A cultura do GIF: reconfigurações de imagens técnicas a partir dos usos e apropriações de narrativas cíclicas.

Detalhes bibliográficos
Autor(a) principal: Nadal, João Henrique Duarte
Data de Publicação: 2014
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações do UTP
Texto Completo: http://tede.utp.br:8080/jspui/handle/tede/1407
Resumo: This dissertation studies the cyclic circumscribed images in digital archives GIF (Graphic Interchange Format). GIF is an extension type used to store pictures as static, linearly animated or cyclically animated. The main objective is to analyze the production of contemporary visual culture based on the exploitation of its potentialities, from the uses and appropriations of GIF images. The developed method is based on literature review from the empirical subject to the peripheral topics in order to understand the relationship between image and Culture. Subsequently, the theoretical discussions are articulated to the analysis of the images and their contents. The technical aspects of GIF are approached from a historical view by Laurent Mannoni, about the cyclical narrative that defines the shape of these images animation, Lev Manovich reflections’, and finally by the dissertations and theses of Brazilian Universities based on the technical aspects of the of digital image (and GIFs ). Questions regarding to the content of the images are worked from the concepts of Vilém Flusser based on codification of symbolic systems through technical images and, also from the semiotic discussion of Roland Barthes based on the rhetoric of the image (aided by Jacques Aumont reflections based on reading and perceiving of images). At last, the semiotic theorizing about the production of meanings in the imagetic speech are used as a reference for the analysis of cases, that elucidate the constitution of existing imagery languages in GIFs, from the appropriation and uses of the existing discursive forms. The overlap between the theoretical reflections and practical analysis allows the identification of the characteristics and effects of GIFs in everyday life, justifying the intensification of its uses in the contemporaneity, when more sophisticated digital forms may had replaced it.
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spelling Caetano, Kati ElianaRosa, Ana Paula daFort, Mônica Cristinehttp://lattes.cnpq.br/2916439907020303Nadal, João Henrique Duarte2018-06-22T19:12:08Z2014-03-28Nadal, João Henrique Duarte. A cultura do GIF: reconfigurações de imagens técnicas a partir dos usos e apropriações de narrativas cíclicas.. 2014. 185 f. Dissertação( Mestrado em Comunicação e Linguagens) - Universidade Tuiuti do Paraná, Curitiba, 2014.http://tede.utp.br:8080/jspui/handle/tede/1407This dissertation studies the cyclic circumscribed images in digital archives GIF (Graphic Interchange Format). GIF is an extension type used to store pictures as static, linearly animated or cyclically animated. The main objective is to analyze the production of contemporary visual culture based on the exploitation of its potentialities, from the uses and appropriations of GIF images. The developed method is based on literature review from the empirical subject to the peripheral topics in order to understand the relationship between image and Culture. Subsequently, the theoretical discussions are articulated to the analysis of the images and their contents. The technical aspects of GIF are approached from a historical view by Laurent Mannoni, about the cyclical narrative that defines the shape of these images animation, Lev Manovich reflections’, and finally by the dissertations and theses of Brazilian Universities based on the technical aspects of the of digital image (and GIFs ). Questions regarding to the content of the images are worked from the concepts of Vilém Flusser based on codification of symbolic systems through technical images and, also from the semiotic discussion of Roland Barthes based on the rhetoric of the image (aided by Jacques Aumont reflections based on reading and perceiving of images). At last, the semiotic theorizing about the production of meanings in the imagetic speech are used as a reference for the analysis of cases, that elucidate the constitution of existing imagery languages in GIFs, from the appropriation and uses of the existing discursive forms. The overlap between the theoretical reflections and practical analysis allows the identification of the characteristics and effects of GIFs in everyday life, justifying the intensification of its uses in the contemporaneity, when more sophisticated digital forms may had replaced it.O presente trabalho estuda as imagens cíclicas circunscritas nos arquivos digitais GIF (Graphic Interchange Format) – tipo de extensão utilizado para armazenar figuras de forma estática, animada linearmente ou animada ciclicamente. O principal objetivo é analisar a produção de visualidades contemporâneas com base na exploração de suas potencialidades, a partir dos usos e apropriações das imagens GIF. O método desenvolvido se apoia na revisão bibliográfica de assuntos adjacentes ao GIF com o intuito de se compreender as relações entre imagens e cultura. As discussões teóricas são articuladas à análise das imagens e seus conteúdos. A forma técnica do GIF é abordada a partir do histórico de Laurent Mannoni sobre a narrativa cíclica que define a forma de animação destas imagens e sustentada pelas reflexões de Lev Manovich, dissertações e teses de universidades brasileiras sobre o caráter técnico da imagem digital (e dos GIFs). As questões relativas ao conteúdo das imagens são trabalhadas a partir dos conceitos de Vilém Flusser sobre a codificação de sistemas simbólicos e pela discussão da semiótica visual de Roland Barthes sobre a retórica da imagem (auxiliada pelas reflexões de Jacques Aumont sobre a leitura e a percepção das imagens). Por fim, a teorização semiótica sobre a produção de sentido no discurso imagético é utilizada como referência para a análise de casos, que elucidam a constituição das linguagens imagéticas existentes nos