As representações históricas como produto midiático: um estudo sobre a minissérie "Amazônia – de Galvez a Chico Mendes"
Autor(a) principal: | |
---|---|
Data de Publicação: | 2016 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do ANHEMBI |
Texto Completo: | http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1638 |
Resumo: | This research explores historical events transformed into media products. The focus of the work is the audiovisual production “Amazon: from Galvez to Chico Mendes”, by Gloria Perez, a series produced by TV Globo and broadcasted in 2007. The objective is to observe the representation in audiovisual narratives of historical facts. The miniseries has been chosen because it approaches a topic related to the 1899 crisis in the state of Acre and to the rubber boom in Brazil. The studies concerning Acre are poorly spread and academic references are inexpressive. Thus, it is important to investigate the ways through which the past is approached, the codes, the conventions and the practices through which the story is brought to the screen. The year approached by the researched audiovisual work is 1898, when Acre still belonged to Bolivia. The story moves towards the reintegration of the region as a territory in November 1903, with the Treaty of Petrópolis, and its recognition as a Brazilian state in 1904. The production highlights the life of the rubber tappers, the development of the state, which was promoted by the rubber produced, and the deforestation of Amazon, which started in the late nineteenth century. It also gives life to three characters, including the Spaniard Luiz Galvez Rodríguez Arias (San Fernando, 1864 - Madrid, 1935), the José Plácido de Castro (San Gabriel, September 9th, 1873 - Seringal Benfica, August 11th, 1908), a member of the military, and the environmentalist Francisco Alves Mendes Filho, better known as Chico Mendes (Xapuri, December 15th , 1944 - Xapuri, December 22nd, 1988). As this is a proposal for a historical reconstruction, simultaneous treatment between the past and the present is imposed through the exploration of the historical work and the interaction with the contemporary one. In 2007, when the eries was broadcasted, there were several factors that influenced the production of the plot, among them a great repercussion on the preservation of the environment and on the growing deforestation of the Amazon. To this day there is much to discuss about the topic; Amazon has always been a global issue because of its importance for the preservation of natural resources. Besides, attention will be paid to political and social factors that influenced the production, and to how they are reflected in the construction of the plot through discourse and media processes. What was obscured, what acquired greater prominence. The aim is to observe how television drama gives effect of truth and effect of reality to cultural artifacts of fiction that reconstitute the national history. The aim is also to observe how facts so significant to the struggle between large estate and a forest protected by a popular leader, as well as the fight for the environment, were reconstructed on TV. |
id |
ANHE_96767c4d8ac47de7437faae42093b93e |
---|---|
oai_identifier_str |
oai:sitios.anhembi.br:TEDE/1638 |
network_acronym_str |
ANHE |
network_name_str |
Biblioteca Digital de Teses e Dissertações do ANHEMBI |
spelling |
Schvartzman, Sheilahttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4243595U2FERNANDES, Samanta2017-07-01T00:02:31Z2016-11-09FERNANDES, Samanta. As representações históricas como produto midiático: um estudo sobre a minissérie "Amazônia – de Galvez a Chico Mendes". 2016. 98 f. : il. Dissertação (Programa de Pós-Graduação Mestrado em Comunicação) - Universidade Anhembi Morumbi, São Paulo.http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1638This research explores historical events transformed into media products. The focus of the work is the audiovisual production “Amazon: from Galvez to Chico Mendes”, by Gloria Perez, a series produced by TV Globo and broadcasted in 2007. The objective is to observe the representation in audiovisual narratives of historical facts. The miniseries has been chosen because it approaches a topic related to the 1899 crisis in the state of Acre and to the rubber boom in Brazil. The studies concerning Acre are poorly spread and academic references are inexpressive. Thus, it is important to investigate the ways through which the past is approached, the codes, the conventions and the practices through which the story is