Border music, music of memory: DJs’ experimentalism through the Semiotics of Culture

Detalhes bibliográficos
Autor(a) principal: Vargas, Herom
Data de Publicação: 2019
Outros Autores: Carvalho, Nilton Faria de
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/39691
Resumo: The paper analyzes musical pieces of experimental DJs from two categories related to the semiotics of culture: semiosphere and its borders and memory of culture, developed by the Russian semioticist I. Lotman. The discussion is about the characteristics of electronic dance music, its subgenres, and the differences put in experimentations produced by these DJs. The corpus of analysis is formed by compositions of three artists: DJ Tudo, Psilosamples and Dandara. The argument and the analysis demonstrate the effectiveness of these two categories for the understanding of the productive and creative dynamics of this kind of work that differs from the mainstream of electronic pop music.
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spelling Border music, music of memory: DJs’ experimentalism through the Semiotics of CultureMúsica de fronteira, música de memória: o experimentalismo de DJs pela Semiótica da Culturaelectronic musicDJexperimentalismsemiotics of culture.música eletrônicaDJexperimentalismosemiótica da cultura.The paper analyzes musical pieces of experimental DJs from two categories related to the semiotics of culture: semiosphere and its borders and memory of culture, developed by the Russian semioticist I. Lotman. The discussion is about the characteristics of electronic dance music, its subgenres, and the differences put in experimentations produced by these DJs. The corpus of analysis is formed by compositions of three artists: DJ Tudo, Psilosamples and Dandara. The argument and the analysis demonstrate the effectiveness of these two categories for the understanding of the productive and creative dynamics of this kind of work that differs from the mainstream of electronic pop music. O artigo analisa peças musicais de DJs experimentais a partir de duas categorias relacionadas à semiótica da cultura: semiosfera e suas fronteias; e memória da cultura, desenvolvidas pelo semioticista russo I. Lotman. São discutidas as características da música eletrônica de pista, seus subgêneros e as diferenças colocadas em experimentações produzidas por esses DJs. O corpus de análise é formado por composições de três artistas: DJ Tudo, Psilosamples e Dandara. A argumentação e a análise demonstram a efetividade dessas duas categorias para o entendimento das dinâmicas produtiva e criativa desse tipo de trabalho que destoa do mainstream da música pop eletrônica. PEPG COS-PUC-SP2019-06-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/39691Galaxia; No. 41 (2019)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 41 (2019)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/39691/28679Copyright (c) 2019 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica. ISSN 1982-2553info:eu-repo/semantics/openAccessVargas, HeromCarvalho, Nilton Faria de2019-06-15T13:50:47Zoai:ojs.pkp.sfu.ca:article/39691Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2019-06-15T13:50:47Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv Border music, music of memory: DJs’ experimentalism through the Semiotics of Culture
Música de fronteira, música de memória: o experimentalismo de DJs pela Semiótica da Cultura
title Border music, music of memory: DJs’ experimentalism through the Semiotics of Culture
spellingShingle Border music, music of memory: DJs’ experimentalism through the Semiotics of Culture
Vargas, Herom
electronic music
DJ
experimentalism
semiotics of culture.
música eletrônica
DJ
experimentalismo
semiótica da cultura.
title_short Border music, music of memory: DJs’ experimentalism through the Semiotics of Culture
title_full Border music, music of memory: DJs’ experimentalism through the Semiotics of Culture
title_fullStr Border music, music of memory: DJs’ experimentalism through the Semiotics of Culture
title_full_unstemmed Border music, music of memory: DJs’ experimentalism through the Semiotics of Culture
title_sort Border music, music of memory: DJs’ experimentalism through the Semiotics of Culture
author Vargas, Herom
author_facet Vargas, Herom
Carvalho, Nilton Faria de
author_role author
author2 Carvalho, Nilton Faria de
author2_role author
dc.contributor.author.fl_str_mv Vargas, Herom
Carvalho, Nilton Faria de
dc.subject.por.fl_str_mv electronic music
DJ
experimentalism
semiotics of culture.
música eletrônica
DJ
experimentalismo
semiótica da cultura.
topic electronic music
DJ
experimentalism
semiotics of culture.
música eletrônica
DJ
experimentalismo
semiótica da cultura.
description The paper analyzes musical pieces of experimental DJs from two categories related to the semiotics of culture: semiosphere and its borders and memory of culture, developed by the Russian semioticist I. Lotman. The discussion is about the characteristics of electronic dance music, its subgenres, and the differences put in experimentations produced by these DJs. The corpus of analysis is formed by compositions of three artists: DJ Tudo, Psilosamples and Dandara. The argument and the analysis demonstrate the effectiveness of these two categories for the understanding of the productive and creative dynamics of this kind of work that differs from the mainstream of electronic pop music.
publishDate 2019
dc.date.none.fl_str_mv 2019-06-15
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/39691
url https://revistas.pucsp.br/index.php/galaxia/article/view/39691
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/39691/28679
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 41 (2019)
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 41 (2019)
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
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