MOVIE AND EDUCATION; LAMORISSES'S POETRY, SYMBOLISM AND IMAGINARY

• Autor(a) principal: Furtado Rahde, Maria Beatriz
• Data de Publicação: 2009
• Outros Autores: Maissiat, Jaqueline
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Travessias (Cascavel. Online)
• Texto Completo: https://e-revista.unioeste.br/index.php/travessias/article/view/3274
• topic: Poética; Simbolismo; Imaginário; Narrativa; Educação

This paper looks for to weave some considerations on the narrative of the shortmovie Le Ballon Rouge (The Red Balloon – France, 1956), of Albert Lamorisse, that, in just thirty minutes and with more than fifty years of existence, he knew how to maintain the poeticenchantment of the imaginary, with a symbolic language. The poetry that Lamorisse translates into its images it checks a light and at the same time dense visual impression, when figurative use ofwords evoking the infantile stories, mixers with the surreal, because the route becomes a poem,translated with the utilization of the iconography. The symbolism of the modernist period isevidenced in the silent scenes of spoken language, but intense in the visual language, in that themusic plays a prominence part. The words not verbalized it is reverted by images, turning visiblethe invisible. In that proposal of narrative technique, Lamorisse evokes several componentelements of the imaginary, as the dream, the art, the myths, the fantastic or the fantasy.