Challenges and practices of a university digital manufacturing laboratory in support of artistic practiceI
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Data de Publicação: | 2021 |
Outros Autores: | , , , |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | DATJournal |
Texto Completo: | https://datjournal.anhembi.br/dat/article/view/443 |
Resumo: | For the last ten years, digital manufacturing laboratories—initially meant for engineering and industrial design—have been proliferating and expanding their use to diverse fields in which experimental practice as a means of creation is a central element. While in some of these laboratories the access to their equipment is free, or, in a different way, they are private, others are exclusively dedicated to supporting the university activities. The goal of the present article is to highlight the importance of implementing the use of digital manufacturing laboratories in teaching, research, and extension activities in an academic artistic context, by pre- senting the specific case of ModelaFab, the Modeling and Digital Manufacturing Laboratory of the Department of Fine Arts of the School of Communications and Arts of the University of São Paulo (Escola de Comunicações e Artes da Universi-dade de São Paulo – ECA-USP). First, we present the challenges arising from the implementation of a university digital manufacturing laboratory; then, we discuss the establishment of ModelaFab, as well as its structure and the activities that have been taking place there until 2019. |
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Challenges and practices of a university digital manufacturing laboratory in support of artistic practiceIDesafíos y prácticas en un laboratorio universitario de fabricación digital en apoyo de la práctica artísticaDesafios e práticas no âmbito de um laboratório universitário de fabricação digital em apoio a prática artísticaFabricação DigitalEnsinoPesquisaExtensãoArtes VisuaisDigital ManufacturingTeachingResearchExtension ActivitiesVisual ArtsFabricación digitalEnseñanzaInvestigaciónExtensiónArtes visualesFor the last ten years, digital manufacturing laboratories—initially meant for engineering and industrial design—have been proliferating and expanding their use to diverse fields in which experimental practice as a means of creation is a central element. While in some of these laboratories the access to their equipment is free, or, in a different way, they are private, others are exclusively dedicated to supporting the university activities. The goal of the present article is to highlight the importance of implementing the use of digital manufacturing laboratories in teaching, research, and extension activities in an academic artistic context, by pre- senting the specific case of ModelaFab, the Modeling and Digital Manufacturing Laboratory of the Department of Fine Arts of the School of Communications and Arts of the University of São Paulo (Escola de Comunicações e Artes da Universi-dade de São Paulo – ECA-USP). First, we present the challenges arising from the implementation of a university digital manufacturing laboratory; then, we discuss the establishment of ModelaFab, as well as its structure and the activities that have been taking place there until 2019.En un espacio de diez años, los laboratorios de fabricación digital -inicialmente dedicados a la ingeniería y el diseño industrial- han ido proliferando y ampliando su alcance a diversas áreas en las que la práctica experimental como medio de creación es un elemento central. Mientras que algunos de estos laboratorios permiten el libre acceso a sus equipos o, al contrario, son privados, otros están dedicados exclusivamente a apoyar las actividades universitarias. Este artículo pretende destacar la relevancia de la implementación de laboratorios de fabricación digital para la enseñanza, investigación y extensión, en el contexto académico artístico, con la presentación del caso específico de ModelaFab, Laboratorio de Modelado y Fabricación Digital del Departamento de Bellas Artes de la Escuela de Comunicación y Artes de la Universidad de São Paulo (ECA-USP). En primer lugar, presentaremos los retos derivados de la puesta en marcha de un laboratorio universitario de fabricación digital; en segundo lugar, expondremos el proceso de instalación de ModelaFab, su estructura y las actividades desarrolladas en él hasta 2019.Em um espaço de dez anos, laboratórios de fabricação digital – inicialmente dedicados a engenharia e desenho industrial – vêm se proliferando e ampliando sua abrangência para áreas diversas em que a prática experimental como meio para criação é elemento focal. Enquanto alguns destes laboratórios permitem o acesso livre a seus equipamentos ou, de modo diverso, são privados, outros são exclusivamente voltados para o suporte a atividades universitárias. O presente artigo tem por finalidade destacar a relevância da implantação de laboratórios de fabricação digital para o ensino, pesquisa e extensão, em contexto artístico acadêmico, com apresentação de caso específico do ModelaFab, Laboratório de Modelagem e Fabricação Digital do Departamento de Artes Plásticas da Escola de Comunicações e Artes da Universidade de São Paulo (ECA-USP). Em primeiro lugar, apresentaremos os desafios decorrentes da implementação de um laboratório universitário de fabricação digital; em segundo lugar, exporemos o processo de instalação do ModelaFab, sua estrutura e as atividades nele desenvolvidas até 2019.Universidade Anhambi Murumbi2021-10-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/44310.29147/dat.v6i3.443DAT Journal; Vol. 6 No. 3 (2021): Design + Art + Dossiê PPG Design UFMA; 140-160DAT Journal; Vol. 6 Núm. 3 (2021): Design + Art + Dossiê PPG Design UFMA; 140-160DAT Journal; v. 6 n. 3 (2021): Design + Art + Dossiê PPG Design UFMA; 140-1602526-178910.29147/dat.v6i3reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIenghttps://datjournal.anhembi.br/dat/article/view/443/324Copyright (c) 2021 https://creativecommons.org/licenses/by/4.0https://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessHenno, Juliana Guerra, Priscila Tavares, Monica Yamanoi, Marcelo Medina, Carol 2022-03-29T12:24:30Zoai:ojs.datjournal.anhembi.br:article/443Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2022-03-29T12:24:30DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false |
