BECOMING CULTURAL INHERITANCE FOR MANKIND, ISMAEL NERY AND SURREALIST PHASE
Autor(a) principal: | |
---|---|
Data de Publicação: | 2010 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Travessias (Cascavel. Online) |
Texto Completo: | https://e-revista.unioeste.br/index.php/travessias/article/view/4628 |
Resumo: | First, we introduce the painter Ismael Nery, the phases of his pictorial work,ideas and philosophical conceptions. Soon after, we delve deeper into a poem in prose anda surrealist drawing (Ismael Nery’s Testament). We focus on the various connectionsbetween the two works, highlighting the corresponding perfect unity between both. In thisdialogue between poetry and painting, passages extracted from literary and art critiques bythe poet Murilo Mendes and extracts from an interview given by Murilo Mendes to Vejamagazine in the seventies emphasize the meaning we want to convey. Finally, the use ofthe surrealist visual language by Nery to deal with his spiritual and apostolic concernsenhances this bridge between painting and literature. |
id |
Unioeste-1_9af24fbe5f6d49ab21a4c63b9e935fed |
---|---|
oai_identifier_str |
oai:ojs.e-revista.unioeste.br:article/4628 |
network_acronym_str |
Unioeste-1 |
network_name_str |
Travessias (Cascavel. Online) |
repository_id_str |
|
spelling |
BECOMING CULTURAL INHERITANCE FOR MANKIND, ISMAEL NERY AND SURREALIST PHASEDEIXAR-SE COMO HERANÇA PARA A HUMANIDADE, ISMAEL NERY E A FASE SURREALISTAsurrealismoessencialismopoesiapinturadoação.First, we introduce the painter Ismael Nery, the phases of his pictorial work,ideas and philosophical conceptions. Soon after, we delve deeper into a poem in prose anda surrealist drawing (Ismael Nery’s Testament). We focus on the various connectionsbetween the two works, highlighting the corresponding perfect unity between both. In thisdialogue between poetry and painting, passages extracted from literary and art critiques bythe poet Murilo Mendes and extracts from an interview given by Murilo Mendes to Vejamagazine in the seventies emphasize the meaning we want to convey. Finally, the use ofthe surrealist visual language by Nery to deal with his spiritual and apostolic concernsenhances this bridge between painting and literature.Inicialmente, apresenta-se o pintor Ismael Nery, as fases de sua obra pictórica esuas idéias e concepções filosóficas. No segundo momento, trata-se, mais especificamente, deum poema em prosa (“Última página” ou “Testamento Espiritual de Ismael Nery”) e umdesenho da fase surrealista (Testamento de Ismael Nery). Serão apontadas as várias ligações entreas duas obras, no sentido de observar a perfeita unidade existente entre elas. Nesse diálogoentre poesia e pintura, serão empregadas também algumas passagens de textos das críticas dearte e literária do poeta Murilo Mendes e ainda trechos de uma entrevista concedida por ele àrevista Veja nos anos 70. Ao final do trabalho, será destacado o uso do visual surrealista, porparte de Ismael, em benefício de seus interesses espirituais e apostólicos.Unioeste2010-12-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://e-revista.unioeste.br/index.php/travessias/article/view/4628Travessias; Vol. 4 No. 3 (2010)Travessias; Vol. 4 Núm. 3 (2010)Travessias; v. 4 n. 3 (2010)1982-5935reponame:Travessias (Cascavel. Online)instname:Universidade Estadual do Oeste do Paraná (Unioeste)instacron:Unioesteporhttps://e-revista.unioeste.br/index.php/travessias/article/view/4628/3554Copyright (c) 2010 Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob CC-BY-NC-SA 4.0 que permite o compartilhamento do trabalho com indicação da autoria e publicação inicial nesta revistainfo:eu-repo/semantics/openAccessTeixeira Cordeiro, Andre2020-12-08T11:43:01Zoai:ojs.e-revista.unioeste.br:article/4628Revistahttps://e-revista.unioeste.br/index.php/travessiasPUBhttps://e-revista.unioeste.br/index.php/travessias/oairevista.travessias@unioeste.br1982-59351982-5935opendoar:2020-12-08T11:43:01Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste)false |
