THE EXISTENTIALISM, THE FANTASTIC AND THE BREAKS SCENE IN MODERN DRAMA PORTUGUESE

Detalhes bibliográficos
Autor(a) principal: Tscherne, Milca
Data de Publicação: 2011
Tipo de documento: Artigo
Idioma: por
Título da fonte: Travessias (Cascavel. Online)
Texto Completo: https://e-revista.unioeste.br/index.php/travessias/article/view/4331
Resumo: This paper analyzes the play Condenados à vida, by Portuguese playwright Luiz Francisco Rebello, looking to highlight two elements of composition: 1) the dramatic proposed existentialist theater of isolating characters in strange places and 2) the fantastic element. The unusual situation and imponderable presented in the prologue and epilogue produced dramatic disruptions in Condenados à vida who ordered the epic element which, although not required in the design of existentialist theater, Rebello introduced and presented him with characters since before there until the time of his death, a relaxation time that can only be combined with the presence of the suggested narrative feature, including the classification of the piece: dramatic sequence with a prologue, two sides and an epilogue.
id Unioeste-1_d600f09cf7b0b134ddf1baba0c17bbc0
oai_identifier_str oai:ojs.e-revista.unioeste.br:article/4331
network_acronym_str Unioeste-1
network_name_str Travessias (Cascavel. Online)
repository_id_str
spelling THE EXISTENTIALISM, THE FANTASTIC AND THE BREAKS SCENE IN MODERN DRAMA PORTUGUESEO EXISTENCIALISMO, O FANTÁSTICO E AS RUPTURAS DA CENA NUM DRAMA PORTUGUÊS MODERNOThis paper analyzes the play Condenados à vida, by Portuguese playwright Luiz Francisco Rebello, looking to highlight two elements of composition: 1) the dramatic proposed existentialist theater of isolating characters in strange places and 2) the fantastic element. The unusual situation and imponderable presented in the prologue and epilogue produced dramatic disruptions in Condenados à vida who ordered the epic element which, although not required in the design of existentialist theater, Rebello introduced and presented him with characters since before there until the time of his death, a relaxation time that can only be combined with the presence of the suggested narrative feature, including the classification of the piece: dramatic sequence with a prologue, two sides and an epilogue. Este trabalho analisa a peça Condenados à vida (1961-63), do dramaturgo português Luiz Francisco Rebello, primando por destacar dois elementos de composição: 1) a proposta dramática do teatro existencialista de confinar personagens em lugares estranhos e 2) o elemento fantástico. A situação insólita e imponderável apresentada no prólogo e no epílogo produziu rupturas dramáticas em Condenados à vida que requisitaram o elemento épico que, embora não estivesse previsto no projeto de teatro existencialista, Rebello introduziu e com ele apresentou personagens desde antes de existirem até o momento de sua morte, numa distensão temporal que só é possível ser articulada com a presença do recurso narrativo sugerido, inclusive, na classificação da peça: sequência dramática com um prólogo, duas partes e um epílogo. Unioeste2011-10-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://e-revista.unioeste.br/index.php/travessias/article/view/4331Travessias; Vol. 5 No. 2 (2011)Travessias; Vol. 5 Núm. 2 (2011)Travessias; v. 5 n. 2 (2011)1982-5935reponame:Travessias (Cascavel. Online)instname:Universidade Estadual do Oeste do Paraná (Unioeste)instacron:Unioesteporhttps://e-revista.unioeste.br/index.php/travessias/article/view/4331/4310Copyright (c) 2011 Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob CC-BY-NC-SA 4.0 que permite o compartilhamento do trabalho com indicação da autoria e publicação inicial nesta revistainfo:eu-repo/semantics/openAccessTscherne, Milca2020-12-08T11:42:55Zoai:ojs.e-revista.unioeste.br:article/4331Revistahttps://e-revista.unioeste.br/index.php/travessiasPUBhttps://e-revista.unioeste.br/index.php/travessias/oairevista.travessias@unioeste.br1982-59351982-5935opendoar:2020-12-08T11:42:55Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste)false
dc.title.none.fl_str_mv THE EXISTENTIALISM, THE FANTASTIC AND THE BREAKS SCENE IN MODERN DRAMA PORTUGUESE
O EXISTENCIALISMO, O FANTÁSTICO E AS RUPTURAS DA CENA NUM DRAMA PORTUGUÊS MODERNO
title THE EXISTENTIALISM, THE FANTASTIC AND THE BREAKS SCENE IN MODERN DRAMA PORTUGUESE
spellingShingle THE EXISTENTIALISM, THE FANTASTIC AND THE BREAKS SCENE IN MODERN DRAMA PORTUGUESE
Tscherne, Milca
title_short THE EXISTENTIALISM, THE FANTASTIC AND THE BREAKS SCENE IN MODERN DRAMA PORTUGUESE
title_full THE EXISTENTIALISM, THE FANTASTIC AND THE BREAKS SCENE IN MODERN DRAMA PORTUGUESE
title_fullStr THE EXISTENTIALISM, THE FANTASTIC AND THE BREAKS SCENE IN MODERN DRAMA PORTUGUESE
title_full_unstemmed THE EXISTENTIALISM, THE FANTASTIC AND THE BREAKS SCENE IN MODERN DRAMA PORTUGUESE
title_sort THE EXISTENTIALISM, THE FANTASTIC AND THE BREAKS SCENE IN MODERN DRAMA PORTUGUESE
author Tscherne, Milca
author_facet Tscherne, Milca
author_role author
dc.contributor.author.fl_str_mv Tscherne, Milca
description This paper analyzes the play Condenados à vida, by Portuguese playwright Luiz Francisco Rebello, looking to highlight two elements of composition: 1) the dramatic proposed existentialist theater of isolating characters in strange places and 2) the fantastic element. The unusual situation and imponderable presented in the prologue and epilogue produced dramatic disruptions in Condenados à vida who ordered the epic element which, although not required in the design of existentialist theater, Rebello introduced and presented him with characters since before there until the time of his death, a relaxation time that can only be combined with the presence of the suggested narrative feature, including the classification of the piece: dramatic sequence with a prologue, two sides and an epilogue.
publishDate 2011
dc.date.none.fl_str_mv 2011-10-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/4331
url https://e-revista.unioeste.br/index.php/travessias/article/view/4331
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/4331/4310
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Unioeste
publisher.none.fl_str_mv Unioeste
dc.source.none.fl_str_mv Travessias; Vol. 5 No. 2 (2011)
Travessias; Vol. 5 Núm. 2 (2011)
Travessias; v. 5 n. 2 (2011)
1982-5935
reponame:Travessias (Cascavel. Online)
instname:Universidade Estadual do Oeste do Paraná (Unioeste)
instacron:Unioeste
instname_str Universidade Estadual do Oeste do Paraná (Unioeste)
instacron_str Unioeste
institution Unioeste
reponame_str Travessias (Cascavel. Online)
collection Travessias (Cascavel. Online)
repository.name.fl_str_mv Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste)
repository.mail.fl_str_mv revista.travessias@unioeste.br
_version_ 1798044916849311744

Registros relacionados