Spectacle and performativity in Capturing Friedmans

Detalhes bibliográficos
Autor(a) principal: Vieira de Melo, Cristina Teixeira
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: por
Título da fonte: E-Compós
Texto Completo: https://www.e-compos.org.br/e-compos/article/view/1176
Resumo: From the contraposition of various statements, the montage of the documentary Capturing Friedmans (2003) brings into question the procedures used by the justice system and the media to criminalize Arnold and Jesse Friedman, accused of child molestation in Great Neck, USA, in 1988. The movie received innumerous compliments from critics because it valued the ambiguous narrative. Nevertheless, we aim to demonstrate that the fragmented montage is aligned with the idea of spectacle, stylistic procedure that, from a political point of view, is opposed to the opening of senses and heterogeneity of voices mobilized in the documentary. It is also in our interest to draw attention to the performative character of most of the scenes, because it allow senses and subjects to move away from preconceived places.
id ANPPC-1_4ccbf62627f850f45580bee0c60104d8
oai_identifier_str oai:ojs.www.e-compos.org.br:article/1176
network_acronym_str ANPPC-1
network_name_str E-Compós
repository_id_str
spelling Spectacle and performativity in Capturing FriedmansEspectáculo y performatividad en A la Captura de los FriedmansEspetáculo e performatividade em Na Captura dos FriedmansMontagem. Espetáculo. Performatividade.From the contraposition of various statements, the montage of the documentary Capturing Friedmans (2003) brings into question the procedures used by the justice system and the media to criminalize Arnold and Jesse Friedman, accused of child molestation in Great Neck, USA, in 1988. The movie received innumerous compliments from critics because it valued the ambiguous narrative. Nevertheless, we aim to demonstrate that the fragmented montage is aligned with the idea of spectacle, stylistic procedure that, from a political point of view, is opposed to the opening of senses and heterogeneity of voices mobilized in the documentary. It is also in our interest to draw attention to the performative character of most of the scenes, because it allow senses and subjects to move away from preconceived places.A partir de la contraposición entre varios testimonios, el montaje de A la Captura de los Friedmans (2003) pone en duda los procedimientos utilizados por la justiça e por los medios para criminalizar Arnold y Jesse Friedman, acusados de abuso sexual contra menores en Great Neck, EUA, en 1988. El documental recibió elogios de la crítica justamente por valorar la ambigüidad narrativa. Sin embargo, buscamos mostrar que el montaje fragmentado se vincula a la idea de espectáculo, procedimiento estilístico que, del punto de vista político, se contrapone a la apertura de sentidos y a la heterogeneidad de voces que el film moviliza. También llamamos la atención para el carácter performático de buena parte de sus imágenes, pues estas permiten que sentidos y sujetos se aparten de lugares preconcebidos.A partir da contraposição entre vários depoimentos, a montagem de Na Captura dos Friedmans (2003) põe em dúvida os procedimentos utilizados pela justiça e pela mídia para criminalizar Arnold e Jesse Friedman, acusados de abuso sexual contra menores em Great Neck, EUA, em 1988. O documentário recebeu elogios da crítica justamente por valorizar a ambiguidade narrativa. No entanto, buscamos mostrar que a montagem fragmentada se alinha à ideia de espetáculo, procedimento estilístico que, do ponto de vista político, se contrapõe à abertura de sentidos e à heterogeneidade de vozes que o filme mobiliza. Também chamamos atenção para o caráter performático de boa parte das imagens, pois, ele permite que sentidos e sujeitos se desloquem de lugares pré-concebidos.ABEC2015-09-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.e-compos.org.br/e-compos/article/view/117610.30962/ec.1176E-Compós; Vol. 18 No. 2 (2015)E-Compós; Vol. 18 Núm. 2 (2015)E-Compós; v. 18 n. 2 (2015)1808-2599reponame:E-Compósinstname:Associação Nacional dos Programas de Pós-Graduação em Comunicaçãoinstacron:ANPPCporhttps://www.e-compos.org.br/e-compos/article/view/1176/836Vieira de Melo, Cristina Teixeirainfo:eu-repo/semantics/openAccess2021-06-11T12:30:43Zoai:ojs.www.e-compos.org.br:article/1176Revistahttps://www.e-compos.org.br/e-compos/PUBhttps://www.e-compos.org.br/e-compos/oairevistaecompos@gmail.com1808-25991808-2599opendoar:2021-06-11T12:30:43E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicaçãofalse
dc.title.none.fl_str_mv Spectacle and performativity in Capturing Friedmans
Espectáculo y performatividad en A la Captura de los Friedmans
Espetáculo e performatividade em Na Captura dos Friedmans
title Spectacle and performativity in Capturing Friedmans
spellingShingle Spectacle and performativity in Capturing Friedmans
Vieira de Melo, Cristina Teixeira
Montagem. Espetáculo. Performatividade.
title_short Spectacle and performativity in Capturing Friedmans
title_full Spectacle and performativity in Capturing Friedmans
title_fullStr Spectacle and performativity in Capturing Friedmans
title_full_unstemmed Spectacle and performativity in Capturing Friedmans
title_sort Spectacle and performativity in Capturing Friedmans
author Vieira de Melo, Cristina Teixeira
author_facet Vieira de Melo, Cristina Teixeira
author_role author
dc.contributor.author.fl_str_mv Vieira de Melo, Cristina Teixeira
dc.subject.por.fl_str_mv Montagem. Espetáculo. Performatividade.
topic Montagem. Espetáculo. Performatividade.
description From the contraposition of various statements, the montage of the documentary Capturing Friedmans (2003) brings into question the procedures used by the justice system and the media to criminalize Arnold and Jesse Friedman, accused of child molestation in Great Neck, USA, in 1988. The movie received innumerous compliments from critics because it valued the ambiguous narrative. Nevertheless, we aim to demonstrate that the fragmented montage is aligned with the idea of spectacle, stylistic procedure that, from a political point of view, is opposed to the opening of senses and heterogeneity of voices mobilized in the documentary. It is also in our interest to draw attention to the performative character of most of the scenes, because it allow senses and subjects to move away from preconceived places.
publishDate 2015
dc.date.none.fl_str_mv 2015-09-11
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/1176
10.30962/ec.1176
url https://www.e-compos.org.br/e-compos/article/view/1176
identifier_str_mv 10.30962/ec.1176
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/1176/836
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv ABEC
publisher.none.fl_str_mv ABEC
dc.source.none.fl_str_mv E-Compós; Vol. 18 No. 2 (2015)
E-Compós; Vol. 18 Núm. 2 (2015)
E-Compós; v. 18 n. 2 (2015)
1808-2599
reponame:E-Compós
instname:Associação Nacional dos Programas de Pós-Graduação em Comunicação
instacron:ANPPC
instname_str Associação Nacional dos Programas de Pós-Graduação em Comunicação
instacron_str ANPPC
institution ANPPC
reponame_str E-Compós
collection E-Compós
repository.name.fl_str_mv E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicação
repository.mail.fl_str_mv revistaecompos@gmail.com
_version_ 1798045734127271936

Registros relacionados