Fashion images on magazines: A typology proposition
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | DATJournal |
Texto Completo: | https://datjournal.anhembi.br/dat/article/view/496 |
Resumo: | This article analyses and highlights images from printed fashion magazines that, from a standpoint of their graphic, visual, editorial, journalistic, commercial, or conceptual characteristics could be divided into images that are photographic, pictorial, or hybrid. The text, which is essentially qualitative, and founded on bibliographic and documental research, attempts to revisit the typology of fashion images, proposed and identified by Calza (2015a). Images from those magazines are identified as (i) photographic images: fashion stills, documental photography and fashion editorial photography; (ii) pictures and drawings: croquis, illustrations, and technical fashion designs; (iii) hybrids. The ways in which the images are used as the focus center of the fashion magazines’ graphic projects are evidence of how they help define their editorial and commercial traits, molding their forms and contents according to the themes that are published. |
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Fashion images on magazines: A typology propositionImágenes de moda en revista: Una propuesta de tipologíaImagens de moda em revista: Uma proposta de tipologiaRevista de modaImagens fotográficasImagens pictóricasImagens híbridasImagens híbridasFashion photographyPictorial imagesHybrid imagesRevista de modaImágenes fotográficasImágenes pictóricasImágenes híbridasThis article analyses and highlights images from printed fashion magazines that, from a standpoint of their graphic, visual, editorial, journalistic, commercial, or conceptual characteristics could be divided into images that are photographic, pictorial, or hybrid. The text, which is essentially qualitative, and founded on bibliographic and documental research, attempts to revisit the typology of fashion images, proposed and identified by Calza (2015a). Images from those magazines are identified as (i) photographic images: fashion stills, documental photography and fashion editorial photography; (ii) pictures and drawings: croquis, illustrations, and technical fashion designs; (iii) hybrids. The ways in which the images are used as the focus center of the fashion magazines’ graphic projects are evidence of how they help define their editorial and commercial traits, molding their forms and contents according to the themes that are published.El artículo problematiza y evidencia, en el proyecto gráfico de revistas impresas de moda, modalidades de imagen de moda que, al atendieren a los aspectos gráfico-visuales, editoriales, periodísticos, comerciales o conceptuales, subdivídanse en imágenes de cuño fotográfico, pictórico e híbrido. Esencialmente cualitativo y, fundamentado por las investigaciones bibliográfica y documental, el texto rescata la tipología de imágenes de moda identificada y propuesta por Calza (2015a). A partir de los periódicos movilizados, son identificadas, entonces, (i) imágenes de cuño fotográfico, asociadas a los stills de moda, a las fotografías documentales y a las fotografías para editoriales de moda; (ii) imágenes de cuño pictórico, asociadas a bocetos e ilustraciones autorales, además de los dibujos técnicos de moda; y, (iii) imágenes híbridas. Buscase valorar las imágenes en el proyecto gráfico de las revistas de moda, evidenciándose el modo tal estas auxilian en la definición de sus dimensiones editorial y comercial, moldeando sus formas y contenidos a los temas publicados.O artigo problematiza e evidencia, no projeto gráfico de revistas impressas de moda, modalidades de imagem de moda que, ao atenderem a aspectos gráfico-visuais, editoriais, jornalísticos, comerciais ou conceituais, se subdividem em imagens de cunho fotográfico, pictórico e híbrido. Essencialmente qualitativo e, fundamentado pelas pesquisas bibliográfica e documental, o texto resgata a tipologia de imagens de moda identificada e proposta por Calza (2015a). A partir dos periódicos mobilizados, são identificadas, então, (i) imagens de cunho fotográfico, associadas aos stills de moda, às fotografias documentais e às fotografias para editoriais de moda; (ii) imagens de cunho pictórico, associadas a croquis e ilustrações autorais, além dos desenhos técnicos de moda; e, (iii) imagens híbridas. Procura-se valorizar as imagens no projeto gráfico das revistas de moda, evidenciando-se o modo como