Virtual theater in pandemic times: a look over the future of the spectator

Detalhes bibliográficos
Autor(a) principal: Silva, Pedro Henrique Dettoni da
Data de Publicação: 2022
Outros Autores: Matos, Ivan Delmanto Franklin de
Tipo de documento: Artigo
Idioma: por
Título da fonte: Travessias (Cascavel. Online)
Texto Completo: https://e-revista.unioeste.br/index.php/travessias/article/view/30085
Resumo: This paper tries to draw the characteristics of what would be the new artistic language of theater within the virtual environment, considering the technical limitations of this space and in which ways this artistic language differenciates itself from audiovisual works and presential theater itself. The methodology consists in the observation of two staging proposals of plays that were performed presentially before the COVID-19 pandemic and that were adapted to the internet in diferente ways inbetween 2020 and 2021. The analyses of these spectacles joins the speech of researchers and artists who discourse about the movement of theater on the internet, both from the pre pandemic period as speeches that happen within this moment. From that, the analysis deepens over the figure of the cyberspectator and what is its place in this new scenic language. Taking these elements in account, the research looks for possible ways for further development of this language, considering it a valid form of scenic expression and allowing itself to glimpse the opportunities of creation and divulgation that open through the cyberspace.
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spelling Virtual theater in pandemic times: a look over the future of the spectatorTeatro virtual em tempos pandêmicos: um olhar sobre o futuro do espectadorTheaterVirtualpandemicspectatorTeatroPandemiaVirtualespectadorThis paper tries to draw the characteristics of what would be the new artistic language of theater within the virtual environment, considering the technical limitations of this space and in which ways this artistic language differenciates itself from audiovisual works and presential theater itself. The methodology consists in the observation of two staging proposals of plays that were performed presentially before the COVID-19 pandemic and that were adapted to the internet in diferente ways inbetween 2020 and 2021. The analyses of these spectacles joins the speech of researchers and artists who discourse about the movement of theater on the internet, both from the pre pandemic period as speeches that happen within this moment. From that, the analysis deepens over the figure of the cyberspectator and what is its place in this new scenic language. Taking these elements in account, the research looks for possible ways for further development of this language, considering it a valid form of scenic expression and allowing itself to glimpse the opportunities of creation and divulgation that open through the cyberspace.Este trabalho busca traçar as características do que seria a nova linguagem artística do teatro dentro do ambiente virtual, considerando as limitações técnicas deste espaço e de que maneiras essa linguagem artística se diferencia das obras audiovisuais e do próprio teatro presencial. A metodologia consiste na observação de duas propostas de encenações de peças que eram realizadas presencialmente antes da pandemia de COVID-19 e que foram adaptadas para a internet de diferentes formas entre 2020 e 2021. As análises destes espetáculos se juntam a fala de pesquisadores e artistas que discorrem sobre o movimento do teatro na internet, tanto do período pré-pandêmico quanto falas que acontecem durante esse momento. A partir disso, aprofunda-se a análise sobre a figura do ciberespectador e qual o seu papel nesta nova linguagem cênica. Levando em consideração esses elementos, a pesquisa procura por caminhos possíveis para o desenvolvimento posterior desta linguagem, considerando-a como uma forma válida de expressão cênica e permitindo-se vislumbrar as oportunidades de criação e divulgação que se abrem pelo ciberespaço.Unioeste2022-12-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://e-revista.unioeste.br/index.php/travessias/article/view/3008510.48075/rt.v16i3.30085Travessias; Vol. 16 No. 3 (2022); e30085Travessias; Vol. 16 Núm. 3 (2022); e30085Travessias; v. 16 n. 3 (2022); e300851982-5935reponame:Travessias (Cascavel. Online)instname:Universidade