In Fidanza’s photographic studio: the construction of the image of enslaved women in the Belém city (1869-1875)

Detalhes bibliográficos
Autor(a) principal: Teixeira, Amanda Gatinho
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista dObra[s]
Texto Completo: https://dobras.emnuvens.com.br/dobras/article/view/1239
Resumo: This paper aims to analyze part of the work of the portuguese photographer Felipe Augusto Fidanza, who started photographing in Belém city in 1867, becoming one of the main references in the field of photography in the north Brazilian region. His work is part of an important documentary collection from the turn of the 20th century, in which urban scenes of everyday life in the city and the social “types” that circulated on the streets were portrayed. From the analysis of five photographs of different women, we observe their clothing and body adornments, as well as, their expressions and postures that grant us important clues that help to reveal their identities and part of their respective stories.
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spelling In Fidanza’s photographic studio: the construction of the image of enslaved women in the Belém city (1869-1875)No estúdio fotográfico de Fidanza: a construção da imagem das mulheres escravizadas na cidade de Belém (1869-1875)Felipe Augusto FidanzaEnslaved womenPhotographyClothesOrnamentsFelipe Augusto FidanzaMulheres escravizadasFotografiaVestuárioAdornosThis paper aims to analyze part of the work of the portuguese photographer Felipe Augusto Fidanza, who started photographing in Belém city in 1867, becoming one of the main references in the field of photography in the north Brazilian region. His work is part of an important documentary collection from the turn of the 20th century, in which urban scenes of everyday life in the city and the social “types” that circulated on the streets were portrayed. From the analysis of five photographs of different women, we observe their clothing and body adornments, as well as, their expressions and postures that grant us important clues that help to reveal their identities and part of their respective stories.O presente artigo procura analisar parte da obra do fotógrafo português Felipe Augusto Fidanza, que começou a trabalhar em Belém no ano de 1867, tornando-sebuma das principais referências no campo da fotografia da região Norte brasileira. Sua obra ompõe um importante acervo documental da virada do século XX, em que foram retratados cenas urbanas do cotidiano da cidade e “tipos” sociais que circulavam pelas ruas. A partir da análise de cinco fotografias de diferentes mulheres, observamos seus vestuários e adornos corporais, bem como suas expressões e posturas que nos concedem importantes pistas que ajudam a revelar suas identidades e parte de suas respectivas histórias.Associação Brasileira de Estudos e Pesquisas em Moda - Abepem2020-12-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://dobras.emnuvens.com.br/dobras/article/view/123910.26563/dobras.i30.1239dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; n. 30 (2020); 157-1802358-00031982-0313reponame:Revista dObra[s]instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)instacron:ABEPEMporhttps://dobras.emnuvens.com.br/dobras/article/view/1239/649Copyright (c) 2020 Amanda Gatinho Teixeirainfo:eu-repo/semantics/openAccessTeixeira, Amanda Gatinho2021-04-12T13:33:03Zoai:ojs.dobras.emnuvens.com.br:article/1239Revistahttps://dobras.emnuvens.com.br/dobras/indexONGhttps://dobras.emnuvens.com.br/dobras/oaidobras.abepem@gmail.com2358-00031982-0313opendoar:2023-01-12T16:05:43.414923Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)true
dc.title.none.fl_str_mv In Fidanza’s photographic studio: the construction of the image of enslaved women in the Belém city (1869-1875)
No estúdio fotográfico de Fidanza: a construção da imagem das mulheres escravizadas na cidade de Belém (1869-1875)
title In Fidanza’s photographic studio: the construction of the image of enslaved women in the Belém city (1869-1875)
spellingShingle In Fidanza’s photographic studio: the construction of the image of enslaved women in the Belém city (1869-1875)
Teixeira, Amanda Gatinho
Felipe Augusto Fidanza
Enslaved women
Photography
Clothes
Ornaments
Felipe Augusto Fidanza
Mulheres escravizadas
Fotografia
Vestuário
Adornos
title_short In Fidanza’s photographic studio: the construction of the image of enslaved women in the Belém city (1869-1875)
title_full In Fidanza’s photographic studio: the construction of the image of enslaved women in the Belém city (1869-1875)
title_fullStr In Fidanza’s photographic studio: the construction of the image of enslaved women in the Belém city (1869-1875)
title_full_unstemmed In Fidanza’s photographic studio: the construction of the image of enslaved women in the Belém city (1869-1875)
title_sort In Fidanza’s photographic studio: the construction of the image of enslaved women in the Belém city (1869-1875)
author Teixeira, Amanda Gatinho
author_facet Teixeira, Amanda Gatinho
author_role author
dc.contributor.author.fl_str_mv Teixeira, Amanda Gatinho
dc.subject.por.fl_str_mv Felipe Augusto Fidanza
Enslaved women
Photography
Clothes
Ornaments
Felipe Augusto Fidanza
Mulheres escravizadas
Fotografia
Vestuário
Adornos
topic Felipe Augusto Fidanza
Enslaved women
Photography
Clothes
Ornaments
Felipe Augusto Fidanza
Mulheres escravizadas
Fotografia
Vestuário
Adornos
description This paper aims to analyze part of the work of the portuguese photographer Felipe Augusto Fidanza, who started photographing in Belém city in 1867, becoming one of the main references in the field of photography in the north Brazilian region. His work is part of an important documentary collection from the turn of the 20th century, in which urban scenes of everyday life in the city and the social “types” that circulated on the streets were portrayed. From the analysis of five photographs of different women, we observe their clothing and body adornments, as well as, their expressions and postures that grant us important clues that help to reveal their identities and part of their respective stories.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://dobras.emnuvens.com.br/dobras/article/view/1239
10.26563/dobras.i30.1239
url https://dobras.emnuvens.com.br/dobras/article/view/1239
identifier_str_mv 10.26563/dobras.i30.1239
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://dobras.emnuvens.com.br/dobras/article/view/1239/649
dc.rights.driver.fl_str_mv Copyright (c) 2020 Amanda Gatinho Teixeira
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Amanda Gatinho Teixeira
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Associação Brasileira de Estudos e Pesquisas em Moda - Abepem
publisher.none.fl_str_mv Associação Brasileira de Estudos e Pesquisas em Moda - Abepem
dc.source.none.fl_str_mv dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; n. 30 (2020); 157-180
2358-0003
1982-0313
reponame:Revista dObra[s]
instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)
instacron:ABEPEM
instname_str Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)
instacron_str ABEPEM
institution ABEPEM
reponame_str Revista dObra[s]
collection Revista dObra[s]
repository.name.fl_str_mv Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)
repository.mail.fl_str_mv dobras.abepem@gmail.com
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