The smallest and the biggest in personal filmmaking: Diary, Letters, Revolutions, Elena and They killed my brother

Detalhes bibliográficos
Autor(a) principal: Veiga, Roberta Oliveira
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: por
Título da fonte: E-Compós
Texto Completo: https://www.e-compos.org.br/e-compos/article/view/1059
Resumo: This paper sprang from the interest in comprehending the way in which personal filmmaking, and familiar trace, can make us reflect on the alter nature of self, i.e. the incorporation of otherness, of the world, and of history into self-constitution. Having in mind this tension between the subjective desire of self-construction and the encounters that characterize documentary film, we chose three recent films whose projects are somewhat similar: Diary, Letters, Revolutions (Diário de uma busca, 2011), Elena (2012), and They killed my brother (Mataram meu irmão, 2013). In all these movies the filmmaker deals with the death of a close family member and, each one on its own way, they also undergo the work of mourning in such a way that the filming process becomes the search, in the present, for a past event.
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spelling The smallest and the biggest in personal filmmaking: Diary, Letters, Revolutions, Elena and They killed my brotherO menor e o maior no cinema pessoal: Diário de uma busca, Elena e Mataram meu irmãoCinema de escrita pessoal 1. arquivo 2. alteridade 3. história 4. documentário de busca 5.This paper sprang from the interest in comprehending the way in which personal filmmaking, and familiar trace, can make us reflect on the alter nature of self, i.e. the incorporation of otherness, of the world, and of history into self-constitution. Having in mind this tension between the subjective desire of self-construction and the encounters that characterize documentary film, we chose three recent films whose projects are somewhat similar: Diary, Letters, Revolutions (Diário de uma busca, 2011), Elena (2012), and They killed my brother (Mataram meu irmão, 2013). In all these movies the filmmaker deals with the death of a close family member and, each one on its own way, they also undergo the work of mourning in such a way that the filming process becomes the search, in the present, for a past event.É possível que o cinema de escrita pessoal, dedicado a uma história de vida menor, doméstica, familiar, evoque outra, maior, coletiva, de um tempo? O artigo nasce do interesse em compreender de que modo o cinema, em certa medida, autobiográfico pode fazer pensar a natureza alter do eu, ou seja, a incorporação do outro, do mundo, e da história na constituição de um si. A partir do tensionamento entre um desejo subjetivo de construção de si e os encontros que caracterizam o documentário, elegemos três filmes recentes cujos projetos se assemelham: Diário de uma busca (2011), Elena (2012) e Mataram meu irmão (2013). Nos três, os cineastas lidam com a morte de um parente próximo e realizam, cada um a seu modo, o trabalho de elaboração dessas mortes, de forma a fazer do processo de filmagem uma busca no presente por um acontecimento passado.ABEC2015-03-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.e-compos.org.br/e-compos/article/view/105910.30962/ec.1059E-Compós; Vol. 17 No. 3 (2014)E-Compós; Vol. 17 Núm. 3 (2014)E-Compós; v. 17 n. 3 (2014)1808-2599reponame:E-Compósinstname:Associação Nacional dos Programas de Pós-Graduação em Comunicaçãoinstacron:ANPPCporhttps://www.e-compos.org.br/e-compos/article/view/1059/788Veiga, Roberta Oliveirainfo:eu-repo/semantics/openAccess2023-11-06T20:38:11Zoai:ojs.www.e-compos.org.br:article/1059Revistahttps://www.e-compos.org.br/e-compos/PUBhttps://www.e-compos.org.br/e-compos/oairevistaecompos@gmail.com1808-25991808-2599opendoar:2023-11-06T20:38:11E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicaçãofalse
dc.title.none.fl_str_mv The smallest and the biggest in personal filmmaking: Diary, Letters, Revolutions, Elena and They killed my brother
O menor e o maior no cinema pessoal: Diário de uma busca, Elena e Mataram meu irmão
title The smallest and the biggest in personal filmmaking: Diary, Letters, Revolutions, Elena and They killed my brother
spellingShingle The smallest and the biggest in personal filmmaking: Diary, Letters, Revolutions, Elena and They killed my brother
Veiga, Roberta Oliveira
Cinema de escrita pessoal 1. arquivo 2. alteridade 3. história 4. documentário de busca 5.
title_short The smallest and the biggest in personal filmmaking: Diary, Letters, Revolutions, Elena and They killed my brother
title_full The smallest and the biggest in personal filmmaking: Diary, Letters, Revolutions, Elena and They killed my brother
title_fullStr The smallest and the biggest in personal filmmaking: Diary, Letters, Revolutions, Elena and They killed my brother
title_full_unstemmed The smallest and the biggest in personal filmmaking: Diary, Letters, Revolutions, Elena and They killed my brother
title_sort The smallest and the biggest in personal filmmaking: Diary, Letters, Revolutions, Elena and They killed my brother
author Veiga, Roberta Oliveira
author_facet Veiga, Roberta Oliveira
author_role author
dc.contributor.author.fl_str_mv Veiga, Roberta Oliveira
dc.subject.por.fl_str_mv Cinema de escrita pessoal 1. arquivo 2. alteridade 3. história 4. documentário de busca 5.
topic Cinema de escrita pessoal 1. arquivo 2. alteridade 3. história 4. documentário de busca 5.
description This paper sprang from the interest in comprehending the way in which personal filmmaking, and familiar trace, can make us reflect on the alter nature of self, i.e. the incorporation of otherness, of the world, and of history into self-constitution. Having in mind this tension between the subjective desire of self-construction and the encounters that characterize documentary film, we chose three recent films whose projects are somewhat similar: Diary, Letters, Revolutions (Diário de uma busca, 2011), Elena (2012), and They killed my brother (Mataram meu irmão, 2013). In all these movies the filmmaker deals with the death of a close family member and, each one on its own way, they also undergo the work of mourning in such a way that the filming process becomes the search, in the present, for a past event.
publishDate 2015
dc.date.none.fl_str_mv 2015-03-09
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dc.identifier.uri.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/1059
10.30962/ec.1059
url https://www.e-compos.org.br/e-compos/article/view/1059
identifier_str_mv 10.30962/ec.1059
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/1059/788
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dc.publisher.none.fl_str_mv ABEC
publisher.none.fl_str_mv ABEC
dc.source.none.fl_str_mv E-Compós; Vol. 17 No. 3 (2014)
E-Compós; Vol. 17 Núm. 3 (2014)
E-Compós; v. 17 n. 3 (2014)
1808-2599
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