerusalén ConquistadaEpic poetryLope de VegaJerusalén ConquistadaPoesia épicaThis article aims to locate the Jerusalén conquistada, by Lope de Vega within his religious production and the Golden Centuries in Spain. Published in 1609, Jerusalén is the result of the most ambitious project by Lope de Vega, a Spanish writer famous for theater, but who wrote several epic poems between the end of the 16th century and the first decades of the 17th. Using the Italian model of Torquato Tasso, with his Gerusalemme liberata (1581), Lope wrote his narrative to praise the Spanish court of the Austrias and, at the same time, to acquire on Spanish soil the status that Luís de Camões had achieved in Portugal.Este artigo tem como objetivo localizar a Jerusalén conquistada de Lope de Vega dentro de sua produção religiosa e dos Séculos de Ouro na Espanha. Publicada em 1609, a Jerusalén é fruto do mais ambicioso projeto de Lope de Vega, escritor espanhol famoso pelo teatro, mas que escreveu diversos poemas épicos entre o final do século XVI e nas primeiras décadas do XVII. Lançando mão do modelo italiano de Torquato Tasso, com sua Gerusalemme liberata (1581), Lope construiu sua narrativa para enaltecer a corte espanhola dos Austrias e, ao mesmo tempo, para adquirir em solo espanhol o status que Luís de Camões havia alcançado em Portugal.Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas2021-11-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/xmlhttps://www.revistas.usp.br/caracol/article/view/17973310.11606/issn.2317-9651.i22p366-387Caracol; Núm. 22 (2021): (jul-dic 2021) Dossier: El teatro en español del siglo XXI; 366-387Caracol; n. 22 (2021): (jul-dez 2021) Dossiê: El teatro en español del siglo XXI; 366-3872317-96512178-1702reponame:Caracol (São Paulo. Online)instname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/caracol/article/view/179733/176794https://www.revistas.usp.br/caracol/article/view/179733/184913Copyright (c) 2021 Wagner Monteirohttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessMonteiro, Wagner2021-11-01T17:53:15Zoai:revistas.usp.br:article/179733Revistahttp://www.revistas.usp.br/caracol/indexPUBhttp://www.revistas.usp.br/caracol/oairevista.caracol@usp.br||2317-96512178-1702opendoar:2021-11-01T17:53:15Caracol (São Paulo. Online) - Universidade de São Paulo (USP)false |
dc.title.none.fl_str_mv |
Between Christianity and a project of a tradition: Jerusalén conquistada, by Lope de Vega Entre o cristianismo e uma tradição forjada: a Jerusalén conquistada, de Lope de Vega |
title |
Between Christianity and a project of a tradition: Jerusalén conquistada, by Lope de Vega |
spellingShingle |
Between Christianity and a project of a tradition: Jerusalén conquistada, by Lope de Vega Monteiro, Wagner Lope de Vega Jerusalén Conquistada Epic poetry Lope de Vega Jerusalén Conquistada Poesia épica |
title_short |
Between Christianity and a project of a tradition: Jerusalén conquistada, by Lope de Vega |
title_full |
Between Christianity and a project of a tradition: Jerusalén conquistada, by Lope de Vega |
title_fullStr |
Between Christianity and a project of a tradition: Jerusalén conquistada, by Lope de Vega |
title_full_unstemmed |
Between Christianity and a project of a tradition: Jerusalén conquistada, by Lope de Vega |
title_sort |
Between Christianity and a project of a tradition: Jerusalén conquistada, by Lope de Vega |
author |
Monteiro, Wagner |
author_facet |
Monteiro, Wagner |
author_role |
author |
dc.contributor.author.fl_str_mv |
Monteiro, Wagner |
dc.subject.por.fl_str_mv |
Lope de Vega Jerusalén Conquistada Epic poetry Lope de Vega Jerusalén Conquistada Poesia épica |
topic |
Lope de Vega Jerusalén Conquistada Epic poetry Lope de Vega Jerusalén Conquistada Poesia épica |
description |
This article aims to locate the Jerusalén conquistada, by Lope de Vega within his religious production and the Golden Centuries in Spain. Published in 1609, Jerusalén is the result of the most ambitious project by Lope de Vega, a Spanish writer famous for theater, but who wrote several epic poems between the end of the 16th century and the first decades of the 17th. Using the Italian model of Torquato Tasso, with his Gerusalemme liberata (1581), Lope wrote his narrative to praise the Spanish court of the Austrias and, at the same time, to acquire on Spanish soil the status that Luís de Camões had achieved in Portugal. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-11-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.usp.br/caracol/article/view/179733 10.11606/issn.2317-9651.i22p366-387 |
url |
https://www.revistas.usp.br/caracol/article/view/179733 |
identifier_str_mv |
10.11606/issn.2317-9651.i22p366-387 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.usp.br/caracol/article/view/179733/176794 https://www.revistas.usp.br/caracol/article/view/179733/184913 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Wagner Monteiro http://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Wagner Monteiro http://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf text/xml |
dc.publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas |
publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas |
dc.source.none.fl_str_mv |
Caracol; Núm. 22 (2021): (jul-dic 2021) Dossier: El teatro en español del siglo XXI; 366-387 Caracol; n. 22 (2021): (jul-dez 2021) Dossiê: El teatro en español del siglo XXI; 366-387 2317-9651 2178-1702 reponame:Caracol (São Paulo. Online) instname:Universidade de São Paulo (USP) instacron:USP |
instname_str |
Universidade de São Paulo (USP) |
instacron_str |
USP |
institution |
USP |
reponame_str |
Caracol (São Paulo. Online) |
collection |
Caracol (São Paulo. Online) |
repository.name.fl_str_mv |
Caracol (São Paulo. Online) - Universidade de São Paulo (USP) |
repository.mail.fl_str_mv |
revista.caracol@usp.br|| |
_version_ |
1797231606837018624 |