Adaptação ao cinema: o Senhor dos Anéis e os Schemata Mediados
Autor(a) principal: | |
---|---|
Data de Publicação: | 2017 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do ANHEMBI |
Texto Completo: | http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1739 |
Resumo: | The present thesis is a study of recognition of visual schemata, identified in works of painting and engraving in phases of the History of Art, as a form of visual production within the process of adaptation to the cinema of the work The Lord of the Rings (2001-2003), by Peter Jackson, referring to the book of the same name by J.R.R. Tolkien. It has as justification to propose an understanding concerning the part of the cognitive processes of the human mind, essentially related to the storage and recovery of visual structures (schemata), and in this case based on works mediated from different artistic and historical phases to the most current cinema in culture pop. The objective is to analyze how the literary content of The Lord of the Rings was transposed for the film trilogy, starting from the process mentioned by the art direction team, but also covering surviving schema structures in the collective imaginary rescued by the same artistic team of the adaptation. I used the empirical method, based on inferences from the corpus, through a theoretical cognitivist substantiation. For this study, the main concepts researched were: schema (by Ernst Gombrich), script (by David Bordwell and Michael Ranta), mediation (by Marco Bastos), adaptation (by Linda Hutcheon), classicism (by Annateresa Fabris), mannerism (by Arnold Hauser) and romanticism (by Walter Zanini), besides other researches related to: cognitive studies, artistic phases and adaptation processes in The Lord of the Rings production. The hypothesis tested deals with the possibility of visual models, dated from past artistic phases, to continue present in works of adaptation of books to films, such as the corpus of this study, through schemata mediations identified in visual works, surpassing the period of literature and reaching a more contemporary period of cinema in pop culture. |
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Penha, Gelson Santanahttp://lattes.cnpq.br/2975129034302290http://lattes.cnpq.br/7644396482655843VILLALON, Renan Claudino2019-05-01T15:00:52Z2017-04-20VILLALON, Renan Claudino. Adaptação ao cinema: o Senhor dos Anéis e os Schemata Mediados. 2017. 109 f. Dissertação (Programa de Pós-Graduação Mestrado em Comunicação) - Universidade Anhembi Morumbi, São Paulo.http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1739The present thesis is a study of recognition of visual schemata, identified in works of painting and engraving in phases of the History of Art, as a form of visual production within the process of adaptation to the cinema of the work The Lord of the Rings (2001-2003), by Peter Jackson, referring to the book of the same name by J.R.R. Tolkien. It has as justification to propose an understanding concerning the part of the cognitive processes of the human mind, essentially related to the storage and recovery of visual structures (schemata), and in this case based on works mediated from different artistic and historical phases to the most current cinema in culture pop. The objective is to analyze how the literary content of The Lord of the Rings was transposed for the film trilogy, starting from the process mentioned by the art direction team, but also covering surviving schema structures in the collective imaginary rescued by the same artistic team of the adaptation. I used the empirical method, based on inferences from the corpus, through a theoretical cognitivist substantiation. For this study, the main concepts researched were: schema (by Ernst Gombrich), script (by David Bordwell and Michael Ranta), mediation (by Marco Bastos), adaptation (by Linda Hutcheon), classicism (by Annateresa Fabris), mannerism (by Arnold Hauser) and romanticism (by Walter Zanini), besides other researches related to: cognitive studies, artistic phases and adaptation processes in The Lord of the Rings production. The hypothesis tested deals with the possibility of visual models, dated from past artistic phases, to continue present in works of adaptation of books to films, such as the corpus of this study, through schemata mediations identified in visual works, surpassing the period of literature and reaching a more contemporary period of cinema in pop culture.A presente dissertação é um estudo de reconhecimento de schemata imagéticos, identificados em obras da pintura e da gravura em fases da História da Arte, como forma de produção visual dentro do processo de adaptação ao cinema da obra The Lord of the Rings (2001-2003), de Peter Jackson, referente ao livro homônimo de J.R.R. Tolkien. Tem como justificativa propor uma compreensão referente à parte dos processos cognitivos da mente humana, relacionada essencialmente com o armazenamento e recuperação de estruturas visuais (schemata), nesse caso com base em obras mediadas desde diferentes fases artísticas e históricas até o cinema mais atual na cultura pop. O objetivo é analisar como foi transposto o conteúdo literário do livro O Senhor dos Anéis para a trilogia fílmica, partindo do processo mencionado pela equipe de direção de arte, mas também abrangendo estruturas de schema sobreviventes no imaginário coletivo resgatadas pela mesma equipe artística da adaptação. O método utilizado foi o empírico, com base em interferências a partir do corpus, através de uma