As representações históricas como produto midiático: um estudo sobre a minissérie "Amazônia – de Galvez a Chico Mendes"

Detalhes bibliográficos
Autor(a) principal: FERNANDES, Samanta
Data de Publicação: 2016
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações do ANHEMBI
Texto Completo: http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1638
Resumo: This research explores historical events transformed into media products. The focus of the work is the audiovisual production “Amazon: from Galvez to Chico Mendes”, by Gloria Perez, a series produced by TV Globo and broadcasted in 2007. The objective is to observe the representation in audiovisual narratives of historical facts. The miniseries has been chosen because it approaches a topic related to the 1899 crisis in the state of Acre and to the rubber boom in Brazil. The studies concerning Acre are poorly spread and academic references are inexpressive. Thus, it is important to investigate the ways through which the past is approached, the codes, the conventions and the practices through which the story is brought to the screen. The year approached by the researched audiovisual work is 1898, when Acre still belonged to Bolivia. The story moves towards the reintegration of the region as a territory in November 1903, with the Treaty of Petrópolis, and its recognition as a Brazilian state in 1904. The production highlights the life of the rubber tappers, the development of the state, which was promoted by the rubber produced, and the deforestation of Amazon, which started in the late nineteenth century. It also gives life to three characters, including the Spaniard Luiz Galvez Rodríguez Arias (San Fernando, 1864 - Madrid, 1935), the José Plácido de Castro (San Gabriel, September 9th, 1873 - Seringal Benfica, August 11th, 1908), a member of the military, and the environmentalist Francisco Alves Mendes Filho, better known as Chico Mendes (Xapuri, December 15th , 1944 - Xapuri, December 22nd, 1988). As this is a proposal for a historical reconstruction, simultaneous treatment between the past and the present is imposed through the exploration of the historical work and the interaction with the contemporary one. In 2007, when the eries was broadcasted, there were several factors that influenced the production of the plot, among them a great repercussion on the preservation of the environment and on the growing deforestation of the Amazon. To this day there is much to discuss about the topic; Amazon has always been a global issue because of its importance for the preservation of natural resources. Besides, attention will be paid to political and social factors that influenced the production, and to how they are reflected in the construction of the plot through discourse and media processes. What was obscured, what acquired greater prominence. The aim is to observe how television drama gives effect of truth and effect of reality to cultural artifacts of fiction that reconstitute the national history. The aim is also to observe how facts so significant to the struggle between large estate and a forest protected by a popular leader, as well as the fight for the environment, were reconstructed on TV.
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spelling Schvartzman, Sheilahttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4243595U2FERNANDES, Samanta2017-07-01T00:02:31Z2016-11-09FERNANDES, Samanta. As representações históricas como produto midiático: um estudo sobre a minissérie "Amazônia – de Galvez a Chico Mendes". 2016. 98 f. : il. Dissertação (Programa de Pós-Graduação Mestrado em Comunicação) - Universidade Anhembi Morumbi, São Paulo.http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1638This research explores historical events transformed into media products. The focus of the work is the audiovisual production “Amazon: from Galvez to Chico Mendes”, by Gloria Perez, a series produced by TV Globo and broadcasted in 2007. The objective is to observe the representation in audiovisual narratives of historical facts. The miniseries has been chosen because it approaches a topic related to the 1899 crisis in the state of Acre and to the rubber boom in Brazil. The studies concerning Acre are poorly spread and academic references are inexpressive. Thus, it is important to investigate the ways through which the past is approached, the codes, the conventions and the practices through which the story is brought to the screen. The year approached by the researched audiovisual work is 1898, when Acre still belonged to Bolivia. The story moves towards the reintegration of the region as a territory in November 1903, with the Treaty of Petrópolis, and its recognition as a Brazilian state in 1904. The production highlights the life of the rubber tappers, the development of the state, which was promoted by the rubber produced, and the deforestation of Amazon, which started in the late nineteenth century. It also gives life to three characters, including the Spaniard Luiz Galvez Rodríguez Arias (San Fernando, 1864 - Madrid, 1935), the José Plácido de