FROM VICTOR HUGO TO WALT DISNEY: THE DIALOGISM IN “THE HUNCHBACK OF NOTRE-DAME

Detalhes bibliográficos
Autor(a) principal: Brefore Pinheiro, Carlos Eduardo
Data de Publicação: 2009
Tipo de documento: Artigo
Idioma: por
Título da fonte: Travessias (Cascavel. Online)
Texto Completo: https://e-revista.unioeste.br/index.php/travessias/article/view/3436
Resumo: The trip to a medieval Paris, the scenery of a tragic love story between a gypsy and a ringerwith physical deformities, created by Victor Hugo in his book Notre-Dame of Paris, popularly known as TheHunchback of Notre-Dame. From the novel of this French writer, Disney industries have produced one of themost known cinematography adaptations, inside the animation films universe. The proposal of this lectureis to establish an analysis from the adaptation of Walt Disney, from 1966, from images and songs that arein the movie. It will be noticed that the visual art which is in Quasímodo and Esmeralda’s plot as well asthe discourse of the songs used by the characters during it, lead the viewer to reflect about tolerance andrespect concerning the differences: physical ( related to Quasímodo) or religious (related to Esmeralda).Among the relationships that generate the intrigue, we could highlight the relations among TheHunchback, the gypsy and Dom Claude Frollo, the antagonist in the novel – from one side, the discourseof the acceptance of the other, the solidarity wish among men and the hope of a fair society; from theother side, the intolerance, the prejudice and the disregard to the less privileged ones.
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spelling FROM VICTOR HUGO TO WALT DISNEY: THE DIALOGISM IN “THE HUNCHBACK OF NOTRE-DAMEDE VICTOR HUGO A WALT DISNEY: UMA RELEITURA DE “O CORCUNDA DE NOTRE-DAME”Victor HugoWalt DisneyReleituraAceitação do outro.The trip to a medieval Paris, the scenery of a tragic love story between a gypsy and a ringerwith physical deformities, created by Victor Hugo in his book Notre-Dame of Paris, popularly known as TheHunchback of Notre-Dame. From the novel of this French writer, Disney industries have produced one of themost known cinematography adaptations, inside the animation films universe. The proposal of this lectureis to establish an analysis from the adaptation of Walt Disney, from 1966, from images and songs that arein the movie. It will be noticed that the visual art which is in Quasímodo and Esmeralda’s plot as well asthe discourse of the songs used by the characters during it, lead the viewer to reflect about tolerance andrespect concerning the differences: physical ( related to Quasímodo) or religious (related to Esmeralda).Among the relationships that generate the intrigue, we could highlight the relations among TheHunchback, the gypsy and Dom Claude Frollo, the antagonist in the novel – from one side, the discourseof the acceptance of the other, the solidarity wish among men and the hope of a fair society; from theother side, the intolerance, the prejudice and the disregard to the less privileged ones.A viagem a uma Paris medieval, cenário da trágica história de amor entre uma cigana e umsineiro deficiente físico, é concebida por Victor Hugo em seu livro Notre-Dame de Paris, popularmenteconhecido como O Corcunda de Notre-Dame. Da obra deste escritor francês, as indústrias Disney realizaramuma das adaptações cinematográficas mais conhecidas, dentro do universo dos filmes de animação. Apropostas desta comunicação é estabelecer uma análise da adaptação de Walt Disney, de 1996, a partir deimagens e canções presentes no filme. Será verificado que a construção da arte visual que arquiteta a tramade Quasímodo e Esmeralda, bem como o discurso das músicas cantadas pelos personagens ao longo datrama, conduzem o espectador a uma reflexão que tem por base a tolerância e o respeito às diferenças:tanto física (no caso de Quasímodo) quanto religiosa (no caso de Esmeralda). Entre os personagens quecompõem a intriga, o destaque será para as relações que se estabelecem entre o Corcunda, a cigana e DomClaude Frollo, antagonista da obra – de um lado, o discurso da aceitação do outro, do desejo desolidariedade entre os homens e da esperança de uma sociedade mais justa; do outro lado, o discurso daintolerância, do preconceito e do menosprezo às