fundamentação teórica cognitiva. Pare este estudo, os principais conceitos pesquisados forma: Schema (por Ernst Gombrich) script (por David Bordwell e Michael Ranta), mediação (por Marco Bastos) adaptação (por Linda Hutcheon), classismo (por Annateresa Fabris), maneirismo (por Arnold Hauser) e romantismo (por Walter Zanini), além de demais pesquisas referentes a: estudos cognitivistas, fases artísticas e processos de adaptação na produção de The Lord of the rings. A hipótese testada trata da possibilidade de modelos visuais, datados de fases artísticas já passadas, continuarem presentes em obras de adaptação de livros e filmes, como o corpus deste estudo, através de mediações de Schemata identificados em obras imagnéticas, ultrapassando a época da literatura e chegando a um período mais atual do cinema na cultura pop.Submitted by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2019-04-01T18:47:13Z No. of bitstreams: 1 Renan Claudino Villalon.pdf: 13049871 bytes, checksum: 2a4653937a729a3ae67df44b2a1f4443 (MD5)Approved for entry into archive by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2019-04-03T15:04:20Z (GMT) No. of bitstreams: 1 Renan Claudino Villalon.pdf: 13049871 bytes, checksum: 2a4653937a729a3ae67df44b2a1f4443 (MD5)Approved for entry into archive by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2019-04-03T21:31:41Z (GMT) No. of bitstreams: 1 Renan Claudino Villalon.pdf: 13049871 bytes, checksum: 2a4653937a729a3ae67df44b2a1f4443 (MD5)Made available in DSpace on 2019-05-01T15:00:52Z (GMT). No. of bitstreams: 1 Renan Claudino Villalon.pdf: 13049871 bytes, checksum: 2a4653937a729a3ae67df44b2a1f4443 (MD5) Previous issue date: 2017-04-20Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Anhembi MorumbiPrograma de Pós-Graduação Mestrado em ComunicaçãoUAMBrasilUniversidade Anhembi Morumbi::Diretoria de Pesquisa e Pós-graduação Stricto SensuComunicação; História da arte; Análise fílmicaCIENCIAS HUMANASAdaptação ao cinema: o Senhor dos Anéis e os Schemata Mediadosinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-7079206729423400013600600600600393015886071273952456530181105569640512075167498588264571info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações do ANHEMBIinstname:Universidade Anhembi Morumbiinstacron:ANHEMBIORIGINALRenan Claudino Villalon.pdfRenan Claudino Villalon.pdfapplication/pdf13049871http://D1-ADM-SIT-01:8080/solr/oai/bitstream/TEDE/1739/2/Renan+Claudino+Villalon.pdf2a4653937a729a3ae67df44b2a1f4443MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://D1-ADM-SIT-01:8080/solr/oai/bitstream/TEDE/1739/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51TEDE/1739oai:sitios.anhembi.br:TEDE/17392019-05-01 12:00:52.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http://sitios.anhembi.br/oai/requestopendoar:null2020-06-06 09:54:14.976Biblioteca Digital de Teses e Dissertações do ANHEMBI - Universidade Anhembi Morumbifalse |
dc.title.por.fl_str_mv |
Adaptação ao cinema: o Senhor dos Anéis e os Schemata Mediados |
title |
Adaptação ao cinema: o Senhor dos Anéis e os Schemata Mediados |
spellingShingle |
Adaptação ao cinema: o Senhor dos Anéis e os Schemata Mediados VILLALON, Renan Claudino Comunicação; História da arte; Análise fílmica CIENCIAS HUMANAS |
title_short |
Adaptação ao cinema: o Senhor dos Anéis e os Schemata Mediados |
title_full |
Adaptação ao cinema: o Senhor dos Anéis e os Schemata Mediados |
title_fullStr |
Adaptação ao cinema: o Senhor dos Anéis e os Schemata Mediados |
title_full_unstemmed |
Adaptação ao cinema: o Senhor dos Anéis e os Schemata Mediados |
title_sort |
Adaptação ao cinema: o Senhor dos Anéis e os Schemata Mediados |
author |
VILLALON, Renan Claudino |
author_facet |
VILLALON, Renan Claudino |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Penha, Gelson Santana |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/2975129034302290 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/7644396482655843 |
dc.contributor.author.fl_str_mv |
VILLALON, Renan Claudino |
contributor_str_mv |
Penha, Gelson Santana |
dc.subject.por.fl_str_mv |
Comunicação; História da arte; Análise fílmica |
topic |
Comunicação; História da arte; Análise fílmica CIENCIAS HUMANAS |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS |
dc.description.sponsorship.fl_txt_mv |
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES |
dc.description.abstract.eng.fl_txt_mv |
The present thesis is a study of recognition of visual schemata, identified in works of painting and engraving in phases of the History of Art, as a form of visual production within the process of adaptation to the cinema of the work The Lord of the Rings (2001-2003), by Peter Jackson, referring to the book of the same name by J.R.R. Tolkien. It has as justification to propose an understanding concerning the part of the cognitive processes of the human mind, essentially related to the storage and recovery of visual structures (schemata), and in this case based on works mediated from different artistic and historical phases to the most current cinema in culture pop. The objective is to analyze how the literary content of The Lord of the Rings was transposed for the film trilogy, starting from the process mentioned by the art direction team, but also covering surviving schema structures in the collective imaginary rescued by the same artistic team of the adaptation. I used the empirical method, based on inferences from the corpus, through a theoretical cognitivist substantiation. For this study, the main concepts researched were: schema (by Ernst Gombrich), script (by David Bordwell and Michael Ranta), mediation (by Marco Bastos), adaptation (by Linda Hutcheon), classicism (by Annateresa Fabris), mannerism (by Arnold Hauser) and romanticism (by Walter Zanini), besides other researches related to: cognitive studies, artistic phases and adaptation processes in The Lord of the Rings production. The hypothesis tested deals with the possibility of visual models, dated from past artistic phases, to continue present in works of adaptation of books to films, such as the corpus of this study, through schemata mediations identified in visual works, surpassing the period of literature and reaching a more contemporary period of cinema in pop culture. |