brought to the screen. The year approached by the researched audiovisual work is 1898, when Acre still belonged to Bolivia. The story moves towards the reintegration of the region as a territory in November 1903, with the Treaty of Petrópolis, and its recognition as a Brazilian state in 1904. The production highlights the life of the rubber tappers, the development of the state, which was promoted by the rubber produced, and the deforestation of Amazon, which started in the late nineteenth century. It also gives life to three characters, including the Spaniard Luiz Galvez Rodríguez Arias (San Fernando, 1864 - Madrid, 1935), the José Plácido de Castro (San Gabriel, September 9th, 1873 - Seringal Benfica, August 11th, 1908), a member of the military, and the environmentalist Francisco Alves Mendes Filho, better known as Chico Mendes (Xapuri, December 15th , 1944 - Xapuri, December 22nd, 1988). As this is a proposal for a historical reconstruction, simultaneous treatment between the past and the present is imposed through the exploration of the historical work and the interaction with the contemporary one. In 2007, when the eries was broadcasted, there were several factors that influenced the production of the plot, among them a great repercussion on the preservation of the environment and on the growing deforestation of the Amazon. To this day there is much to discuss about the topic; Amazon has always been a global issue because of its importance for the preservation of natural resources. Besides, attention will be paid to political and social factors that influenced the production, and to how they are reflected in the construction of the plot through discourse and media processes. What was obscured, what acquired greater prominence. The aim is to observe how television drama gives effect of truth and effect of reality to cultural artifacts of fiction that reconstitute the national history. The aim is also to observe how facts so significant to the struggle between large estate and a forest protected by a popular leader, as well as the fight for the environment, were reconstructed on TV.Esta pesquisa procura compreender de que forma acontecimentos históricos são transformados em produtos midiáticos. O objeto de estudo é a produção audiovisual "Amazônia, de Galvez a Chico Mendes", de Glória Perez, minissérie produzida pela TV Globo e exibida em 2007. O objetivo é observar a representação de fatos históricos em narrativas audiovisuais. A minissérie foi escolhida por tratar do estado do Acre, tema pouco conhecido e divulgado nos meios de comunicação. Como a minissérie encena momentos chave da história do estado, é importante investigar as formas de abordagem do passado, os códigos, convenções e práticas por meio dos quais a história é levada às telas. A narrativa de "Amazônia" abarca desde o ano de 1898, em que o Acre pertencia à Bolívia, sua reintegração como território em 1903, com o Tratado de Petrópolis e o reconhecimento como estado brasileiro em 1904, até o ano de 1988, em que ocorreu o assassinato do seringueiro Chico Mendes. A produção destaca a vida dos seringueiros, o desenvolvimento do estado e o desmatamento da Amazônia a partir do final do século XIX. Além disso, também dá vida a três personagens de relevo nessa história: o espanhol Luís Galvez Rodríguez de Arias (San Fernando, 1864 - Madrid, 1935), o militar José Plácido de Castro (São Gabriel, 9 de setembro de 1873 - Seringal Benfica, 11 de agosto de 1908) e o sindicalista Francisco Alves Mendes Filho, conhecido como Chico Mendes (Xapuri, 15 de dezembro de 1944 - Xapuri, 22 de dezembro de 1988). Como se trata de reconstituição histórica, o tratamento simultâneo entre o passado e o presente se impõe, explorando o trabalho histórico e interagindo com o contemporâneo. No ano de 2007, época em que a minissérie foi exibida havia diversos fatores que influenciaram a produção da trama, entre eles a repercussão sobre a preservação do meio ambiente e o crescente desmatamento da floresta amazônica. Até os dias atuais há muito que se discutir sobre o tema. A Amazônia sempre foi um assunto global.Submitted by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2017-06-27T21:15:47Z No. of bitstreams: 1 Samanta Fernandes.pdf: 6358465 bytes, checksum: 98291214dffd302ba693cea465ee2c2f (MD5)Approved for entry into archive by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2017-06-30T23:53:27Z (GMT) No. of bitstreams: 1 Samanta Fernandes.pdf: 6358465 bytes, checksum: 98291214dffd302ba693cea465ee2c2f (MD5)Approved for entry into archive