estas auxiliam na definição das suas dimensões editorial e comercial, moldando suas formas e conteúdos aos temas publicados.Universidade Anhambi Murumbi2021-12-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/49610.29147/datjournal.v6i4.496DAT Journal; Vol. 6 No. 4 (2021): Design + Art + Technology; 119-141DAT Journal; Vol. 6 Núm. 4 (2021): Diseño + Arte + Tecnología; 119-141DAT Journal; v. 6 n. 4 (2021): Design + Arte + Tecnologia; 119-1412526-178910.29147/datjournal.v6i4reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIporhttps://datjournal.anhembi.br/dat/article/view/496/353https://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCalza, Márlon Uliana2022-03-29T12:21:38Zoai:ojs.datjournal.anhembi.br:article/496Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2022-03-29T12:21:38DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false |
dc.title.none.fl_str_mv |
Fashion images on magazines: A typology proposition Imágenes de moda en revista: Una propuesta de tipología Imagens de moda em revista: Uma proposta de tipologia |
title |
Fashion images on magazines: A typology proposition |
spellingShingle |
Fashion images on magazines: A typology proposition Calza, Márlon Uliana Revista de moda Imagens fotográficas Imagens pictóricas Imagens híbridas Imagens híbridas Fashion photography Pictorial images Hybrid images Revista de moda Imágenes fotográficas Imágenes pictóricas Imágenes híbridas |
title_short |
Fashion images on magazines: A typology proposition |
title_full |
Fashion images on magazines: A typology proposition |
title_fullStr |
Fashion images on magazines: A typology proposition |
title_full_unstemmed |
Fashion images on magazines: A typology proposition |
title_sort |
Fashion images on magazines: A typology proposition |
author |
Calza, Márlon Uliana |
author_facet |
Calza, Márlon Uliana |
author_role |
author |
dc.contributor.author.fl_str_mv |
Calza, Márlon Uliana |
dc.subject.por.fl_str_mv |
Revista de moda Imagens fotográficas Imagens pictóricas Imagens híbridas Imagens híbridas Fashion photography Pictorial images Hybrid images Revista de moda Imágenes fotográficas Imágenes pictóricas Imágenes híbridas |
topic |
Revista de moda Imagens fotográficas Imagens pictóricas Imagens híbridas Imagens híbridas Fashion photography Pictorial images Hybrid images Revista de moda Imágenes fotográficas Imágenes pictóricas Imágenes híbridas |
description |
This article analyses and highlights images from printed fashion magazines that, from a standpoint of their graphic, visual, editorial, journalistic, commercial, or conceptual characteristics could be divided into images that are photographic, pictorial, or hybrid. The text, which is essentially qualitative, and founded on bibliographic and documental research, attempts to revisit the typology of fashion images, proposed and identified by Calza (2015a). Images from those magazines are identified as (i) photographic images: fashion stills, documental photography and fashion editorial photography; (ii) pictures and drawings: croquis, illustrations, and technical fashion designs; (iii) hybrids. The ways in which the images are used as the focus center of the fashion magazines’ graphic projects are evidence of how they help define their editorial and commercial traits, molding their forms and contents according to the themes that are published. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-12-21 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/496 10.29147/datjournal.v6i4.496 |
url |
https://datjournal.anhembi.br/dat/article/view/496 |
identifier_str_mv |
10.29147/datjournal.v6i4.496 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/496/353 |
dc.rights.driver.fl_str_mv |
https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
dc.source.none.fl_str_mv |
DAT Journal; Vol. 6 No. 4 (2021): Design + Art + Technology; 119-141 DAT Journal; Vol. 6 Núm. 4 (2021): Diseño + Arte + Tecnología; 119-141 DAT Journal; v. 6 n. 4 (2021): Design + Arte + Tecnologia; 119-141 2526-1789 10.29147/datjournal.v6i4 reponame:DATJournal instname:Universidade Anhembi Morumbi (ANHEMBI) instacron:ANHEMBI |
instname_str |
Universidade Anhembi Morumbi (ANHEMBI) |
instacron_str |
ANHEMBI |
institution |
ANHEMBI |
reponame_str |
DATJournal |
collection |
DATJournal |
repository.name.fl_str_mv |
DATJournal - Universidade Anhembi Morumbi (ANHEMBI) |
repository.mail.fl_str_mv |
||ppgdesign@anhembi.br |
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1797239921823449088 |