Lucrecia’s step back: discursive disputes between films and TV series

Detalhes bibliográficos
Autor(a) principal: Silva, Marcel Vieira Barreto
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: eng
por
Título da fonte: Matrizes (Online)
Texto Completo: https://www.revistas.usp.br/matrizes/article/view/183135
Resumo: This paper intends to analyze the discursive disputes that permeate the comparative debate between films and TV series in the contemporary cultural criticism. We take from the arguments of Argentinean filmmaker Lucrecia Martel against TV series in order to understand, diachronically, the historical tensions between cinema and television and its perpetuity in the current scenario. To do so, we come up here with three dominant axis in the comparative evaluation: espectatorial experience, style and narrative. With this, we aim to discuss the arguments of an aprioristic superiority of film over TV series, without forgetting the distinctive nature of this ongoing symbolic dispute.
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spelling Lucrecia’s step back: discursive disputes between films and TV seriesO passo atrás de Lucrecia: disputas discursivas entre filmes e sériesSerial fictionFilmCinema and televisionDiscursive disputesCultural criticismFicção seriadaFilmeCinema e televisãoDisputas discursivasCrítica culturalThis paper intends to analyze the discursive disputes that permeate the comparative debate between films and TV series in the contemporary cultural criticism. We take from the arguments of Argentinean filmmaker Lucrecia Martel against TV series in order to understand, diachronically, the historical tensions between cinema and television and its perpetuity in the current scenario. To do so, we come up here with three dominant axis in the comparative evaluation: espectatorial experience, style and narrative. With this, we aim to discuss the arguments of an aprioristic superiority of film over TV series, without forgetting the distinctive nature of this ongoing symbolic dispute.O objetivo deste artigo é analisar as disputas discursivas que permeiam o debate comparativo entre filmes e séries no contexto da crítica cultural contemporânea. Partimos dos argumentos da diretora Lucrecia Martel contra as séries televisivas para compreender, diacronicamente, as tensões históricas entre cinema e televisão e a sua perenidade no cenário atual. Para isso, proporemos aqui três eixos dominantes na avaliação comparativa: experiência espectatorial, estilo e narrativa. Com isso, vamos problematizar os argumentos da superioridade apriorística do filme em relação às séries, sem perder do horizonte a natureza distintiva da disputa simbólica em curso.Universidade de São Paulo. Escola de Comunicações e Artes, Programa de Pós-Graduação em Ciências da Comunicação2021-08-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://www.revistas.usp.br/matrizes/article/view/18313510.11606/issn.1982-8160.v15i2p33-53MATRIZes; Vol. 15 Núm. 2 (2021); 33-53MATRIZes; v. 15 n. 2 (2021); 33-53MATRIZes; Vol. 15 No 2 (2021); 33-53MATRIZes; Vol. 15 No. 2 (2021); 33-53MATRIZes; V. 15 N. 2 (2021); 33-531982-81601982-2073reponame:Matrizes (Online)instname:Universidade de São Paulo (USP)instacron:USPengporhttps://www.revistas.usp.br/matrizes/article/view/183135/175626https://www.revistas.usp.br/matrizes/article/view/183135/175627https://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessSilva, Marcel Vieira BarretoSilva, Marcel Vieira Barreto2023-05-18T17:13:50Zoai:revistas.usp.br:article/183135Revistahttps://www.revistas.usp.br/matrizesPUBhttps://www.revistas.usp.br/matrizes/oaimatrizes@usp.br1982-81601982-2073opendoar:2023-05-18T17:13:50Matrizes (Online) - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv Lucrecia’s step back: discursive disputes between films and TV series
O passo atrás de Lucrecia: disputas discursivas entre filmes e séries
title Lucrecia’s step back: discursive disputes between films and TV series
spellingShingle Lucrecia’s step back: discursive disputes between films and TV series
Silva, Marcel Vieira Barreto
Serial fiction
Film
Cinema and television
Discursive disputes
Cultural criticism
Ficção seriada
Filme
Cinema e televisão
Disputas discursivas
Crítica cultural
title_short Lucrecia’s step back: discursive disputes between films and TV series
title_full Lucrecia’s step back: discursive disputes between films and TV series
title_fullStr Lucrecia’s step back: discursive disputes between films and TV series
title_full_unstemmed Lucrecia’s step back: discursive disputes between films and TV series
title_sort Lucrecia’s step back: discursive disputes between films and TV series
author Silva, Marcel Vieira Barreto
author_facet Silva, Marcel Vieira Barreto
author_role author
dc.contributor.author.fl_str_mv Silva, Marcel Vieira Barreto
Silva, Marcel Vieira Barreto
dc.subject.por.fl_str_mv Serial fiction
Film
Cinema and television
Discursive disputes
Cultural criticism
Ficção seriada
Filme
Cinema e televisão
Disputas discursivas
Crítica cultural
topic Serial fiction
Film
Cinema and television
Discursive disputes
Cultural criticism
Ficção seriada
Filme
Cinema e televisão
Disputas discursivas
Crítica cultural
description This paper intends to analyze the discursive disputes that permeate the comparative debate between films and TV series in the contemporary cultural criticism. We take from the arguments of Argentinean filmmaker Lucrecia Martel against TV series in order to understand, diachronically, the historical tensions between cinema and television and its perpetuity in the current scenario. To do so, we come up here with three dominant axis in the comparative evaluation: espectatorial experience, style and narrative. With this, we aim to discuss the arguments of an aprioristic superiority of film over TV series, without forgetting the distinctive nature of this ongoing symbolic dispute.
publishDate 2021
dc.date.none.fl_str_mv 2021-08-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/matrizes/article/view/183135
10.11606/issn.1982-8160.v15i2p33-53
url https://www.revistas.usp.br/matrizes/article/view/183135
identifier_str_mv 10.11606/issn.1982-8160.v15i2p33-53
dc.language.iso.fl_str_mv eng
por
language eng
por
dc.relation.none.fl_str_mv https://www.revistas.usp.br/matrizes/article/view/183135/175626
https://www.revistas.usp.br/matrizes/article/view/183135/175627
dc.rights.driver.fl_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes, Programa de Pós-Graduação em Ciências da Comunicação
publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes, Programa de Pós-Graduação em Ciências da Comunicação
dc.source.none.fl_str_mv MATRIZes; Vol. 15 Núm. 2 (2021); 33-53
MATRIZes; v. 15 n. 2 (2021); 33-53
MATRIZes; Vol. 15 No 2 (2021); 33-53
MATRIZes; Vol. 15 No. 2 (2021); 33-53
MATRIZes; V. 15 N. 2 (2021); 33-53
1982-8160
1982-2073
reponame:Matrizes (Online)
instname:Universidade de São Paulo (USP)
instacron:USP
instname_str Universidade de São Paulo (USP)
instacron_str USP
institution USP
reponame_str Matrizes (Online)
collection Matrizes (Online)
repository.name.fl_str_mv Matrizes (Online) - Universidade de São Paulo (USP)
repository.mail.fl_str_mv matrizes@usp.br
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