by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2017-06-30T23:57:10Z (GMT) No. of bitstreams: 1 Samanta Fernandes.pdf: 6358465 bytes, checksum: 98291214dffd302ba693cea465ee2c2f (MD5)Made available in DSpace on 2017-07-01T00:02:31Z (GMT). No. of bitstreams: 1 Samanta Fernandes.pdf: 6358465 bytes, checksum: 98291214dffd302ba693cea465ee2c2f (MD5) Previous issue date: 2016-11-09Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Anhembi MorumbiPrograma de Pós-Graduação Mestrado em ComunicaçãoUAMBrasilUniversidade Anhembi Morumbi::Diretoria de Pesquisa e Pós-graduação Stricto SensuComunicação; Audiovisual; NarrativasCIENCIAS SOCIAIS APLICADASAs representações históricas como produto midiático: um estudo sobre a minissérie "Amazônia – de Galvez a Chico Mendes"info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-70792067294234000136006006006003930158860712739524-19880619442701333922075167498588264571info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações do ANHEMBIinstname:Universidade Anhembi Morumbiinstacron:ANHEMBIORIGINALSamanta Fernandes.pdfSamanta Fernandes.pdfapplication/pdf6358465http://D1-ADM-SIT-01:8080/solr/oai/bitstream/TEDE/1638/2/Samanta+Fernandes.pdf98291214dffd302ba693cea465ee2c2fMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://D1-ADM-SIT-01:8080/solr/oai/bitstream/TEDE/1638/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51TEDE/1638oai:sitios.anhembi.br:TEDE/16382017-06-30 21:02:31.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http://sitios.anhembi.br/oai/requestopendoar:null2020-06-06 09:54:12.971Biblioteca Digital de Teses e Dissertações do ANHEMBI - Universidade Anhembi Morumbifalse |
dc.title.por.fl_str_mv |
As representações históricas como produto midiático: um estudo sobre a minissérie "Amazônia – de Galvez a Chico Mendes" |
title |
As representações históricas como produto midiático: um estudo sobre a minissérie "Amazônia – de Galvez a Chico Mendes" |
spellingShingle |
As representações históricas como produto midiático: um estudo sobre a minissérie "Amazônia – de Galvez a Chico Mendes" FERNANDES, Samanta Comunicação; Audiovisual; Narrativas CIENCIAS SOCIAIS APLICADAS |
title_short |
As representações históricas como produto midiático: um estudo sobre a minissérie "Amazônia – de Galvez a Chico Mendes" |
title_full |
As representações históricas como produto midiático: um estudo sobre a minissérie "Amazônia – de Galvez a Chico Mendes" |
title_fullStr |
As representações históricas como produto midiático: um estudo sobre a minissérie "Amazônia – de Galvez a Chico Mendes" |
title_full_unstemmed |
As representações históricas como produto midiático: um estudo sobre a minissérie "Amazônia – de Galvez a Chico Mendes" |
title_sort |
As representações históricas como produto midiático: um estudo sobre a minissérie "Amazônia – de Galvez a Chico Mendes" |
author |
FERNANDES, Samanta |
author_facet |
FERNANDES, Samanta |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Schvartzman, Sheila |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4243595U2 |
dc.contributor.author.fl_str_mv |
FERNANDES, Samanta |
contributor_str_mv |
Schvartzman, Sheila |
dc.subject.por.fl_str_mv |
Comunicação; Audiovisual; Narrativas |
topic |
Comunicação; Audiovisual; Narrativas CIENCIAS SOCIAIS APLICADAS |
dc.subject.cnpq.fl_str_mv |
CIENCIAS SOCIAIS APLICADAS |
dc.description.sponsorship.fl_txt_mv |
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES |
dc.description.abstract.por.fl_txt_mv |
This research explores historical events transformed into media products. The focus of the work is the audiovisual production “Amazon: from Galvez to Chico Mendes”, by Gloria Perez, a series produced by TV Globo and broadcasted in 2007. The objective is to observe the representation in audiovisual narratives of historical facts. The miniseries has been chosen because it approaches a topic related to the 1899 crisis in the state of Acre and to the rubber boom in Brazil. The studies concerning Acre are poorly spread and academic references are inexpressive. Thus, it is important to investigate the ways through which the past is approached, the codes, the conventions and the practices through which the story is brought to the screen. The year approached by the researched audiovisual work is 1898, when Acre still belonged to Bolivia. The story moves towards the reintegration of the region as a territory in November 1903, with the Treaty of Petrópolis, and its recognition as a Brazilian state in 1904. The production highlights the life of the rubber tappers, the development of the state, which was