BECOMING CULTURAL INHERITANCE FOR MANKIND, ISMAEL NERY AND SURREALIST PHASE

Detalhes bibliográficos
Autor(a) principal: Teixeira Cordeiro, Andre
Data de Publicação: 2010
Tipo de documento: Artigo
Idioma: por
Título da fonte: Travessias (Cascavel. Online)
Texto Completo: https://e-revista.unioeste.br/index.php/travessias/article/view/4628
Resumo: First, we introduce the painter Ismael Nery, the phases of his pictorial work,ideas and philosophical conceptions. Soon after, we delve deeper into a poem in prose anda surrealist drawing (Ismael Nery’s Testament). We focus on the various connectionsbetween the two works, highlighting the corresponding perfect unity between both. In thisdialogue between poetry and painting, passages extracted from literary and art critiques bythe poet Murilo Mendes and extracts from an interview given by Murilo Mendes to Vejamagazine in the seventies emphasize the meaning we want to convey. Finally, the use ofthe surrealist visual language by Nery to deal with his spiritual and apostolic concernsenhances this bridge between painting and literature.
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spelling BECOMING CULTURAL INHERITANCE FOR MANKIND, ISMAEL NERY AND SURREALIST PHASEDEIXAR-SE COMO HERANÇA PARA A HUMANIDADE, ISMAEL NERY E A FASE SURREALISTAsurrealismoessencialismopoesiapinturadoação.First, we introduce the painter Ismael Nery, the phases of his pictorial work,ideas and philosophical conceptions. Soon after, we delve deeper into a poem in prose anda surrealist drawing (Ismael Nery’s Testament). We focus on the various connectionsbetween the two works, highlighting the corresponding perfect unity between both. In thisdialogue between poetry and painting, passages extracted from literary and art critiques bythe poet Murilo Mendes and extracts from an interview given by Murilo Mendes to Vejamagazine in the seventies emphasize the meaning we want to convey. Finally, the use ofthe surrealist visual language by Nery to deal with his spiritual and apostolic concernsenhances this bridge between painting and literature.Inicialmente, apresenta-se o pintor Ismael Nery, as fases de sua obra pictórica esuas idéias e concepções filosóficas. No segundo momento, trata-se, mais especificamente, deum poema em prosa (“Última página” ou “Testamento Espiritual de Ismael Nery”) e umdesenho da fase surrealista (Testamento de Ismael Nery). Serão apontadas as várias ligações entreas duas obras, no sentido de observar a perfeita unidade existente entre elas. Nesse diálogoentre poesia e pintura, serão empregadas também algumas passagens de textos das críticas dearte e literária do poeta Murilo Mendes e ainda trechos de uma entrevista concedida por ele àrevista Veja nos anos 70. Ao final do trabalho, será destacado o uso do visual surrealista, porparte de Ismael, em benefício de seus interesses espirituais e apostólicos.Unioeste2010-12-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://e-revista.unioeste.br/index.php/travessias/article/view/4628Travessias; Vol. 4 No. 3 (2010)Travessias; Vol. 4 Núm. 3 (2010)Travessias; v. 4 n. 3 (2010)1982-5935reponame:Travessias (Cascavel. Online)instname:Universidade Estadual do Oeste do Paraná (Unioeste)instacron:Unioesteporhttps://e-revista.unioeste.br/index.php/travessias/article/view/4628/3554Copyright (c) 2010 Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob CC-BY-NC-SA 4.0 que permite o compartilhamento do trabalho com indicação da autoria e publicação inicial nesta revistainfo:eu-repo/semantics/openAccessTeixeira Cordeiro, Andre2020-12-08T11:43:01Zoai:ojs.e-revista.unioeste.br:article/4628Revistahttps://e-revista.unioeste.br/index.php/travessiasPUBhttps://e-revista.unioeste.br/index.php/travessias/oairevista.travessias@unioeste.br1982-59351982-5935opendoar:2020-12-08T11:43:01Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste)false
dc.title.none.fl_str_mv BECOMING CULTURAL INHERITANCE FOR MANKIND, ISMAEL NERY AND SURREALIST PHASE
DEIXAR-SE COMO HERANÇA PARA A HUMANIDADE, ISMAEL NERY E A FASE SURREALISTA
title BECOMING CULTURAL INHERITANCE FOR MANKIND, ISMAEL NERY AND SURREALIST PHASE
spellingShingle BECOMING CULTURAL INHERITANCE FOR MANKIND, ISMAEL NERY AND SURREALIST PHASE
Teixeira Cordeiro, Andre
surrealismo
essencialismo
poesia
pintura
doação.
title_short BECOMING CULTURAL INHERITANCE FOR MANKIND, ISMAEL NERY AND SURREALIST PHASE
title_full BECOMING CULTURAL INHERITANCE FOR MANKIND, ISMAEL NERY AND SURREALIST PHASE
title_fullStr BECOMING CULTURAL INHERITANCE FOR MANKIND, ISMAEL NERY AND SURREALIST PHASE
title_full_unstemmed BECOMING CULTURAL INHERITANCE FOR MANKIND, ISMAEL NERY AND SURREALIST PHASE
title_sort BECOMING CULTURAL INHERITANCE FOR MANKIND, ISMAEL NERY AND SURREALIST PHASE
author Teixeira Cordeiro, Andre
author_facet Teixeira Cordeiro, Andre
author_role author
dc.contributor.author.fl_str_mv Teixeira Cordeiro, Andre
dc.subject.por.fl_str_mv surrealismo
essencialismo
poesia
pintura
doação.
topic surrealismo
essencialismo
poesia
pintura
doação.
description First, we introduce the painter Ismael Nery, the phases of his pictorial work,ideas and philosophical conceptions. Soon after, we delve deeper into a poem in prose anda surrealist drawing (Ismael Nery’s Testament). We focus on the various connectionsbetween the two works, highlighting the corresponding perfect unity between both. In thisdialogue between poetry and painting, passages extracted from literary and art critiques bythe poet Murilo Mendes and extracts from an interview given by Murilo Mendes to Vejamagazine in the seventies emphasize the meaning we want to convey. Finally, the use ofthe surrealist visual language by Nery to deal with his spiritual and apostolic concernsenhances this bridge between painting and literature.
publishDate 2010
dc.date.none.fl_str_mv 2010-12-22
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/4628
url https://e-revista.unioeste.br/index.php/travessias/article/view/4628
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/4628/3554
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Unioeste
publisher.none.fl_str_mv Unioeste
dc.source.none.fl_str_mv Travessias; Vol. 4 No. 3 (2010)
Travessias; Vol. 4 Núm. 3 (2010)
Travessias; v. 4 n. 3 (2010)
1982-5935
reponame:Travessias (Cascavel. Online)
instname:Universidade Estadual do Oeste do Paraná (Unioeste)
instacron:Unioeste
instname_str Universidade Estadual do Oeste do Paraná (Unioeste)
instacron_str Unioeste
institution Unioeste
reponame_str Travessias (Cascavel. Online)
collection Travessias (Cascavel. Online)
repository.name.fl_str_mv Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste)
repository.mail.fl_str_mv revista.travessias@unioeste.br
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