To Take On the Nature of Wild Animals: Elements of Biological Horror in the Fourth Branch of the Mabinogi
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Revista da ANPOLL (Online) |
Texto Completo: | https://revistadaanpoll.emnuvens.com.br/revista/article/view/1456 |
Resumo: | Jason Colavito describes biological horror as a branch of horror fiction which deals with “uneasy feelings related to the physical body and its relationship with the natural world” (113). Those narratives often emerge during times in which there are social anxieties related to the unchecked expansion of science and the defiance of moral values is at play. In this article, I propose a reading of the tale of “Math, son of Mathonwy” which explores the possibility that this story depicts aspects of biological horror. By looking to the social and historical context of the medieval manuscript Y Mabinogi (The Mabinogi), this study goes over the scientific developments of twelfth-century Britain and correlates them to the instances of bodily transformation and physical punishment within the fourth branch of the Mabinogi. The analysis takes particular attention to the metamorphosis of the character Blodeuwedd, who is permanently altered in her physicality as judgment for her moral actions. Ultimately, the fluid nature of bodies within the tale does depict some aspects of biological horror which seem to echo some of the questions which monastic scholarly introduced during the Middle Ages. |
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To Take On the Nature of Wild Animals: Elements of Biological Horror in the Fourth Branch of the MabinogiAssumir a forma de animais selvagens: elementos de Horror Corporal no quarto ramo de MabinogiBody HorrorBlodeuweddMedieval ScienceWelsh LiteratureBody horrorBlodeuweddCiência medievalLiteratura galesaJason Colavito describes biological horror as a branch of horror fiction which deals with “uneasy feelings related to the physical body and its relationship with the natural world” (113). Those narratives often emerge during times in which there are social anxieties related to the unchecked expansion of science and the defiance of moral values is at play. In this article, I propose a reading of the tale of “Math, son of Mathonwy” which explores the possibility that this story depicts aspects of biological horror. By looking to the social and historical context of the medieval manuscript Y Mabinogi (The Mabinogi), this study goes over the scientific developments of twelfth-century Britain and correlates them to the instances of bodily transformation and physical punishment within the fourth branch of the Mabinogi. The analysis takes particular attention to the metamorphosis of the character Blodeuwedd, who is permanently altered in her physicality as judgment for her moral actions. Ultimately, the fluid nature of bodies within the tale does depict some aspects of biological horror which seem to echo some of the questions which monastic scholarly introduced during the Middle Ages.Jason Colavito (2007) descreve “horror corporal” como uma seção na ficção de horror que se ocupa das “inquietações relacionadas ao corpo físico e seu relacionamento com o mundo natural” (p. 113). Tais narrativas frequentemente emergem durante períodos nos quais há ansiedades sociais conectadas à expansão científica e algum desafio aos valores morais. O presente artigo propõe uma leitura da história “Math, son of Mathonwy” explorando a possibilidade de que esta narrativa apresenta aspectos de horror corporal. Olhando para o contexto histórico e social do manuscrito medieval Y Mabinogi (O Mabinogi), este estudo revisa os debates científicos que ocorreram na Grã-Bretanha durante o século XII, e os relaciona com as transformações corporais e punição física apresentadas no quarto ramo do Mabinogi. Esta análise foca principalmente na metamorfose da personagem Blodeuwedd, cujo corpo é permanentemente alterado como parte de um julgamento por suas ações morais. Por fim, a natureza fluida dos corpos nesta narrativa demonstra alguma semelhança com o horror corporal, por se aproximar de alguns dos debates e questionamentos introduzidos pelos estudos monásticos durante a Idade Média.ANPOLL2020-12-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistadaanpoll.emnuvens.com.br/revista/article/view/145610.18309/anp.v51i3.1456Revista da Anpoll; Vol. 51 No. 3 (2020): Estudos Literários; 74-83Revista da Anpoll; v. 51 n. 3 (2020): Estudos Literários; 74-831982-78301414-7564reponame:Revista da ANPOLL (Online)instname:Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)instacron:ANPOLLenghttps://revistadaanpoll.emnuvens.com.br/revista/article/view/1456/1136Copyright (c) 2020 Gabriela Pirotti Pereirainfo:eu-repo/semantics/openAccessPirotti Pereira, Gabriela2021-02-02T00:34:21Zoai:ojs.revistadaanpoll.emnuvens.com.br:article/1456Revistahttps://revistadaanpoll.emnuvens.com.br/revista/indexONGhttps://revistadaanpoll.emnuvens.com.br/revista/oairevistadaanpoll@gmail.com1982-78301414-7564opendoar:2023-01-13T09:48:53.898099Revista da ANPOLL (Online) - Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)false |