promoted by the rubber produced, and the deforestation of Amazon, which started in the late nineteenth century. It also gives life to three characters, including the Spaniard Luiz Galvez Rodríguez Arias (San Fernando, 1864 - Madrid, 1935), the José Plácido de Castro (San Gabriel, September 9th, 1873 - Seringal Benfica, August 11th, 1908), a member of the military, and the environmentalist Francisco Alves Mendes Filho, better known as Chico Mendes (Xapuri, December 15th , 1944 - Xapuri, December 22nd, 1988). As this is a proposal for a historical reconstruction, simultaneous treatment between the past and the present is imposed through the exploration of the historical work and the interaction with the contemporary one. In 2007, when the eries was broadcasted, there were several factors that influenced the production of the plot, among them a great repercussion on the preservation of the environment and on the growing deforestation of the Amazon. To this day there is much to discuss about the topic; Amazon has always been a global issue because of its importance for the preservation of natural resources. Besides, attention will be paid to political and social factors that influenced the production, and to how they are reflected in the construction of the plot through discourse and media processes. What was obscured, what acquired greater prominence. The aim is to observe how television drama gives effect of truth and effect of reality to cultural artifacts of fiction that reconstitute the national history. The aim is also to observe how facts so significant to the struggle between large estate and a forest protected by a popular leader, as well as the fight for the environment, were reconstructed on TV. Esta pesquisa procura compreender de que forma acontecimentos históricos são transformados em produtos midiáticos. O objeto de estudo é a produção audiovisual "Amazônia, de Galvez a Chico Mendes", de Glória Perez, minissérie produzida pela TV Globo e exibida em 2007. O objetivo é observar a representação de fatos históricos em narrativas audiovisuais. A minissérie foi escolhida por tratar do estado do Acre, tema pouco conhecido e divulgado nos meios de comunicação. Como a minissérie encena momentos chave da história do estado, é importante investigar as formas de abordagem do passado, os códigos, convenções e práticas por meio dos quais a história é levada às telas. A narrativa de "Amazônia" abarca desde o ano de 1898, em que o Acre pertencia à Bolívia, sua reintegração como território em 1903, com o Tratado de Petrópolis e o reconhecimento como estado brasileiro em 1904, até o ano de 1988, em que ocorreu o assassinato do seringueiro Chico Mendes. A produção destaca a vida dos seringueiros, o desenvolvimento do estado e o desmatamento da Amazônia a partir do final do século XIX. Além disso, também dá vida a três personagens de relevo nessa história: o espanhol Luís Galvez Rodríguez de Arias (San Fernando, 1864 - Madrid, 1935), o militar José Plácido de Castro (São Gabriel, 9 de setembro de 1873 - Seringal Benfica, 11 de agosto de 1908) e o sindicalista Francisco Alves Mendes Filho, conhecido como Chico Mendes (Xapuri, 15 de dezembro de 1944 - Xapuri, 22 de dezembro de 1988). Como se trata de reconstituição histórica, o tratamento simultâneo entre o passado e o presente se impõe, explorando o trabalho histórico e interagindo com o contemporâneo. No ano de 2007, época em que a minissérie foi exibida havia diversos fatores que influenciaram a produção da trama, entre eles a repercussão sobre a preservação do meio ambiente e o crescente desmatamento da floresta amazônica. Até os dias atuais há muito que se discutir sobre o tema. A Amazônia sempre foi um assunto global. |
description |
This research explores historical events transformed into media products. The focus of the work is the audiovisual production “Amazon: from Galvez to Chico Mendes”, by Gloria Perez, a series produced by TV Globo and broadcasted in 2007. The objective is to observe the representation in audiovisual narratives of historical facts. The miniseries has been chosen because it approaches a topic related to the 1899 crisis in the state of Acre and to the rubber boom in Brazil. The studies concerning Acre are poorly spread and academic references are inexpressive. Thus, it is important to investigate the ways through which the past is approached, the codes, the conventions and the practices through which the story is brought to the screen. The year approached by the researched audiovisual work is 1898, when Acre still belonged to