AND THE “BAIANA” IS BORN: RELATIONS BETWEEN CARMEN MIRANDA, IDENTITY AND STATE

Detalhes bibliográficos
Autor(a) principal: Macedo, Káritha
Data de Publicação: 2011
Tipo de documento: Artigo
Idioma: por
Título da fonte: Travessias (Cascavel. Online)
Texto Completo: https://e-revista.unioeste.br/index.php/travessias/article/view/5602
Resumo: This study intends to analyze the construction of a Brazilian national identity on the figure of Carmen Miranda and her “baiana”. It debates the creation of the character that features Carmen and why she received the status of  “national symbol” and synonym of  “Brazilian identity”. Therefore, it seeks other national elements that supported this understanding and analyzes the performance of Carmen in “O que é que a baiana tem” in the film “Banana da Terra” (1939), the first time that she wore the character. However in the same year the film was released, Carmen Miranda left to the United States, and there the “baiana” became the icon we know today. Therefore, in order to understand how she became a myth, it raises some points of her career there. The research was carried out from Carmen Miranda’s broadcasted images, her filmography, the available literature, print and digital media, and virtual collections.
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spelling AND THE “BAIANA” IS BORN: RELATIONS BETWEEN CARMEN MIRANDA, IDENTITY AND STATEEIS QUE NASCE A BAIANA: RELAÇÕES ENTRE CARMEN MIRANDA, IDENTIDADE E ESTADOCarmen Miranda“O que é que a baiana tem”identidade nacionalsímbolo nacionalimagem. This study intends to analyze the construction of a Brazilian national identity on the figure of Carmen Miranda and her “baiana”. It debates the creation of the character that features Carmen and why she received the status of  “national symbol” and synonym of  “Brazilian identity”. Therefore, it seeks other national elements that supported this understanding and analyzes the performance of Carmen in “O que é que a baiana tem” in the film “Banana da Terra” (1939), the first time that she wore the character. However in the same year the film was released, Carmen Miranda left to the United States, and there the “baiana” became the icon we know today. Therefore, in order to understand how she became a myth, it raises some points of her career there. The research was carried out from Carmen Miranda’s broadcasted images, her filmography, the available literature, print and digital media, and virtual collections. Este trabalho se propõe a analisar a construção de uma identidade nacional brasileira a partir da figura de Carmen Miranda e de sua “baiana”. Debate o surgimento da personagem que caracteriza Carmen e por que ela chegou ao status de “símbolo nacional” e sinônimo de “identidade brasileira”. Para tanto, busca outros elementos nacionais que subsidiaram esse entendimento e analisa a performance de Carmen em “O que é que a baiana tem”, no filme “Banana da Terra” (1939), primeira vez que vestiu a personagem. Entretanto, no mesmo ano do lançamento do filme, Carmen Miranda parte para os Estados Unidos, e lá sim a baiana se tornaria o ícone que hoje conhecemos. Portanto, a fim de compreender de que modo se tornou um mito, levanta alguns pontos da sua carreira naquele país. As pesquisas realizadas partiram das imagens difundidas de Carmen Miranda, de sua filmografia, da literatura disponível, da mídia impressa e digital, e dos acervos virtuais. Concluindo que Carmen Miranda foi uma personagem que ilustrou um discurso densamente sedutor, no qual representa a popularização de ideais e alimentou a imagem do “tipo brasileiro” e “latino”.  