Estadual do Oeste do Paraná (UNIOESTE)instacron:Unioesteporhttps://e-revista.unioeste.br/index.php/travessias/article/view/30085/21195Copyright (c) 2022 Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob CC-BY-NC-SA 4.0 que permite o compartilhamento do trabalho com indicação da autoria e publicação inicial nesta revistahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccess Silva, Pedro Henrique Dettoni daMatos, Ivan Delmanto Franklin de2023-01-13T15:56:14Zoai:ojs.e-revista.unioeste.br:article/30085Revistahttps://e-revista.unioeste.br/index.php/travessiasPUBhttps://e-revista.unioeste.br/index.php/travessias/oairevista.travessias@unioeste.br1982-59351982-5935opendoar:2023-01-13T15:56:14Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (UNIOESTE)false
dc.title.none.fl_str_mv Virtual theater in pandemic times: a look over the future of the spectator
Teatro virtual em tempos pandêmicos: um olhar sobre o futuro do espectador
title Virtual theater in pandemic times: a look over the future of the spectator
spellingShingle Virtual theater in pandemic times: a look over the future of the spectator
Silva, Pedro Henrique Dettoni da
Theater
Virtual
pandemic
spectator
Teatro
Pandemia
Virtual
espectador
title_short Virtual theater in pandemic times: a look over the future of the spectator
title_full Virtual theater in pandemic times: a look over the future of the spectator
title_fullStr Virtual theater in pandemic times: a look over the future of the spectator
title_full_unstemmed Virtual theater in pandemic times: a look over the future of the spectator
title_sort Virtual theater in pandemic times: a look over the future of the spectator
author Silva, Pedro Henrique Dettoni da
author_facet Silva, Pedro Henrique Dettoni da
Matos, Ivan Delmanto Franklin de
author_role author
author2 Matos, Ivan Delmanto Franklin de
author2_role author
dc.contributor.author.fl_str_mv Silva, Pedro Henrique Dettoni da
Matos, Ivan Delmanto Franklin de
dc.subject.por.fl_str_mv Theater
Virtual
pandemic
spectator
Teatro
Pandemia
Virtual
espectador
topic Theater
Virtual
pandemic
spectator
Teatro
Pandemia
Virtual
espectador
description This paper tries to draw the characteristics of what would be the new artistic language of theater within the virtual environment, considering the technical limitations of this space and in which ways this artistic language differenciates itself from audiovisual works and presential theater itself. The methodology consists in the observation of two staging proposals of plays that were performed presentially before the COVID-19 pandemic and that were adapted to the internet in diferente ways inbetween 2020 and 2021. The analyses of these spectacles joins the speech of researchers and artists who discourse about the movement of theater on the internet, both from the pre pandemic period as speeches that happen within this moment. From that, the analysis deepens over the figure of the cyberspectator and what is its place in this new scenic language. Taking these elements in account, the research looks for possible ways for further development of this language, considering it a valid form of scenic expression and allowing itself to glimpse the opportunities of creation and divulgation that open through the cyberspace.
publishDate 2022
dc.date.none.fl_str_mv 2022-12-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/30085
10.48075/rt.v16i3.30085
url https://e-revista.unioeste.br/index.php/travessias/article/view/30085
identifier_str_mv 10.48075/rt.v16i3.30085
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/30085/21195
dc.rights.driver.fl_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Unioeste
publisher.none.fl_str_mv Unioeste
dc.source.none.fl_str_mv Travessias; Vol. 16 No. 3 (2022); e30085
Travessias; Vol. 16 Núm. 3 (2022); e30085
Travessias; v. 16 n. 3 (2022); e30085
1982-5935
reponame:Travessias (Cascavel. Online)
instname:Universidade Estadual do Oeste do Paraná (UNIOESTE)
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instname_str Universidade Estadual do Oeste do Paraná (UNIOESTE)
instacron_str Unioeste
institution Unioeste
reponame_str Travessias (Cascavel. Online)
collection Travessias (Cascavel. Online)
repository.name.fl_str_mv Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (UNIOESTE)
repository.mail.fl_str_mv revista.travessias@unioeste.br
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