Castro (San Gabriel, September 9th, 1873 - Seringal Benfica, August 11th, 1908), a member of the military, and the environmentalist Francisco Alves Mendes Filho, better known as Chico Mendes (Xapuri, December 15th , 1944 - Xapuri, December 22nd, 1988). As this is a proposal for a historical reconstruction, simultaneous treatment between the past and the present is imposed through the exploration of the historical work and the interaction with the contemporary one. In 2007, when the eries was broadcasted, there were several factors that influenced the production of the plot, among them a great repercussion on the preservation of the environment and on the growing deforestation of the Amazon. To this day there is much to discuss about the topic; Amazon has always been a global issue because of its importance for the preservation of natural resources. Besides, attention will be paid to political and social factors that influenced the production, and to how they are reflected in the construction of the plot through discourse and media processes. What was obscured, what acquired greater prominence. The aim is to observe how television drama gives effect of truth and effect of reality to cultural artifacts of fiction that reconstitute the national history. The aim is also to observe how facts so significant to the struggle between large estate and a forest protected by a popular leader, as well as the fight for the environment, were reconstructed on TV.Esta pesquisa procura compreender de que forma acontecimentos históricos são transformados em produtos midiáticos. O objeto de estudo é a produção audiovisual "Amazônia, de Galvez a Chico Mendes", de Glória Perez, minissérie produzida pela TV Globo e exibida em 2007. O objetivo é observar a representação de fatos históricos em narrativas audiovisuais. A minissérie foi escolhida por tratar do estado do Acre, tema pouco conhecido e divulgado nos meios de comunicação. Como a minissérie encena momentos chave da história do estado, é importante investigar as formas de abordagem do passado, os códigos, convenções e práticas por meio dos quais a história é levada às telas. A narrativa de "Amazônia" abarca desde o ano de 1898, em que o Acre pertencia à Bolívia, sua reintegração como território em 1903, com o Tratado de Petrópolis e o reconhecimento como estado brasileiro em 1904, até o ano de 1988, em que ocorreu o assassinato do seringueiro Chico Mendes. A produção destaca a vida dos seringueiros, o desenvolvimento do estado e o desmatamento da Amazônia a partir do final do século XIX. Além disso, também dá vida a três personagens de relevo nessa história: o espanhol Luís Galvez Rodríguez de Arias (San Fernando, 1864 - Madrid, 1935), o militar José Plácido de Castro (São Gabriel, 9 de setembro de 1873 - Seringal Benfica, 11 de agosto de 1908) e o sindicalista Francisco Alves Mendes Filho, conhecido como Chico Mendes (Xapuri, 15 de dezembro de 1944 - Xapuri, 22 de dezembro de 1988). Como se trata de reconstituição histórica, o tratamento simultâneo entre o passado e o presente se impõe, explorando o trabalho histórico e interagindo com o contemporâneo. No ano de 2007, época em que a minissérie foi exibida havia diversos fatores que influenciaram a produção da trama, entre eles a repercussão sobre a preservação do meio ambiente e o crescente desmatamento da floresta amazônica. Até os dias atuais há muito que se discutir sobre o tema. A Amazônia sempre foi um assunto global.Submitted by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2017-06-27T21:15:47Z No. of bitstreams: 1 Samanta Fernandes.pdf: 6358465 bytes, checksum: 98291214dffd302ba693cea465ee2c2f (MD5)Approved for entry into archive by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2017-06-30T23:53:27Z (GMT) No. of bitstreams: 1 Samanta Fernandes.pdf: 6358465 bytes, checksum: 98291214dffd302ba693cea465ee2c2f (MD5)Approved for entry into archive by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2017-06-30T23:57:10Z (GMT) No. of bitstreams: 1 Samanta Fernandes.pdf: 6358465 bytes, checksum: 98291214dffd302ba693cea465ee2c2f (MD5)Made available in DSpace on 2017-07-01T00:02:31Z (GMT). No. of bitstreams: 1 Samanta Fernandes.pdf: 6358465 bytes, checksum: 98291214dffd302ba693cea465ee2c2f (MD5) Previous issue date: 2016-11-09Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Anhembi MorumbiPrograma de Pós-Graduação Mestrado em ComunicaçãoUAMBrasilUniversidade Anhembi Morumbi::Diretoria de Pesquisa e Pós-graduação Stricto SensuComunicação; Audiovisual; NarrativasCIENCIAS SOCIAIS APLICADASAs representações históricas como produto midiático: um estudo sobre a minissérie "Amazônia – de Galvez a Chico Mendes"info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-70792067294234000136006006006003930158860712739524-19880619442701333922075167498588264571info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações do ANHEMBIinstname:Universidade Anhembi Morumbiinstacron:ANHEMBIORIGINALSamanta Fernandes.pdfSamanta Fernandes.pdfapplication/pdf6358465http://D1-ADM-SIT-01:8080/solr/oai/bitstream/TEDE/1638/2/Samanta+Fernandes.pdf98291214dffd302ba693cea465ee2c2fMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://D1-ADM-SIT-01:8080/solr/oai/bitstream/TEDE/1638/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51TEDE/1638oai:sitios.anhembi.br:TEDE/16382017-06-30 21:02:31.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http://sitios.anhembi.br/oai/requestopendoar:null2020-06-06 09:54:12.971Biblioteca Digital de Teses e Dissertações do ANHEMBI - Universidade Anhembi Morumbifalse