Unioeste2011-10-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://e-revista.unioeste.br/index.php/travessias/article/view/5602Travessias; Vol. 5 No. 2 (2011)Travessias; Vol. 5 Núm. 2 (2011)Travessias; v. 5 n. 2 (2011)1982-5935reponame:Travessias (Cascavel. Online)instname:Universidade Estadual do Oeste do Paraná (Unioeste)instacron:Unioesteporhttps://e-revista.unioeste.br/index.php/travessias/article/view/5602/4298Copyright (c) 2011 Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob CC-BY-NC-SA 4.0 que permite o compartilhamento do trabalho com indicação da autoria e publicação inicial nesta revistainfo:eu-repo/semantics/openAccessMacedo, Káritha2020-12-08T11:42:55Zoai:ojs.e-revista.unioeste.br:article/5602Revistahttps://e-revista.unioeste.br/index.php/travessiasPUBhttps://e-revista.unioeste.br/index.php/travessias/oairevista.travessias@unioeste.br1982-59351982-5935opendoar:2020-12-08T11:42:55Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste)false
dc.title.none.fl_str_mv AND THE “BAIANA” IS BORN: RELATIONS BETWEEN CARMEN MIRANDA, IDENTITY AND STATE
EIS QUE NASCE A BAIANA: RELAÇÕES ENTRE CARMEN MIRANDA, IDENTIDADE E ESTADO
title AND THE “BAIANA” IS BORN: RELATIONS BETWEEN CARMEN MIRANDA, IDENTITY AND STATE
spellingShingle AND THE “BAIANA” IS BORN: RELATIONS BETWEEN CARMEN MIRANDA, IDENTITY AND STATE
Macedo, Káritha
Carmen Miranda
“O que é que a baiana tem”
identidade nacional
símbolo nacional
imagem.
title_short AND THE “BAIANA” IS BORN: RELATIONS BETWEEN CARMEN MIRANDA, IDENTITY AND STATE
title_full AND THE “BAIANA” IS BORN: RELATIONS BETWEEN CARMEN MIRANDA, IDENTITY AND STATE
title_fullStr AND THE “BAIANA” IS BORN: RELATIONS BETWEEN CARMEN MIRANDA, IDENTITY AND STATE
title_full_unstemmed AND THE “BAIANA” IS BORN: RELATIONS BETWEEN CARMEN MIRANDA, IDENTITY AND STATE
title_sort AND THE “BAIANA” IS BORN: RELATIONS BETWEEN CARMEN MIRANDA, IDENTITY AND STATE
author Macedo, Káritha
author_facet Macedo, Káritha
author_role author
dc.contributor.author.fl_str_mv Macedo, Káritha
dc.subject.por.fl_str_mv Carmen Miranda
“O que é que a baiana tem”
identidade nacional
símbolo nacional
imagem.
topic Carmen Miranda
“O que é que a baiana tem”
identidade nacional
símbolo nacional
imagem.
description This study intends to analyze the construction of a Brazilian national identity on the figure of Carmen Miranda and her “baiana”. It debates the creation of the character that features Carmen and why she received the status of  “national symbol” and synonym of  “Brazilian identity”. Therefore, it seeks other national elements that supported this understanding and analyzes the performance of Carmen in “O que é que a baiana tem” in the film “Banana da Terra” (1939), the first time that she wore the character. However in the same year the film was released, Carmen Miranda left to the United States, and there the “baiana” became the icon we know today. Therefore, in order to understand how she became a myth, it raises some points of her career there. The research was carried out from Carmen Miranda’s broadcasted images, her filmography, the available literature, print and digital media, and virtual collections.
publishDate 2011
dc.date.none.fl_str_mv 2011-10-26
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/5602
url https://e-revista.unioeste.br/index.php/travessias/article/view/5602
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/5602/4298
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Unioeste
publisher.none.fl_str_mv Unioeste
dc.source.none.fl_str_mv Travessias; Vol. 5 No. 2 (2011)
Travessias; Vol. 5 Núm. 2 (2011)
Travessias; v. 5 n. 2 (2011)
1982-5935
reponame:Travessias (Cascavel. Online)
instname:Universidade Estadual do Oeste do Paraná (Unioeste)
instacron:Unioeste
instname_str Universidade Estadual do Oeste do Paraná (Unioeste)
instacron_str Unioeste
institution Unioeste
reponame_str Travessias (Cascavel. Online)
collection Travessias (Cascavel. Online)
repository.name.fl_str_mv Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste)
repository.mail.fl_str_mv revista.travessias@unioeste.br
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