GIFs a partir da apropriação e usos de formas discursivas anteriores. A sobreposição entre as reflexões teóricas e as análises práticas permite a identificação das características próprias e dos efeitos dos GIFs no cotidiano, justificando a intensificação de seu uso na contemporaneidade, quando formas digitais mais sofisticadas já poderia tê-lo superado.Submitted by Divanete Paiva (divanete.paiva@utp.br) on 2018-06-22T19:12:08Z No. of bitstreams: 1 A CULTURA DO GIF.pdf: 11868486 bytes, checksum: 99a3110034e992d144073c14f1012b6c (MD5)Made available in DSpace on 2018-06-22T19:12:08Z (GMT). No. of bitstreams: 1 A CULTURA DO GIF.pdf: 11868486 bytes, checksum: 99a3110034e992d144073c14f1012b6c (MD5) Previous issue date: 2014-03-28application/pdfporUniversidade Tuiuti do ParanaMestrado em Comunicação e LinguagensUTPBrasilComunicação e LinguagensAnimação cíclicaImagem técnicaCultura digitalSemiótica visual e plastic aplicadaGIFGraphic Interchange FormatLoopsPictureImaging techniqueLanguagePlastic and visual semioticsCIENCIAS SOCIAIS APLICADAS::COMUNICACAOA cultura do GIF: reconfigurações de imagens técnicas a partir dos usos e apropriações de narrativas cíclicas.info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis2739379193455549176500500600-6072174809281298930-4056021055502874573info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações do UTPinstname:Universidade Tuiuti do Paranáinstacron:UTPLICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://localhost:8080/tede/bitstream/tede/1407/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51ORIGINALA CULTURA DO GIF.pdfA CULTURA DO GIF.pdfapplication/pdf11868486http://localhost:8080/tede/bitstream/tede/1407/2/A+CULTURA+DO+GIF.pdf99a3110034e992d144073c14f1012b6cMD52tede/1407oai:localhost:tede/14072018-06-22 16:12:08.833TEDEtede@utp.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
dc.title.por.fl_str_mv A cultura do GIF: reconfigurações de imagens técnicas a partir dos usos e apropriações de narrativas cíclicas.
title A cultura do GIF: reconfigurações de imagens técnicas a partir dos usos e apropriações de narrativas cíclicas.
spellingShingle A cultura do GIF: reconfigurações de imagens técnicas a partir dos usos e apropriações de narrativas cíclicas.
Nadal, João Henrique Duarte
Animação cíclica
Imagem técnica
Cultura digital
Semiótica visual e plastic aplicada
GIF
Graphic Interchange Format
Loops
Picture
Imaging technique
Language
Plastic and visual semiotics
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
title_short A cultura do GIF: reconfigurações de imagens técnicas a partir dos usos e apropriações de narrativas cíclicas.
title_full A cultura do GIF: reconfigurações de imagens técnicas a partir dos usos e apropriações de narrativas cíclicas.
title_fullStr A cultura do GIF: reconfigurações de imagens técnicas a partir dos usos e apropriações de narrativas cíclicas.
title_full_unstemmed A cultura do GIF: reconfigurações de imagens técnicas a partir dos usos e apropriações de narrativas cíclicas.
title_sort A cultura do GIF: reconfigurações de imagens técnicas a partir dos usos e apropriações de narrativas cíclicas.
author Nadal, João Henrique Duarte
author_facet Nadal, João Henrique Duarte
author_role author
dc.contributor.advisor1.fl_str_mv Caetano, Kati Eliana
dc.contributor.referee1.fl_str_mv Rosa, Ana Paula da
dc.contributor.referee2.fl_str_mv Fort, Mônica Cristine
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/2916439907020303
dc.contributor.author.fl_str_mv Nadal, João Henrique Duarte
contributor_str_mv Caetano, Kati Eliana
Rosa, Ana Paula da
Fort, Mônica Cristine
dc.subject.por.fl_str_mv Animação cíclica
Imagem técnica
Cultura digital
Semiótica visual e plastic aplicada
topic Animação cíclica
Imagem técnica
Cultura digital
Semiótica visual e plastic aplicada
GIF
Graphic Interchange Format
Loops
Picture
Imaging technique
Language
Plastic and visual semiotics
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
dc.subject.eng.fl_str_mv GIF
Graphic Interchange Format
Loops
Picture
Imaging technique
Language
Plastic and visual semiotics
dc.subject.cnpq.fl_str_mv CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
dc.description.abstract.eng.fl_txt_mv This dissertation studies the cyclic circumscribed images in digital archives GIF (Graphic Interchange Format). GIF is an extension type used to store pictures as static, linearly animated or cyclically animated. The main objective is to analyze the production of contemporary visual culture based on the exploitation of its potentialities, from the uses and appropriations of GIF images. The developed method is based on literature review from the empirical subject to the peripheral topics in order to understand the relationship between image and Culture. Subsequently, the theoretical discussions are articulated to the analysis of the images and their contents. The technical aspects of GIF are approached from a historical view by Laurent Mannoni, about the cyclical narrative that defines the shape of these images animation, Lev Manovich reflections’, and finally by the dissertations and theses of Brazilian Universities based on the technical aspects of the of digital image (and GIFs ). Questions regarding to the content of the images are worked from the concepts of Vilém Flusser based on codification of symbolic systems through technical images and, also from the semiotic discussion of Roland Barthes based on the rhetoric of the image (aided by Jacques Aumont reflections based on reading and perceiving of images). At last, the semiotic theorizing about the production of meanings in the imagetic speech are used as a reference for the analysis of cases, that elucidate the constitution of existing imagery languages in GIFs, from the appropriation and uses of the existing discursive forms. The overlap between the theoretical reflections and practical analysis allows the identification of the characteristics and effects of GIFs in everyday life, justifying the intensification of its uses in the contemporaneity, when more sophisticated digital forms may had replaced it.