dc.title.none.fl_str_mv |
BECOMING CULTURAL INHERITANCE FOR MANKIND, ISMAEL NERY AND SURREALIST PHASE DEIXAR-SE COMO HERANÇA PARA A HUMANIDADE, ISMAEL NERY E A FASE SURREALISTA |
title |
BECOMING CULTURAL INHERITANCE FOR MANKIND, ISMAEL NERY AND SURREALIST PHASE |
spellingShingle |
BECOMING CULTURAL INHERITANCE FOR MANKIND, ISMAEL NERY AND SURREALIST PHASE Teixeira Cordeiro, Andre surrealismo essencialismo poesia pintura doação. |
title_short |
BECOMING CULTURAL INHERITANCE FOR MANKIND, ISMAEL NERY AND SURREALIST PHASE |
title_full |
BECOMING CULTURAL INHERITANCE FOR MANKIND, ISMAEL NERY AND SURREALIST PHASE |
title_fullStr |
BECOMING CULTURAL INHERITANCE FOR MANKIND, ISMAEL NERY AND SURREALIST PHASE |
title_full_unstemmed |
BECOMING CULTURAL INHERITANCE FOR MANKIND, ISMAEL NERY AND SURREALIST PHASE |
title_sort |
BECOMING CULTURAL INHERITANCE FOR MANKIND, ISMAEL NERY AND SURREALIST PHASE |
author |
Teixeira Cordeiro, Andre |
author_facet |
Teixeira Cordeiro, Andre |
author_role |
author |
dc.contributor.author.fl_str_mv |
Teixeira Cordeiro, Andre |
dc.subject.por.fl_str_mv |
surrealismo essencialismo poesia pintura doação. |
topic |
surrealismo essencialismo poesia pintura doação. |
description |
First, we introduce the painter Ismael Nery, the phases of his pictorial work,ideas and philosophical conceptions. Soon after, we delve deeper into a poem in prose anda surrealist drawing (Ismael Nery’s Testament). We focus on the various connectionsbetween the two works, highlighting the corresponding perfect unity between both. In thisdialogue between poetry and painting, passages extracted from literary and art critiques bythe poet Murilo Mendes and extracts from an interview given by Murilo Mendes to Vejamagazine in the seventies emphasize the meaning we want to convey. Finally, the use ofthe surrealist visual language by Nery to deal with his spiritual and apostolic concernsenhances this bridge between painting and literature. |
publishDate |
2010 |
dc.date.none.fl_str_mv |
2010-12-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://e-revista.unioeste.br/index.php/travessias/article/view/4628 |
url |
https://e-revista.unioeste.br/index.php/travessias/article/view/4628 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://e-revista.unioeste.br/index.php/travessias/article/view/4628/3554 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Unioeste |
publisher.none.fl_str_mv |
Unioeste |
dc.source.none.fl_str_mv |
Travessias; Vol. 4 No. 3 (2010) Travessias; Vol. 4 Núm. 3 (2010) Travessias; v. 4 n. 3 (2010) 1982-5935 reponame:Travessias (Cascavel. Online) instname:Universidade Estadual do Oeste do Paraná (Unioeste) instacron:Unioeste |
instname_str |
Universidade Estadual do Oeste do Paraná (Unioeste) |
instacron_str |
Unioeste |
institution |
Unioeste |
reponame_str |
Travessias (Cascavel. Online) |
collection |
Travessias (Cascavel. Online) |
repository.name.fl_str_mv |
Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste) |
repository.mail.fl_str_mv |
revista.travessias@unioeste.br |
_version_ |
1798044917407154177 |