dc.title.none.fl_str_mv |
To Take On the Nature of Wild Animals: Elements of Biological Horror in the Fourth Branch of the Mabinogi Assumir a forma de animais selvagens: elementos de Horror Corporal no quarto ramo de Mabinogi |
title |
To Take On the Nature of Wild Animals: Elements of Biological Horror in the Fourth Branch of the Mabinogi |
spellingShingle |
To Take On the Nature of Wild Animals: Elements of Biological Horror in the Fourth Branch of the Mabinogi Pirotti Pereira, Gabriela Body Horror Blodeuwedd Medieval Science Welsh Literature Body horror Blodeuwedd Ciência medieval Literatura galesa |
title_short |
To Take On the Nature of Wild Animals: Elements of Biological Horror in the Fourth Branch of the Mabinogi |
title_full |
To Take On the Nature of Wild Animals: Elements of Biological Horror in the Fourth Branch of the Mabinogi |
title_fullStr |
To Take On the Nature of Wild Animals: Elements of Biological Horror in the Fourth Branch of the Mabinogi |
title_full_unstemmed |
To Take On the Nature of Wild Animals: Elements of Biological Horror in the Fourth Branch of the Mabinogi |
title_sort |
To Take On the Nature of Wild Animals: Elements of Biological Horror in the Fourth Branch of the Mabinogi |
author |
Pirotti Pereira, Gabriela |
author_facet |
Pirotti Pereira, Gabriela |
author_role |
author |
dc.contributor.author.fl_str_mv |
Pirotti Pereira, Gabriela |
dc.subject.por.fl_str_mv |
Body Horror Blodeuwedd Medieval Science Welsh Literature Body horror Blodeuwedd Ciência medieval Literatura galesa |
topic |
Body Horror Blodeuwedd Medieval Science Welsh Literature Body horror Blodeuwedd Ciência medieval Literatura galesa |
description |
Jason Colavito describes biological horror as a branch of horror fiction which deals with “uneasy feelings related to the physical body and its relationship with the natural world” (113). Those narratives often emerge during times in which there are social anxieties related to the unchecked expansion of science and the defiance of moral values is at play. In this article, I propose a reading of the tale of “Math, son of Mathonwy” which explores the possibility that this story depicts aspects of biological horror. By looking to the social and historical context of the medieval manuscript Y Mabinogi (The Mabinogi), this study goes over the scientific developments of twelfth-century Britain and correlates them to the instances of bodily transformation and physical punishment within the fourth branch of the Mabinogi. The analysis takes particular attention to the metamorphosis of the character Blodeuwedd, who is permanently altered in her physicality as judgment for her moral actions. Ultimately, the fluid nature of bodies within the tale does depict some aspects of biological horror which seem to echo some of the questions which monastic scholarly introduced during the Middle Ages. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-12-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistadaanpoll.emnuvens.com.br/revista/article/view/1456 10.18309/anp.v51i3.1456 |
url |
https://revistadaanpoll.emnuvens.com.br/revista/article/view/1456 |
identifier_str_mv |
10.18309/anp.v51i3.1456 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://revistadaanpoll.emnuvens.com.br/revista/article/view/1456/1136 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Gabriela Pirotti Pereira info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Gabriela Pirotti Pereira |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ANPOLL |
publisher.none.fl_str_mv |
ANPOLL |
dc.source.none.fl_str_mv |
Revista da Anpoll; Vol. 51 No. 3 (2020): Estudos Literários; 74-83 Revista da Anpoll; v. 51 n. 3 (2020): Estudos Literários; 74-83 1982-7830 1414-7564 reponame:Revista da ANPOLL (Online) instname:Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL) instacron:ANPOLL |
instname_str |
Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL) |
instacron_str |
ANPOLL |
institution |
ANPOLL |
reponame_str |
Revista da ANPOLL (Online) |
collection |
Revista da ANPOLL (Online) |
repository.name.fl_str_mv |
Revista da ANPOLL (Online) - Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL) |
repository.mail.fl_str_mv |
revistadaanpoll@gmail.com |
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1797051176538079232 |