dc.title.none.fl_str_mv |
Challenges and practices of a university digital manufacturing laboratory in support of artistic practiceI Desafíos y prácticas en un laboratorio universitario de fabricación digital en apoyo de la práctica artística Desafios e práticas no âmbito de um laboratório universitário de fabricação digital em apoio a prática artística |
title |
Challenges and practices of a university digital manufacturing laboratory in support of artistic practiceI |
spellingShingle |
Challenges and practices of a university digital manufacturing laboratory in support of artistic practiceI Henno, Juliana Fabricação Digital Ensino Pesquisa Extensão Artes Visuais Digital Manufacturing Teaching Research Extension Activities Visual Arts Fabricación digital Enseñanza Investigación Extensión Artes visuales |
title_short |
Challenges and practices of a university digital manufacturing laboratory in support of artistic practiceI |
title_full |
Challenges and practices of a university digital manufacturing laboratory in support of artistic practiceI |
title_fullStr |
Challenges and practices of a university digital manufacturing laboratory in support of artistic practiceI |
title_full_unstemmed |
Challenges and practices of a university digital manufacturing laboratory in support of artistic practiceI |
title_sort |
Challenges and practices of a university digital manufacturing laboratory in support of artistic practiceI |
author |
Henno, Juliana |
author_facet |
Henno, Juliana Guerra, Priscila Tavares, Monica Yamanoi, Marcelo Medina, Carol |
author_role |
author |
author2 |
Guerra, Priscila Tavares, Monica Yamanoi, Marcelo Medina, Carol |
author2_role |
author author author author |
dc.contributor.author.fl_str_mv |
Henno, Juliana Guerra, Priscila Tavares, Monica Yamanoi, Marcelo Medina, Carol |
dc.subject.por.fl_str_mv |
Fabricação Digital Ensino Pesquisa Extensão Artes Visuais Digital Manufacturing Teaching Research Extension Activities Visual Arts Fabricación digital Enseñanza Investigación Extensión Artes visuales |
topic |
Fabricação Digital Ensino Pesquisa Extensão Artes Visuais Digital Manufacturing Teaching Research Extension Activities Visual Arts Fabricación digital Enseñanza Investigación Extensión Artes visuales |
description |
For the last ten years, digital manufacturing laboratories—initially meant for engineering and industrial design—have been proliferating and expanding their use to diverse fields in which experimental practice as a means of creation is a central element. While in some of these laboratories the access to their equipment is free, or, in a different way, they are private, others are exclusively dedicated to supporting the university activities. The goal of the present article is to highlight the importance of implementing the use of digital manufacturing laboratories in teaching, research, and extension activities in an academic artistic context, by pre- senting the specific case of ModelaFab, the Modeling and Digital Manufacturing Laboratory of the Department of Fine Arts of the School of Communications and Arts of the University of São Paulo (Escola de Comunicações e Artes da Universi-dade de São Paulo – ECA-USP). First, we present the challenges arising from the implementation of a university digital manufacturing laboratory; then, we discuss the establishment of ModelaFab, as well as its structure and the activities that have been taking place there until 2019. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-10-18 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/443 10.29147/dat.v6i3.443 |
url |
https://datjournal.anhembi.br/dat/article/view/443 |
identifier_str_mv |
10.29147/dat.v6i3.443 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/443/324 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 https://creativecommons.org/licenses/by/4.0 https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 https://creativecommons.org/licenses/by/4.0 https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
dc.source.none.fl_str_mv |
DAT Journal; Vol. 6 No. 3 (2021): Design + Art + Dossiê PPG Design UFMA; 140-160 DAT Journal; Vol. 6 Núm. 3 (2021): Design + Art + Dossiê PPG Design UFMA; 140-160 DAT Journal; v. 6 n. 3 (2021): Design + Art + Dossiê PPG Design UFMA; 140-160 2526-1789 10.29147/dat.v6i3 reponame:DATJournal instname:Universidade Anhembi Morumbi (ANHEMBI) instacron:ANHEMBI |
instname_str |
Universidade Anhembi Morumbi (ANHEMBI) |
instacron_str |
ANHEMBI |
institution |
ANHEMBI |
reponame_str |
DATJournal |
collection |
DATJournal |
repository.name.fl_str_mv |
DATJournal - Universidade Anhembi Morumbi (ANHEMBI) |
repository.mail.fl_str_mv |
||ppgdesign@anhembi.br |
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