THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING

Detalhes bibliográficos
Autor(a) principal: Stori, Norberto
Data de Publicação: 2009
Outros Autores: Xavier de Queiroz, Antonio, Pilan, Hânia Cecília
Tipo de documento: Artigo
Idioma: por
Título da fonte: Travessias (Cascavel. Online)
Texto Completo: https://e-revista.unioeste.br/index.php/travessias/article/view/3338
Resumo: This article aims to discuss, albeit briefly, the evolution of the use of blood,both as a representative language but also as a work material. Connecting art and blood, notattaining to the relationship between them. Reinforcing the way blood is presented in manyartworks, and has been placed as belonging to History, Art and human evolution, it changesand grows, as humankind itself. The purpose of this text is to generate in the reader reflectionsabout the presence of the organic element, especially when we think about the poetry of artistswho have added, and still provide value to the use of blood as an essential material for workselaboration. The power of objective or subjective communication regarding to some worksthat contains blood was present in several narratives from past artists, and since the end of the60’s until nowadays is used as an essential material at performances and installations.
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spelling THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKINGO SANGUE NA OBRA DE ARTE E SUAS IMPLICAÇÕES NO FAZER ARTÍSTICOSangueArteRepresentaçãoHistóriaMatéria.This article aims to discuss, albeit briefly, the evolution of the use of blood,both as a representative language but also as a work material. Connecting art and blood, notattaining to the relationship between them. Reinforcing the way blood is presented in manyartworks, and has been placed as belonging to History, Art and human evolution, it changesand grows, as humankind itself. The purpose of this text is to generate in the reader reflectionsabout the presence of the organic element, especially when we think about the poetry of artistswho have added, and still provide value to the use of blood as an essential material for workselaboration. The power of objective or subjective communication regarding to some worksthat contains blood was present in several narratives from past artists, and since the end of the60’s until nowadays is used as an essential material at performances and installations.Este artigo pretende discutir, ainda que sucintamente, a evolução do uso do Sangue,tanto como linguagem representativa como também matérica. Fazendo um link entre Arte eSangue, sem nos deter na relação entre eles, explicitar como o Sangue se faz presente em muitasobras, e foi sendo colocado como que pertencente à História, à Arte e à evolução do homem, vaise modificando num crescente, como a própria humanidade. O propósito deste texto é o de gerarno leitor reflexões sobre a presença desse elemento orgânico, principalmente quando pensamosna poética dos artistas que deram, e ainda dão valor ao uso do Sangue como um materialindispensável para a elaboração de suas obras. O poder de comunicação objetiva ou subjetiva dealgumas obras que contem o Sangue esteve presente em várias narrativas dos artistas do passado,e desde o final da década de 60 até os dias de hoje é utilizado nas performances e nas instalações como elemento matérico.Unioeste2009-08-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://e-revista.unioeste.br/index.php/travessias/article/view/3338Travessias; Vol. 3 No. 2 (2009)Travessias; Vol. 3 Núm. 2 (2009)Travessias; v. 3 n. 2 (2009)1982-5935reponame:Travessias (Cascavel. Online)instname:Universidade Estadual do Oeste do Paraná (Unioeste)instacron:Unioesteporhttps://e-revista.unioeste.br/index.php/travessias/article/view/3338/2639Copyright (c) 2009 Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob CC-BY-NC-SA 4.0 que permite o compartilhamento do trabalho com indicação da autoria e publicação inicial nesta revistainfo:eu-repo/semantics/openAccessStori, NorbertoXavier de Queiroz, AntonioPilan, Hânia Cecília2020-12-08T11:43:09Zoai:ojs.e-revista.unioeste.br:article/3338Revistahttps://e-revista.unioeste.br/index.php/travessiasPUBhttps://e-revista.unioeste.br/index.php/travessias/oairevista.travessias@unioeste.br1982-59351982-5935opendoar:2020-12-08T11:43:09Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste)false
dc.title.none.fl_str_mv THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING
O SANGUE NA OBRA DE ARTE E SUAS IMPLICAÇÕES NO FAZER ARTÍSTICO
title THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING
spellingShingle THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING
Stori, Norberto
Sangue
Arte
Representação
História
Matéria.
title_short THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING
title_full THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING
title_fullStr THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING
title_full_unstemmed THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING
title_sort THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING
author Stori, Norberto
author_facet Stori, Norberto
Xavier de Queiroz, Antonio
Pilan, Hânia Cecília
author_role author
author2 Xavier de Queiroz, Antonio
Pilan, Hânia Cecília
author2_role author
author
dc.contributor.author.fl_str_mv Stori, Norberto
Xavier de Queiroz, Antonio
Pilan, Hânia Cecília
dc.subject.por.fl_str_mv Sangue
Arte
Representação
História
Matéria.
topic Sangue
Arte
Representação
História
Matéria.
description This article aims to discuss, albeit briefly, the evolution of the use of blood,both as a representative language but also as a work material. Connecting art and blood, notattaining to the relationship between them. Reinforcing the way blood is presented in manyartworks, and has been placed as belonging to History, Art and human evolution, it changesand grows, as humankind itself. The purpose of this text is to generate in the reader reflectionsabout the presence of the organic element, especially when we think about the poetry of artistswho have added, and still provide value to the use of blood as an essential material for workselaboration. The power of objective or subjective communication regarding to some worksthat contains blood was present in several narratives from past artists, and since the end of the60’s until nowadays is used as an essential material at performances and installations.
publishDate 2009
dc.date.none.fl_str_mv 2009-08-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/3338
url https://e-revista.unioeste.br/index.php/travessias/article/view/3338
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/3338/2639
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Unioeste
publisher.none.fl_str_mv Unioeste
dc.source.none.fl_str_mv Travessias; Vol. 3 No. 2 (2009)
Travessias; Vol. 3 Núm. 2 (2009)
Travessias; v. 3 n. 2 (2009)
1982-5935
reponame:Travessias (Cascavel. Online)
instname:Universidade Estadual do Oeste do Paraná (Unioeste)
instacron:Unioeste
instname_str Universidade Estadual do Oeste do Paraná (Unioeste)
instacron_str Unioeste
institution Unioeste
reponame_str Travessias (Cascavel. Online)
collection Travessias (Cascavel. Online)
repository.name.fl_str_mv Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste)
repository.mail.fl_str_mv revista.travessias@unioeste.br
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