dc.description.abstract.por.fl_txt_mv |
A presente dissertação é um estudo de reconhecimento de schemata imagéticos, identificados em obras da pintura e da gravura em fases da História da Arte, como forma de produção visual dentro do processo de adaptação ao cinema da obra The Lord of the Rings (2001-2003), de Peter Jackson, referente ao livro homônimo de J.R.R. Tolkien. Tem como justificativa propor uma compreensão referente à parte dos processos cognitivos da mente humana, relacionada essencialmente com o armazenamento e recuperação de estruturas visuais (schemata), nesse caso com base em obras mediadas desde diferentes fases artísticas e históricas até o cinema mais atual na cultura pop. O objetivo é analisar como foi transposto o conteúdo literário do livro O Senhor dos Anéis para a trilogia fílmica, partindo do processo mencionado pela equipe de direção de arte, mas também abrangendo estruturas de schema sobreviventes no imaginário coletivo resgatadas pela mesma equipe artística da adaptação. O método utilizado foi o empírico, com base em interferências a partir do corpus, através de uma fundamentação teórica cognitiva. Pare este estudo, os principais conceitos pesquisados forma: Schema (por Ernst Gombrich) script (por David Bordwell e Michael Ranta), mediação (por Marco Bastos) adaptação (por Linda Hutcheon), classismo (por Annateresa Fabris), maneirismo (por Arnold Hauser) e romantismo (por Walter Zanini), além de demais pesquisas referentes a: estudos cognitivistas, fases artísticas e processos de adaptação na produção de The Lord of the rings. A hipótese testada trata da possibilidade de modelos visuais, datados de fases artísticas já passadas, continuarem presentes em obras de adaptação de livros e filmes, como o corpus deste estudo, através de mediações de Schemata identificados em obras imagnéticas, ultrapassando a época da literatura e chegando a um período mais atual do cinema na cultura pop. |
description |
The present thesis is a study of recognition of visual schemata, identified in works of painting and engraving in phases of the History of Art, as a form of visual production within the process of adaptation to the cinema of the work The Lord of the Rings (2001-2003), by Peter Jackson, referring to the book of the same name by J.R.R. Tolkien. It has as justification to propose an understanding concerning the part of the cognitive processes of the human mind, essentially related to the storage and recovery of visual structures (schemata), and in this case based on works mediated from different artistic and historical phases to the most current cinema in culture pop. The objective is to analyze how the literary content of The Lord of the Rings was transposed for the film trilogy, starting from the process mentioned by the art direction team, but also covering surviving schema structures in the collective imaginary rescued by the same artistic team of the adaptation. I used the empirical method, based on inferences from the corpus, through a theoretical cognitivist substantiation. For this study, the main concepts researched were: schema (by Ernst Gombrich), script (by David Bordwell and Michael Ranta), mediation (by Marco Bastos), adaptation (by Linda Hutcheon), classicism (by Annateresa Fabris), mannerism (by Arnold Hauser) and romanticism (by Walter Zanini), besides other researches related to: cognitive studies, artistic phases and adaptation processes in The Lord of the Rings production. The hypothesis tested deals with the possibility of visual models, dated from past artistic phases, to continue present in works of adaptation of books to films, such as the corpus of this study, through schemata mediations identified in visual works, surpassing the period of literature and reaching a more contemporary period of cinema in pop culture. |
publishDate |
2017 |
dc.date.issued.fl_str_mv |
2017-04-20 |
dc.date.accessioned.fl_str_mv |
2019-05-01T15:00:52Z |
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VILLALON, Renan Claudino. Adaptação ao cinema: o Senhor dos Anéis e os Schemata Mediados. 2017. 109 f. Dissertação (Programa de Pós-Graduação Mestrado em Comunicação) - Universidade Anhembi Morumbi, São Paulo. |
dc.identifier.uri.fl_str_mv |
http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1739 |
identifier_str_mv |
VILLALON, Renan Claudino. Adaptação ao cinema: o Senhor dos Anéis e os Schemata Mediados. 2017. 109 f. Dissertação (Programa de Pós-Graduação Mestrado em Comunicação) - Universidade Anhembi Morumbi, São Paulo. |
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http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1739 |
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UAM |
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Universidade Anhembi Morumbi |
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