THE FILMIC TRANSPOSICION FROM THE NOVEL O MATADOR
Autor(a) principal: | |
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Data de Publicação: | 2009 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Travessias (Cascavel. Online) |
Texto Completo: | https://e-revista.unioeste.br/index.php/travessias/article/view/3329 |
Resumo: | This article shows an analysis from the movie O homem do ano (2002), by the film maker José Henrique Fonseca. It’s an adaptation from the novel O Matador (1995) by Patricia Melo. The leading thread will be the narrator’s role in the construction of the fable both in the novel and the film. We intend to explain this linearity of the filmic text, for this reason it was considered the hypothesis of the establishment of a narrator with an angle of fixed vision in the facts, obtained by means of a camera, that is, in the film, image and voice express Máiquel’s thoughts, feelings, and perceptions. Besides that, we will consider how thisnew narrative was made. |
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THE FILMIC TRANSPOSICION FROM THE NOVEL O MATADORA TRANSPOSIÇÃO FÍLMICA DO ROMANCE O MATADORFoco narrativoSubjetividade da narrativa fílmicaLinearidade fílmica. This article shows an analysis from the movie O homem do ano (2002), by the film maker José Henrique Fonseca. It’s an adaptation from the novel O Matador (1995) by Patricia Melo. The leading thread will be the narrator’s role in the construction of the fable both in the novel and the film. We intend to explain this linearity of the filmic text, for this reason it was considered the hypothesis of the establishment of a narrator with an angle of fixed vision in the facts, obtained by means of a camera, that is, in the film, image and voice express Máiquel’s thoughts, feelings, and perceptions. Besides that, we will consider how thisnew narrative was made. Este artigo apresenta uma análise do filme O homem do ano (2002), do cineasta José Henrique Fonseca, adaptação do romance O Matador (1995), de Patrícia Melo. O fio condutor será a atuação do narrador na construção das fábulas romanesca e fílmica. Pretende-se explicar a linearidade narrativa do texto fílmico e para isso considerou-se a hipótese da instauração de um narrador com ângulo de visão fixo nos fatos, obtido por meio da câmera, já que, no filme, a imagem e a voz expõem os pensamentos, sentimentos e percepções de Máiquel e, assim, avaliar como essa nova narrativa foi configurada.Unioeste2009-08-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://e-revista.unioeste.br/index.php/travessias/article/view/3329Travessias; Vol. 3 No. 2 (2009)Travessias; Vol. 3 Núm. 2 (2009)Travessias; v. 3 n. 2 (2009)1982-5935reponame:Travessias (Cascavel. Online)instname:Universidade Estadual do Oeste do Paraná (UNIOESTE)instacron:Unioesteporhttps://e-revista.unioeste.br/index.php/travessias/article/view/3329/2630Copyright (c) 2009 Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob CC-BY-NC-SA 4.0 que permite o compartilhamento do trabalho com indicação da autoria e publicação inicial nesta revistahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessTeles, Maria de LourdesOmena, Maria Aparecida Munhoz de2023-07-28T16:29:14Zoai:ojs.e-revista.unioeste.br:article/3329Revistahttps://e-revista.unioeste.br/index.php/travessiasPUBhttps://e-revista.unioeste.br/index.php/travessias/oairevista.travessias@unioeste.br1982-59351982-5935opendoar:2023-07-28T16:29:14Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (UNIOESTE)false |
dc.title.none.fl_str_mv |
THE FILMIC TRANSPOSICION FROM THE NOVEL O MATADOR A TRANSPOSIÇÃO FÍLMICA DO ROMANCE O MATADOR |
title |
THE FILMIC TRANSPOSICION FROM THE NOVEL O MATADOR |
spellingShingle |
THE FILMIC TRANSPOSICION FROM THE NOVEL O MATADOR Teles, Maria de Lourdes Foco narrativo Subjetividade da narrativa fílmica Linearidade fílmica. |
title_short |
THE FILMIC TRANSPOSICION FROM THE NOVEL O MATADOR |
title_full |
THE FILMIC TRANSPOSICION FROM THE NOVEL O MATADOR |
title_fullStr |
THE FILMIC TRANSPOSICION FROM THE NOVEL O MATADOR |
title_full_unstemmed |
THE FILMIC TRANSPOSICION FROM THE NOVEL O MATADOR |
title_sort |
THE FILMIC TRANSPOSICION FROM THE NOVEL O MATADOR |
author |
Teles, Maria de Lourdes |
author_facet |
Teles, Maria de Lourdes Omena, Maria Aparecida Munhoz de |
author_role |
author |
author2 |
Omena, Maria Aparecida Munhoz de |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Teles, Maria de Lourdes Omena, Maria Aparecida Munhoz de |
dc.subject.por.fl_str_mv |
Foco narrativo Subjetividade da narrativa fílmica Linearidade fílmica. |
topic |
Foco narrativo Subjetividade da narrativa fílmica Linearidade fílmica. |
description |
This article shows an analysis from the movie O homem do ano (2002), by the film maker José Henrique Fonseca. It’s an adaptation from the novel O Matador (1995) by Patricia Melo. The leading thread will be the narrator’s role in the construction of the fable both in the novel and the film. We intend to explain this linearity of the filmic text, for this reason it was considered the hypothesis of the establishment of a narrator with an angle of fixed vision in the facts, obtained by means of a camera, that is, in the film, image and voice express Máiquel’s thoughts, feelings, and perceptions. Besides that, we will consider how thisnew narrative was made. |
publishDate |
2009 |
dc.date.none.fl_str_mv |
2009-08-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://e-revista.unioeste.br/index.php/travessias/article/view/3329 |
url |
https://e-revista.unioeste.br/index.php/travessias/article/view/3329 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://e-revista.unioeste.br/index.php/travessias/article/view/3329/2630 |
dc.rights.driver.fl_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Unioeste |
publisher.none.fl_str_mv |
Unioeste |
dc.source.none.fl_str_mv |
Travessias; Vol. 3 No. 2 (2009) Travessias; Vol. 3 Núm. 2 (2009) Travessias; v. 3 n. 2 (2009) 1982-5935 reponame:Travessias (Cascavel. Online) instname:Universidade Estadual do Oeste do Paraná (UNIOESTE) instacron:Unioeste |
instname_str |
Universidade Estadual do Oeste do Paraná (UNIOESTE) |
instacron_str |
Unioeste |
institution |
Unioeste |
reponame_str |
Travessias (Cascavel. Online) |
collection |
Travessias (Cascavel. Online) |
repository.name.fl_str_mv |
Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (UNIOESTE) |
repository.mail.fl_str_mv |
revista.travessias@unioeste.br |
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1798044912020619264 |