Bolivia. The story moves towards the reintegration of the region as a territory in November 1903, with the Treaty of Petrópolis, and its recognition as a Brazilian state in 1904. The production highlights the life of the rubber tappers, the development of the state, which was promoted by the rubber produced, and the deforestation of Amazon, which started in the late nineteenth century. It also gives life to three characters, including the Spaniard Luiz Galvez Rodríguez Arias (San Fernando, 1864 - Madrid, 1935), the José Plácido de Castro (San Gabriel, September 9th, 1873 - Seringal Benfica, August 11th, 1908), a member of the military, and the environmentalist Francisco Alves Mendes Filho, better known as Chico Mendes (Xapuri, December 15th , 1944 - Xapuri, December 22nd, 1988). As this is a proposal for a historical reconstruction, simultaneous treatment between the past and the present is imposed through the exploration of the historical work and the interaction with the contemporary one. In 2007, when the eries was broadcasted, there were several factors that influenced the production of the plot, among them a great repercussion on the preservation of the environment and on the growing deforestation of the Amazon. To this day there is much to discuss about the topic; Amazon has always been a global issue because of its importance for the preservation of natural resources. Besides, attention will be paid to political and social factors that influenced the production, and to how they are reflected in the construction of the plot through discourse and media processes. What was obscured, what acquired greater prominence. The aim is to observe how television drama gives effect of truth and effect of reality to cultural artifacts of fiction that reconstitute the national history. The aim is also to observe how facts so significant to the struggle between large estate and a forest protected by a popular leader, as well as the fight for the environment, were reconstructed on TV. |
publishDate |
2016 |
dc.date.issued.fl_str_mv |
2016-11-09 |
dc.date.accessioned.fl_str_mv |
2017-07-01T00:02:31Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
status_str |
publishedVersion |
format |
masterThesis |
dc.identifier.citation.fl_str_mv |
FERNANDES, Samanta. As representações históricas como produto midiático: um estudo sobre a minissérie "Amazônia – de Galvez a Chico Mendes". 2016. 98 f. : il. Dissertação (Programa de Pós-Graduação Mestrado em Comunicação) - Universidade Anhembi Morumbi, São Paulo. |
dc.identifier.uri.fl_str_mv |
http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1638 |
identifier_str_mv |
FERNANDES, Samanta. As representações históricas como produto midiático: um estudo sobre a minissérie "Amazônia – de Galvez a Chico Mendes". 2016. 98 f. : il. Dissertação (Programa de Pós-Graduação Mestrado em Comunicação) - Universidade Anhembi Morumbi, São Paulo. |
url |
http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1638 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.program.fl_str_mv |
-7079206729423400013 |
dc.relation.confidence.fl_str_mv |
600 600 600 600 |
dc.relation.department.fl_str_mv |
3930158860712739524 |
dc.relation.cnpq.fl_str_mv |
-1988061944270133392 |
dc.relation.sponsorship.fl_str_mv |
2075167498588264571 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Anhembi Morumbi |
dc.publisher.program.fl_str_mv |
Programa de Pós-Graduação Mestrado em Comunicação |
dc.publisher.initials.fl_str_mv |
UAM |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Universidade Anhembi Morumbi::Diretoria de Pesquisa e Pós-graduação Stricto Sensu |
publisher.none.fl_str_mv |
Universidade Anhembi Morumbi |
dc.source.none.fl_str_mv |
reponame:Biblioteca Digital de Teses e Dissertações do ANHEMBI instname:Universidade Anhembi Morumbi instacron:ANHEMBI |
reponame_str |
Biblioteca Digital de Teses e Dissertações do ANHEMBI |
collection |
Biblioteca Digital de Teses e Dissertações do ANHEMBI |
instname_str |
Universidade Anhembi Morumbi |
instacron_str |
ANHEMBI |
institution |
ANHEMBI |
bitstream.url.fl_str_mv |
http://D1-ADM-SIT-01:8080/solr/oai/bitstream/TEDE/1638/2/Samanta+Fernandes.pdf http://D1-ADM-SIT-01:8080/solr/oai/bitstream/TEDE/1638/1/license.txt |
bitstream.checksum.fl_str_mv |
98291214dffd302ba693cea465ee2c2f bd3efa91386c1718a7f26a329fdcb468 |
bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 |
repository.name.fl_str_mv |
Biblioteca Digital de Teses e Dissertações do ANHEMBI - Universidade Anhembi Morumbi |
repository.mail.fl_str_mv |
|
_version_ |
1668889959027703808 |