Society and culture in the 1970s: cultural emptiness and experimentalism
Autor(a) principal: | |
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Data de Publicação: | 2009 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista dObra[s] |
Texto Completo: | https://dobras.emnuvens.com.br/dobras/article/view/313 |
Resumo: | The texts that usually analyze the 1970s seem to legitimate the utilization of the term cultural emptiness to the period, however, important attempts of filling in this period are juxtaposed and tension it. When such attempts are denied they induce to a univocal and incomplete interpretation, exclusively supported by the perspective delineated in the previous decade, which disconsiders a virtual paradigmatic character of the period and may include important productions under the same mantle for its understanding. When we consider the coexistence between this cultural emptiness and important experimental artistic manifestations, it is possibleto delimitate the transition from a cultural-political paradigm towards another one, marked by a more individualist perspective. A transition which, when transposed to the artistic production, is characterized by resuming more specific problems and intrinsic values of each subject. |
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Society and culture in the 1970s: cultural emptiness and experimentalismSociedade e cultura nos anos 1970: esvaziamento cultural e experimentalismo1970scultureexperimentalism.década de 1970culturaexperimentalismo.The texts that usually analyze the 1970s seem to legitimate the utilization of the term cultural emptiness to the period, however, important attempts of filling in this period are juxtaposed and tension it. When such attempts are denied they induce to a univocal and incomplete interpretation, exclusively supported by the perspective delineated in the previous decade, which disconsiders a virtual paradigmatic character of the period and may include important productions under the same mantle for its understanding. When we consider the coexistence between this cultural emptiness and important experimental artistic manifestations, it is possibleto delimitate the transition from a cultural-political paradigm towards another one, marked by a more individualist perspective. A transition which, when transposed to the artistic production, is characterized by resuming more specific problems and intrinsic values of each subject.Os estudos que geralmente analisam a década de 1970 parecem legitimar a utilização do termo vazio cultural para o período, no entanto, nele, se justapõem e se tencionam tentativas importantes de preenchimento que ao serem negadas induzem a uma interpretação lacunar e unívoca, apoiada exclusivamente na perspectiva delineada na década anterior, que desconsidera de imediato um virtual caráter paradigmático do período e corre o risco de cobrir sob o mesmo manto produções importantes para sua compreensão. Ao considerarmos a coexistência entre este vazio cultural e importantes manifestações artísticas experimentais, pode-se delimitar a transição entre um paradigma político-cultural em direção a outro, emoldurado por uma perspectiva mais individualista. Uma transição que quando transposta à produção artística marcou a retomada de problemas mais específicos e de valores intrínsecos de cada disciplina.Associação Brasileira de Estudos e Pesquisas em Moda - Abepem2009-02-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://dobras.emnuvens.com.br/dobras/article/view/31310.26563/dobras.v3i5.313dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; v. 3 n. 5 (2009); 81-912358-00031982-0313reponame:Revista dObra[s]instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)instacron:ABEPEMporhttps://dobras.emnuvens.com.br/dobras/article/view/313/310Copyright (c) 2020 Marcio Cotrim Cunhainfo:eu-repo/semantics/openAccessCunha, Marcio Cotrim2017-08-04T20:02:22Zoai:ojs.dobras.emnuvens.com.br:article/313Revistahttps://dobras.emnuvens.com.br/dobras/indexONGhttps://dobras.emnuvens.com.br/dobras/oaidobras.abepem@gmail.com2358-00031982-0313opendoar:2023-01-12T16:05:26.723198Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)true |
dc.title.none.fl_str_mv |
Society and culture in the 1970s: cultural emptiness and experimentalism Sociedade e cultura nos anos 1970: esvaziamento cultural e experimentalismo |
title |
Society and culture in the 1970s: cultural emptiness and experimentalism |
spellingShingle |
Society and culture in the 1970s: cultural emptiness and experimentalism Cunha, Marcio Cotrim 1970s culture experimentalism. década de 1970 cultura experimentalismo. |
title_short |
Society and culture in the 1970s: cultural emptiness and experimentalism |
title_full |
Society and culture in the 1970s: cultural emptiness and experimentalism |
title_fullStr |
Society and culture in the 1970s: cultural emptiness and experimentalism |
title_full_unstemmed |
Society and culture in the 1970s: cultural emptiness and experimentalism |
title_sort |
Society and culture in the 1970s: cultural emptiness and experimentalism |
author |
Cunha, Marcio Cotrim |
author_facet |
Cunha, Marcio Cotrim |
author_role |
author |
dc.contributor.author.fl_str_mv |
Cunha, Marcio Cotrim |
dc.subject.por.fl_str_mv |
1970s culture experimentalism. década de 1970 cultura experimentalismo. |
topic |
1970s culture experimentalism. década de 1970 cultura experimentalismo. |
description |
The texts that usually analyze the 1970s seem to legitimate the utilization of the term cultural emptiness to the period, however, important attempts of filling in this period are juxtaposed and tension it. When such attempts are denied they induce to a univocal and incomplete interpretation, exclusively supported by the perspective delineated in the previous decade, which disconsiders a virtual paradigmatic character of the period and may include important productions under the same mantle for its understanding. When we consider the coexistence between this cultural emptiness and important experimental artistic manifestations, it is possibleto delimitate the transition from a cultural-political paradigm towards another one, marked by a more individualist perspective. A transition which, when transposed to the artistic production, is characterized by resuming more specific problems and intrinsic values of each subject. |
publishDate |
2009 |
dc.date.none.fl_str_mv |
2009-02-10 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://dobras.emnuvens.com.br/dobras/article/view/313 10.26563/dobras.v3i5.313 |
url |
https://dobras.emnuvens.com.br/dobras/article/view/313 |
identifier_str_mv |
10.26563/dobras.v3i5.313 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://dobras.emnuvens.com.br/dobras/article/view/313/310 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Marcio Cotrim Cunha info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Marcio Cotrim Cunha |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Associação Brasileira de Estudos e Pesquisas em Moda - Abepem |
publisher.none.fl_str_mv |
Associação Brasileira de Estudos e Pesquisas em Moda - Abepem |
dc.source.none.fl_str_mv |
dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; v. 3 n. 5 (2009); 81-91 2358-0003 1982-0313 reponame:Revista dObra[s] instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) instacron:ABEPEM |
instname_str |
Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
instacron_str |
ABEPEM |
institution |
ABEPEM |
reponame_str |
Revista dObra[s] |
collection |
Revista dObra[s] |
repository.name.fl_str_mv |
Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
repository.mail.fl_str_mv |
dobras.abepem@gmail.com |
_version_ |
1797054040271486976 |