dc.title.por.fl_str_mv As representações históricas como produto midiático: um estudo sobre a minissérie "Amazônia – de Galvez a Chico Mendes"
title As representações históricas como produto midiático: um estudo sobre a minissérie "Amazônia – de Galvez a Chico Mendes"
spellingShingle As representações históricas como produto midiático: um estudo sobre a minissérie "Amazônia – de Galvez a Chico Mendes"
FERNANDES, Samanta
Comunicação; Audiovisual; Narrativas
CIENCIAS SOCIAIS APLICADAS
title_short As representações históricas como produto midiático: um estudo sobre a minissérie "Amazônia – de Galvez a Chico Mendes"
title_full As representações históricas como produto midiático: um estudo sobre a minissérie "Amazônia – de Galvez a Chico Mendes"
title_fullStr As representações históricas como produto midiático: um estudo sobre a minissérie "Amazônia – de Galvez a Chico Mendes"
title_full_unstemmed As representações históricas como produto midiático: um estudo sobre a minissérie "Amazônia – de Galvez a Chico Mendes"
title_sort As representações históricas como produto midiático: um estudo sobre a minissérie "Amazônia – de Galvez a Chico Mendes"
author FERNANDES, Samanta
author_facet FERNANDES, Samanta
author_role author
dc.contributor.advisor1.fl_str_mv Schvartzman, Sheila
dc.contributor.authorLattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4243595U2
dc.contributor.author.fl_str_mv FERNANDES, Samanta
contributor_str_mv Schvartzman, Sheila
dc.subject.por.fl_str_mv Comunicação; Audiovisual; Narrativas
topic Comunicação; Audiovisual; Narrativas
CIENCIAS SOCIAIS APLICADAS
dc.subject.cnpq.fl_str_mv CIENCIAS SOCIAIS APLICADAS
dc.description.sponsorship.fl_txt_mv Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
dc.description.abstract.por.fl_txt_mv This research explores historical events transformed into media products. The focus of the work is the audiovisual production “Amazon: from Galvez to Chico Mendes”, by Gloria Perez, a series produced by TV Globo and broadcasted in 2007. The objective is to observe the representation in audiovisual narratives of historical facts. The miniseries has been chosen because it approaches a topic related to the 1899 crisis in the state of Acre and to the rubber boom in Brazil. The studies concerning Acre are poorly spread and academic references are inexpressive. Thus, it is important to investigate the ways through which the past is approached, the codes, the conventions and the practices through which the story is brought to the screen. The year approached by the researched audiovisual work is 1898, when Acre still belonged to Bolivia. The story moves towards the reintegration of the region as a territory in November 1903, with the Treaty of Petrópolis, and its recognition as a Brazilian state in 1904. The production highlights the life of the rubber tappers, the development of the state, which was promoted by the rubber produced, and the deforestation of Amazon, which started in the late nineteenth century. It also gives life to three characters, including the Spaniard Luiz Galvez Rodríguez Arias (San Fernando, 1864 - Madrid, 1935), the José Plácido de Castro (San Gabriel, September 9th, 1873 - Seringal Benfica, August 11th, 1908), a member of the military, and the environmentalist Francisco Alves Mendes Filho, better known as Chico Mendes (Xapuri, December 15th , 1944 - Xapuri, December 22nd, 1988). As this is a proposal for a historical reconstruction, simultaneous treatment between the past and the present is imposed through the exploration of the historical work and the interaction with the contemporary one. In 2007, when the eries was broadcasted, there were several factors that influenced the production of the plot, among them a great repercussion on the preservation of the environment and on the growing deforestation of the Amazon. To this day there is much to discuss about the topic; Amazon has always been a global issue because of its importance for the preservation of natural resources. Besides, attention will be paid to political and social factors that influenced the production, and to how they are reflected in the construction of the plot through discourse and media processes. What was obscured, what acquired greater prominence. The aim is to observe how television drama gives effect of truth and effect of reality to cultural artifacts of fiction that reconstitute the national history. The aim is also to observe how facts so significant to the struggle between large estate and a forest protected by a popular leader, as well as the fight for the environment, were reconstructed on TV.