minorias.Unioeste2009-12-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://e-revista.unioeste.br/index.php/travessias/article/view/3436Travessias; Vol. 3 No. 3 (2009)Travessias; Vol. 3 Núm. 3 (2009)Travessias; v. 3 n. 3 (2009)1982-5935reponame:Travessias (Cascavel. Online)instname:Universidade Estadual do Oeste do Paraná (Unioeste)instacron:Unioesteporhttps://e-revista.unioeste.br/index.php/travessias/article/view/3436/2730Copyright (c) 2009 Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob CC-BY-NC-SA 4.0 que permite o compartilhamento do trabalho com indicação da autoria e publicação inicial nesta revistainfo:eu-repo/semantics/openAccessBrefore Pinheiro, Carlos Eduardo2020-12-08T11:43:09Zoai:ojs.e-revista.unioeste.br:article/3436Revistahttps://e-revista.unioeste.br/index.php/travessiasPUBhttps://e-revista.unioeste.br/index.php/travessias/oairevista.travessias@unioeste.br1982-59351982-5935opendoar:2020-12-08T11:43:09Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste)false
dc.title.none.fl_str_mv FROM VICTOR HUGO TO WALT DISNEY: THE DIALOGISM IN “THE HUNCHBACK OF NOTRE-DAME
DE VICTOR HUGO A WALT DISNEY: UMA RELEITURA DE “O CORCUNDA DE NOTRE-DAME”
title FROM VICTOR HUGO TO WALT DISNEY: THE DIALOGISM IN “THE HUNCHBACK OF NOTRE-DAME
spellingShingle FROM VICTOR HUGO TO WALT DISNEY: THE DIALOGISM IN “THE HUNCHBACK OF NOTRE-DAME
Brefore Pinheiro, Carlos Eduardo
Victor Hugo
Walt Disney
Releitura
Aceitação do outro.
title_short FROM VICTOR HUGO TO WALT DISNEY: THE DIALOGISM IN “THE HUNCHBACK OF NOTRE-DAME
title_full FROM VICTOR HUGO TO WALT DISNEY: THE DIALOGISM IN “THE HUNCHBACK OF NOTRE-DAME
title_fullStr FROM VICTOR HUGO TO WALT DISNEY: THE DIALOGISM IN “THE HUNCHBACK OF NOTRE-DAME
title_full_unstemmed FROM VICTOR HUGO TO WALT DISNEY: THE DIALOGISM IN “THE HUNCHBACK OF NOTRE-DAME
title_sort FROM VICTOR HUGO TO WALT DISNEY: THE DIALOGISM IN “THE HUNCHBACK OF NOTRE-DAME
author Brefore Pinheiro, Carlos Eduardo
author_facet Brefore Pinheiro, Carlos Eduardo
author_role author
dc.contributor.author.fl_str_mv Brefore Pinheiro, Carlos Eduardo
dc.subject.por.fl_str_mv Victor Hugo
Walt Disney
Releitura
Aceitação do outro.
topic Victor Hugo
Walt Disney
Releitura
Aceitação do outro.
description The trip to a medieval Paris, the scenery of a tragic love story between a gypsy and a ringerwith physical deformities, created by Victor Hugo in his book Notre-Dame of Paris, popularly known as TheHunchback of Notre-Dame. From the novel of this French writer, Disney industries have produced one of themost known cinematography adaptations, inside the animation films universe. The proposal of this lectureis to establish an analysis from the adaptation of Walt Disney, from 1966, from images and songs that arein the movie. It will be noticed that the visual art which is in Quasímodo and Esmeralda’s plot as well asthe discourse of the songs used by the characters during it, lead the viewer to reflect about tolerance andrespect concerning the differences: physical ( related to Quasímodo) or religious (related to Esmeralda).Among the relationships that generate the intrigue, we could highlight the relations among TheHunchback, the gypsy and Dom Claude Frollo, the antagonist in the novel – from one side, the discourseof the acceptance of the other, the solidarity wish among men and the hope of a fair society; from theother side, the intolerance, the prejudice and the disregard to the less privileged ones.
publishDate 2009
dc.date.none.fl_str_mv 2009-12-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/3436
url https://e-revista.unioeste.br/index.php/travessias/article/view/3436
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/3436/2730
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Unioeste
publisher.none.fl_str_mv Unioeste
dc.source.none.fl_str_mv Travessias; Vol. 3 No. 3 (2009)
Travessias; Vol. 3 Núm. 3 (2009)
Travessias; v. 3 n. 3 (2009)
1982-5935
reponame:Travessias (Cascavel. Online)
instname:Universidade Estadual do Oeste do Paraná (Unioeste)
instacron:Unioeste
instname_str Universidade Estadual do Oeste do Paraná (Unioeste)
instacron_str Unioeste
institution Unioeste
reponame_str Travessias (Cascavel. Online)
collection Travessias (Cascavel. Online)
repository.name.fl_str_mv Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste)
repository.mail.fl_str_mv revista.travessias@unioeste.br
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