dc.description.abstract.por.fl_txt_mv O presente trabalho estuda as imagens cíclicas circunscritas nos arquivos digitais GIF (Graphic Interchange Format) – tipo de extensão utilizado para armazenar figuras de forma estática, animada linearmente ou animada ciclicamente. O principal objetivo é analisar a produção de visualidades contemporâneas com base na exploração de suas potencialidades, a partir dos usos e apropriações das imagens GIF. O método desenvolvido se apoia na revisão bibliográfica de assuntos adjacentes ao GIF com o intuito de se compreender as relações entre imagens e cultura. As discussões teóricas são articuladas à análise das imagens e seus conteúdos. A forma técnica do GIF é abordada a partir do histórico de Laurent Mannoni sobre a narrativa cíclica que define a forma de animação destas imagens e sustentada pelas reflexões de Lev Manovich, dissertações e teses de universidades brasileiras sobre o caráter técnico da imagem digital (e dos GIFs). As questões relativas ao conteúdo das imagens são trabalhadas a partir dos conceitos de Vilém Flusser sobre a codificação de sistemas simbólicos e pela discussão da semiótica visual de Roland Barthes sobre a retórica da imagem (auxiliada pelas reflexões de Jacques Aumont sobre a leitura e a percepção das imagens). Por fim, a teorização semiótica sobre a produção de sentido no discurso imagético é utilizada como referência para a análise de casos, que elucidam a constituição das linguagens imagéticas existentes nos GIFs a partir da apropriação e usos de formas discursivas anteriores. A sobreposição entre as reflexões teóricas e as análises práticas permite a identificação das características próprias e dos efeitos dos GIFs no cotidiano, justificando a intensificação de seu uso na contemporaneidade, quando formas digitais mais sofisticadas já poderia tê-lo superado.
description This dissertation studies the cyclic circumscribed images in digital archives GIF (Graphic Interchange Format). GIF is an extension type used to store pictures as static, linearly animated or cyclically animated. The main objective is to analyze the production of contemporary visual culture based on the exploitation of its potentialities, from the uses and appropriations of GIF images. The developed method is based on literature review from the empirical subject to the peripheral topics in order to understand the relationship between image and Culture. Subsequently, the theoretical discussions are articulated to the analysis of the images and their contents. The technical aspects of GIF are approached from a historical view by Laurent Mannoni, about the cyclical narrative that defines the shape of these images animation, Lev Manovich reflections’, and finally by the dissertations and theses of Brazilian Universities based on the technical aspects of the of digital image (and GIFs ). Questions regarding to the content of the images are worked from the concepts of Vilém Flusser based on codification of symbolic systems through technical images and, also from the semiotic discussion of Roland Barthes based on the rhetoric of the image (aided by Jacques Aumont reflections based on reading and perceiving of images). At last, the semiotic theorizing about the production of meanings in the imagetic speech are used as a reference for the analysis of cases, that elucidate the constitution of existing imagery languages in GIFs, from the appropriation and uses of the existing discursive forms. The overlap between the theoretical reflections and practical analysis allows the identification of the characteristics and effects of GIFs in everyday life, justifying the intensification of its uses in the contemporaneity, when more sophisticated digital forms may had replaced it.
publishDate 2014
dc.date.issued.fl_str_mv 2014-03-28
dc.date.accessioned.fl_str_mv 2018-06-22T19:12:08Z
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dc.identifier.citation.fl_str_mv Nadal, João Henrique Duarte. A cultura do GIF: reconfigurações de imagens técnicas a partir dos usos e apropriações de narrativas cíclicas.. 2014. 185 f. Dissertação( Mestrado em Comunicação e Linguagens) - Universidade Tuiuti do Paraná, Curitiba, 2014.
dc.identifier.uri.fl_str_mv http://tede.utp.br:8080/jspui/handle/tede/1407
identifier_str_mv Nadal, João Henrique Duarte. A cultura do GIF: reconfigurações de imagens técnicas a partir dos usos e apropriações de narrativas cíclicas.. 2014. 185 f. Dissertação( Mestrado em Comunicação e Linguagens) - Universidade Tuiuti do Paraná, Curitiba, 2014.
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dc.publisher.initials.fl_str_mv UTP
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dc.publisher.department.fl_str_mv Comunicação e Linguagens
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