Esta pesquisa procura compreender de que forma acontecimentos históricos são transformados em produtos midiáticos. O objeto de estudo é a produção audiovisual "Amazônia, de Galvez a Chico Mendes", de Glória Perez, minissérie produzida pela TV Globo e exibida em 2007. O objetivo é observar a representação de fatos históricos em narrativas audiovisuais. A minissérie foi escolhida por tratar do estado do Acre, tema pouco conhecido e divulgado nos meios de comunicação. Como a minissérie encena momentos chave da história do estado, é importante investigar as formas de abordagem do passado, os códigos, convenções e práticas por meio dos quais a história é levada às telas. A narrativa de "Amazônia" abarca desde o ano de 1898, em que o Acre pertencia à Bolívia, sua reintegração como território em 1903, com o Tratado de Petrópolis e o reconhecimento como estado brasileiro em 1904, até o ano de 1988, em que ocorreu o assassinato do seringueiro Chico Mendes. A produção destaca a vida dos seringueiros, o desenvolvimento do estado e o desmatamento da Amazônia a partir do final do século XIX. Além disso, também dá vida a três personagens de relevo nessa história: o espanhol Luís Galvez Rodríguez de Arias (San Fernando, 1864 - Madrid, 1935), o militar José Plácido de Castro (São Gabriel, 9 de setembro de 1873 - Seringal Benfica, 11 de agosto de 1908) e o sindicalista Francisco Alves Mendes Filho, conhecido como Chico Mendes (Xapuri, 15 de dezembro de 1944 - Xapuri, 22 de dezembro de 1988). Como se trata de reconstituição histórica, o tratamento simultâneo entre o passado e o presente se impõe, explorando o trabalho histórico e interagindo com o contemporâneo. No ano de 2007, época em que a minissérie foi exibida havia diversos fatores que influenciaram a produção da trama, entre eles a repercussão sobre a preservação do meio ambiente e o crescente desmatamento da floresta amazônica. Até os dias atuais há muito que se discutir sobre o tema. A Amazônia sempre foi um assunto global.
description This research explores historical events transformed into media products. The focus of the work is the audiovisual production “Amazon: from Galvez to Chico Mendes”, by Gloria Perez, a series produced by TV Globo and broadcasted in 2007. The objective is to observe the representation in audiovisual narratives of historical facts. The miniseries has been chosen because it approaches a topic related to the 1899 crisis in the state of Acre and to the rubber boom in Brazil. The studies concerning Acre are poorly spread and academic references are inexpressive. Thus, it is important to investigate the ways through which the past is approached, the codes, the conventions and the practices through which the story is brought to the screen. The year approached by the researched audiovisual work is 1898, when Acre still belonged to Bolivia. The story moves towards the reintegration of the region as a territory in November 1903, with the Treaty of Petrópolis, and its recognition as a Brazilian state in 1904. The production highlights the life of the rubber tappers, the development of the state, which was promoted by the rubber produced, and the deforestation of Amazon, which started in the late nineteenth century. It also gives life to three characters, including the Spaniard Luiz Galvez Rodríguez Arias (San Fernando, 1864 - Madrid, 1935), the José Plácido de Castro (San Gabriel, September 9th, 1873 - Seringal Benfica, August 11th, 1908), a member of the military, and the environmentalist Francisco Alves Mendes Filho, better known as Chico Mendes (Xapuri, December 15th , 1944 - Xapuri, December 22nd, 1988). As this is a proposal for a historical reconstruction, simultaneous treatment between the past and the present is imposed through the exploration of the historical work and the interaction with the contemporary one. In 2007, when the eries was broadcasted, there were several factors that influenced the production of the plot, among them a great repercussion on the preservation of the environment and on the growing deforestation of the Amazon. To this day there is much to discuss about the topic; Amazon has always been a global issue because of its importance for the preservation of natural resources. Besides, attention will be paid to political and social factors that influenced the production, and to how they are reflected in the construction of the plot through discourse and media processes. What was obscured, what acquired greater prominence. The aim is to observe how television drama gives effect of truth and effect of reality to cultural artifacts of fiction that reconstitute the national history. The aim is also to observe how facts so significant to the struggle between large estate and a forest protected by a popular leader, as well as the fight for the environment, were reconstructed on TV.
publishDate 2016
dc.date.issued.fl_str_mv 2016-11-09
dc.date.accessioned.fl_str_mv 2017-07-01T00:02:31Z
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dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
status_str publishedVersion
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dc.identifier.citation.fl_str_mv FERNANDES, Samanta. As representações históricas como produto midiático: um estudo sobre a minissérie "Amazônia – de Galvez a Chico Mendes". 2016. 98 f. : il. Dissertação (Programa de Pós-Graduação Mestrado em Comunicação) - Universidade Anhembi Morumbi, São Paulo.
dc.identifier.uri.fl_str_mv http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1638
identifier_str_mv FERNANDES, Samanta. As representações históricas como produto midiático: um estudo sobre a minissérie "Amazônia – de Galvez a Chico Mendes". 2016. 98 f. : il. Dissertação (Programa de Pós-Graduação Mestrado em Comunicação) - Universidade Anhembi Morumbi, São Paulo.
url http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1638
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