Labirinto do silêncio: estratégias de sobrevivência ao cárcere

• Autor(a) principal: Mendes, Pamela
• Data de Publicação: 2018
• Tipo de documento: Artigo de conferência
• Idioma: por
• Título da fonte: Repositório Universitário da Ânima (RUNA)
• Texto Completo: https://repositorio.animaeducacao.com.br/handle/ANIMA/9130
• topic: Livro; Reportagem; Sistema; Carcerário; Presos

The Labyrinth of Silence: Strategies of survival to the jail was constructed from a two-month experience in the semi-open regime of the Agricultural Penal Colony of Palhoça. Through it, I met Luiz Fernando Machado, a filmmaker who recorded a feature film in the Colony in 2016, while he was also deprived of his freedom. During the period in which I lived, Luiz was the one who helped me on the best ways to deal with and talk with his former cellmates, for having a reality similar to mine and theirs. Thus, the book was divided into three parts: The Zarathustra of the Penal Colony, Survivors of the system: book on the detainees of the Colony and Logbook: the reporter's gaze. At the end, in Faceless series, there is still the presentation of the photographs taken during a morning in the semi-open regime. The first part, The Zarathustra of the Penal Colony "brings the story of Luiz Fernando Machado, who awakens the real meaning of ascension. A middle-class college student from the Unisul Cinema course who abandons his privileges and becomes part of the abstract world of traffic. In the last semester of the course, he loses his freedom and must leave the chairs that precede his training. The main point of Luiz's story is when, even in prison, he does not stop being a filmmaker. On the contrary, the period in which he was in the closed regime of Tubarão and in the semi-open in Palhoça, was when he carried out most of his projects. When he finds himself free, eight years later, Luiz travels the world with his first feature film, Zarathustra still speaks, recorded entirely in the Agricultural Penal Colony of Palhoça. So even in his failure, Luiz continued to be ascension. Then in System Survivors: Colony detainees' diaries, I offer unique stories of the detainees I interviewed at the Colony. The title refers to the character of the interview that marked the interviews. I was someone they trusted to talk about their families, about their mistakes and their regrets. About what bothered them and what pleased them. About a universe of realities that I knew existed, but that marked by being told with so much feeling. The third part is dedicated to my vision of living in Cologne. In it, I tell of everything I've felt since the first time I walked through the gates of the semi-open prison. This is because I believe in the essence of the human reporter, who is a being full of feelings and also internal conflicts. When I came across the neglect suffered by these men, I could not be impartial, I could not be objective. In the logbook: the look of the reporter, I also present unpublished testimonies from other prisoners that I interviewed in the days I spent there. Remarkable testimonies, which I only managed to keep silent and listening.