THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING
Autor(a) principal: | |
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Data de Publicação: | 2009 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Travessias (Cascavel. Online) |
Texto Completo: | https://e-revista.unioeste.br/index.php/travessias/article/view/3338 |
Resumo: | This article aims to discuss, albeit briefly, the evolution of the use of blood,both as a representative language but also as a work material. Connecting art and blood, notattaining to the relationship between them. Reinforcing the way blood is presented in manyartworks, and has been placed as belonging to History, Art and human evolution, it changesand grows, as humankind itself. The purpose of this text is to generate in the reader reflectionsabout the presence of the organic element, especially when we think about the poetry of artistswho have added, and still provide value to the use of blood as an essential material for workselaboration. The power of objective or subjective communication regarding to some worksthat contains blood was present in several narratives from past artists, and since the end of the60’s until nowadays is used as an essential material at performances and installations. |
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THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKINGO SANGUE NA OBRA DE ARTE E SUAS IMPLICAÇÕES NO FAZER ARTÍSTICOSangueArteRepresentaçãoHistóriaMatéria.This article aims to discuss, albeit briefly, the evolution of the use of blood,both as a representative language but also as a work material. Connecting art and blood, notattaining to the relationship between them. Reinforcing the way blood is presented in manyartworks, and has been placed as belonging to History, Art and human evolution, it changesand grows, as humankind itself. The purpose of this text is to generate in the reader reflectionsabout the presence of the organic element, especially when we think about the poetry of artistswho have added, and still provide value to the use of blood as an essential material for workselaboration. The power of objective or subjective communication regarding to some worksthat contains blood was present in several narratives from past artists, and since the end of the60’s until nowadays is used as an essential material at performances and installations.Este artigo pretende discutir, ainda que sucintamente, a evolução do uso do Sangue,tanto como linguagem representativa como também matérica. Fazendo um link entre Arte eSangue, sem nos deter na relação entre eles, explicitar como o Sangue se faz presente em muitasobras, e foi sendo colocado como que pertencente à História, à Arte e à evolução do homem, vaise modificando num crescente, como a própria humanidade. O propósito deste texto é o de gerarno leitor reflexões sobre a presença desse elemento orgânico, principalmente quando pensamosna poética dos artistas que deram, e ainda dão valor ao uso do Sangue como um materialindispensável para a elaboração de suas obras. O poder de comunicação objetiva ou subjetiva dealgumas obras que contem o Sangue esteve presente em várias narrativas dos artistas do passado,e desde o final da década de 60 até os dias de hoje é utilizado nas performances e nas instalações como elemento matérico.Unioeste2009-08-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://e-revista.unioeste.br/index.php/travessias/article/view/3338Travessias; Vol. 3 No. 2 (2009)Travessias; Vol. 3 Núm. 2 (2009)Travessias; v. 3 n. 2 (2009)1982-5935reponame:Travessias (Cascavel. Online)instname:Universidade Estadual do Oeste do Paraná (Unioeste)instacron:Unioesteporhttps://e-revista.unioeste.br/index.php/travessias/article/view/3338/2639Copyright (c) 2009 Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob CC-BY-NC-SA 4.0 que permite o compartilhamento do trabalho com indicação da autoria e publicação inicial nesta revistainfo:eu-repo/semantics/openAccessStori, NorbertoXavier de Queiroz, AntonioPilan, Hânia Cecília2020-12-08T11:43:09Zoai:ojs.e-revista.unioeste.br:article/3338Revistahttps://e-revista.unioeste.br/index.php/travessiasPUBhttps://e-revista.unioeste.br/index.php/travessias/oairevista.travessias@unioeste.br1982-59351982-5935opendoar:2020-12-08T11:43:09Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste)false |
dc.title.none.fl_str_mv |
THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING O SANGUE NA OBRA DE ARTE E SUAS IMPLICAÇÕES NO FAZER ARTÍSTICO |
title |
THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING |
spellingShingle |
THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING Stori, Norberto Sangue Arte Representação História Matéria. |
title_short |
THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING |
title_full |
THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING |
title_fullStr |
THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING |
title_full_unstemmed |
THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING |
title_sort |
THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING |
author |
Stori, Norberto |
author_facet |
Stori, Norberto Xavier de Queiroz, Antonio Pilan, Hânia Cecília |
author_role |
author |
author2 |
Xavier de Queiroz, Antonio Pilan, Hânia Cecília |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Stori, Norberto Xavier de Queiroz, Antonio Pilan, Hânia Cecília |
dc.subject.por.fl_str_mv |
Sangue Arte Representação História Matéria. |
topic |
Sangue Arte Representação História Matéria. |
description |
This article aims to discuss, albeit briefly, the evolution of the use of blood,both as a representative language but also as a work material. Connecting art and blood, notattaining to the relationship between them. Reinforcing the way blood is presented in manyartworks, and has been placed as belonging to History, Art and human evolution, it changesand grows, as humankind itself. The purpose of this text is to generate in the reader reflectionsabout the presence of the organic element, especially when we think about the poetry of artistswho have added, and still provide value to the use of blood as an essential material for workselaboration. The power of objective or subjective communication regarding to some worksthat contains blood was present in several narratives from past artists, and since the end of the60’s until nowadays is used as an essential material at performances and installations. |
publishDate |
2009 |
dc.date.none.fl_str_mv |
2009-08-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://e-revista.unioeste.br/index.php/travessias/article/view/3338 |
url |
https://e-revista.unioeste.br/index.php/travessias/article/view/3338 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://e-revista.unioeste.br/index.php/travessias/article/view/3338/2639 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Unioeste |
publisher.none.fl_str_mv |
Unioeste |
dc.source.none.fl_str_mv |
Travessias; Vol. 3 No. 2 (2009) Travessias; Vol. 3 Núm. 2 (2009) Travessias; v. 3 n. 2 (2009) 1982-5935 reponame:Travessias (Cascavel. Online) instname:Universidade Estadual do Oeste do Paraná (Unioeste) instacron:Unioeste |
instname_str |
Universidade Estadual do Oeste do Paraná (Unioeste) |
instacron_str |
Unioeste |
institution |
Unioeste |
reponame_str |
Travessias (Cascavel. Online) |
collection |
Travessias (Cascavel. Online) |
repository.name.fl_str_mv |
Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste) |
repository.mail.fl_str_mv |
revista.travessias@unioeste.br |
_version_ |
1798044915429539840 |