Society and culture in the 1970s: cultural emptiness and experimentalism

Detalhes bibliográficos
Autor(a) principal: Cunha, Marcio Cotrim
Data de Publicação: 2009
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista dObra[s]
Texto Completo: https://dobras.emnuvens.com.br/dobras/article/view/313
Resumo: The texts that usually analyze the 1970s seem to legitimate the utilization of the term cultural emptiness to the period, however, important attempts of filling in this period are juxtaposed and tension it. When such attempts are denied they induce to a univocal and incomplete interpretation, exclusively supported by the perspective delineated in the previous decade, which disconsiders a virtual paradigmatic character of the period and may include important productions under the same mantle for its understanding. When we consider the coexistence between this cultural emptiness and important experimental artistic manifestations, it is possibleto delimitate the transition from a cultural-political paradigm towards another one, marked by a more individualist perspective. A transition which, when transposed to the artistic production, is characterized by resuming more specific problems and intrinsic values of each subject.
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spelling Society and culture in the 1970s: cultural emptiness and experimentalismSociedade e cultura nos anos 1970: esvaziamento cultural e experimentalismo1970scultureexperimentalism.década de 1970culturaexperimentalismo.The texts that usually analyze the 1970s seem to legitimate the utilization of the term cultural emptiness to the period, however, important attempts of filling in this period are juxtaposed and tension it. When such attempts are denied they induce to a univocal and incomplete interpretation, exclusively supported by the perspective delineated in the previous decade, which disconsiders a virtual paradigmatic character of the period and may include important productions under the same mantle for its understanding. When we consider the coexistence between this cultural emptiness and important experimental artistic manifestations, it is possibleto delimitate the transition from a cultural-political paradigm towards another one, marked by a more individualist perspective. A transition which, when transposed to the artistic production, is characterized by resuming more specific problems and intrinsic values of each subject.Os estudos que geralmente analisam a década de 1970 parecem legitimar a utilização do termo vazio cultural para o período, no entanto, nele, se justapõem e se tencionam tentativas importantes de preenchimento que ao serem negadas induzem a uma interpretação lacunar e unívoca, apoiada exclusivamente na perspectiva delineada na década anterior, que desconsidera de imediato um virtual caráter paradigmático do período e corre o risco de cobrir sob o mesmo manto produções importantes para sua compreensão. Ao considerarmos a coexistência entre este vazio cultural e importantes manifestações artísticas experimentais, pode-se delimitar a transição entre um paradigma político-cultural em direção a outro, emoldurado por uma perspectiva mais individualista. Uma transição que quando transposta à produção artística marcou a retomada de problemas mais específicos e de valores intrínsecos de cada disciplina.Associação Brasileira de Estudos e Pesquisas em Moda - Abepem2009-02-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://dobras.emnuvens.com.br/dobras/article/view/31310.26563/dobras.v3i5.313dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; v. 3 n. 5 (2009); 81-912358-00031982-0313reponame:Revista dObra[s]instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)instacron:ABEPEMporhttps://dobras.emnuvens.com.br/dobras/article/view/313/310Copyright (c) 2020 Marcio Cotrim Cunhainfo:eu-repo/semantics/openAccessCunha, Marcio Cotrim2017-08-04T20:02:22Zoai:ojs.dobras.emnuvens.com.br:article/313Revistahttps://dobras.emnuvens.com.br/dobras/indexONGhttps://dobras.emnuvens.com.br/dobras/oaidobras.abepem@gmail.com2358-00031982-0313opendoar:2023-01-12T16:05:26.723198Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)true
dc.title.none.fl_str_mv Society and culture in the 1970s: cultural emptiness and experimentalism
Sociedade e cultura nos anos 1970: esvaziamento cultural e experimentalismo
title Society and culture in the 1970s: cultural emptiness and experimentalism
spellingShingle Society and culture in the 1970s: cultural emptiness and experimentalism
Cunha, Marcio Cotrim
1970s
culture
experimentalism.
década de 1970
cultura
experimentalismo.
title_short Society and culture in the 1970s: cultural emptiness and experimentalism
title_full Society and culture in the 1970s: cultural emptiness and experimentalism
title_fullStr Society and culture in the 1970s: cultural emptiness and experimentalism
title_full_unstemmed Society and culture in the 1970s: cultural emptiness and experimentalism
title_sort Society and culture in the 1970s: cultural emptiness and experimentalism
author Cunha, Marcio Cotrim
author_facet Cunha, Marcio Cotrim
author_role author
dc.contributor.author.fl_str_mv Cunha, Marcio Cotrim
dc.subject.por.fl_str_mv 1970s
culture
experimentalism.
década de 1970
cultura
experimentalismo.
topic 1970s
culture
experimentalism.
década de 1970
cultura
experimentalismo.
description The texts that usually analyze the 1970s seem to legitimate the utilization of the term cultural emptiness to the period, however, important attempts of filling in this period are juxtaposed and tension it. When such attempts are denied they induce to a univocal and incomplete interpretation, exclusively supported by the perspective delineated in the previous decade, which disconsiders a virtual paradigmatic character of the period and may include important productions under the same mantle for its understanding. When we consider the coexistence between this cultural emptiness and important experimental artistic manifestations, it is possibleto delimitate the transition from a cultural-political paradigm towards another one, marked by a more individualist perspective. A transition which, when transposed to the artistic production, is characterized by resuming more specific problems and intrinsic values of each subject.
publishDate 2009
dc.date.none.fl_str_mv 2009-02-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://dobras.emnuvens.com.br/dobras/article/view/313
10.26563/dobras.v3i5.313
url https://dobras.emnuvens.com.br/dobras/article/view/313
identifier_str_mv 10.26563/dobras.v3i5.313
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://dobras.emnuvens.com.br/dobras/article/view/313/310
dc.rights.driver.fl_str_mv Copyright (c) 2020 Marcio Cotrim Cunha
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Marcio Cotrim Cunha
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Associação Brasileira de Estudos e Pesquisas em Moda - Abepem
publisher.none.fl_str_mv Associação Brasileira de Estudos e Pesquisas em Moda - Abepem
dc.source.none.fl_str_mv dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; v. 3 n. 5 (2009); 81-91
2358-0003
1982-0313
reponame:Revista dObra[s]
instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)
instacron:ABEPEM
instname_str Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)
instacron_str ABEPEM
institution ABEPEM
reponame_str Revista dObra[s]
collection Revista dObra[s]
repository.name.fl_str_mv Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)
repository.mail.fl_str_mv dobras.abepem@gmail.com
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