The Present as History: Aesthetics of Elaboration in Contemporary Brazilian Cinema

Detalhes bibliográficos
Autor(a) principal: Mesquita, Claudia
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: E-Compós
Texto Completo: https://www.e-compos.org.br/e-compos/article/view/2463
Resumo: Following Andreas Huyssen’s path (2014), who pinpoints a pivotal concern with memory in contemporary culture, a response to Western societies’ decreasing confidence in the future, the article seeks to examine how contemporary Brazilian cinema has been elaborating historical experience. To do so, we have created a small inventory, experimenting with the grouping of films in series, in order to indicate and characterize recurring “figures of historical elaboration” in such filmography. The emphasis on the “present as history” stands out in our mapping: under the shade of a “past that does not pass” or designed as “the reverse of the future” the present becomes the center of these films.
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spelling The Present as History: Aesthetics of Elaboration in Contemporary Brazilian CinemaEl El presente como historia: estéticas de la elaboración en el cine brasileño contemporáneoO presente como história: estéticas da elaboração no cinema brasileiro contemporâneoCinema brasileiro contemporâneoMemóriaElaboração históricaCine brasileño contemporáneoMemoriaElaboración históricaContemporary brazilian cinemaMemoryHistorical elaborationFollowing Andreas Huyssen’s path (2014), who pinpoints a pivotal concern with memory in contemporary culture, a response to Western societies’ decreasing confidence in the future, the article seeks to examine how contemporary Brazilian cinema has been elaborating historical experience. To do so, we have created a small inventory, experimenting with the grouping of films in series, in order to indicate and characterize recurring “figures of historical elaboration” in such filmography. The emphasis on the “present as history” stands out in our mapping: under the shade of a “past that does not pass” or designed as “the reverse of the future” the present becomes the center of these films.En la senda propuesta por Andreas Huyssen (2014), que identifica una preocupación central por la memoria en la cultura contemporánea, respuesta a la decreciente confianza en el futuro de las sociedades occidentales, el artículo busca examinar cómo el cine brasileño ha elaborado la experiencia histórica. Para esto, realizamos un pequeño inventario, probando la reunión de películas en series, de modo a indicar y caracterizar “figuras de elaboración histórica” recurrentes en la filmografia. En nuestro mapeo se destaca la apuesta en el “presente como historia”: bajo la sombra de un “pasado que no pasa” o diseñado como “el revés del futuro”, el presente adquiere centralidad en esas películas.Na trilha de Andreas Huyssen (2014), que identifica uma preocupação central com a memória na cultura contemporânea (resposta à confiança decrescente no futuro das sociedades ocidentais), o artigo busca examinar como o cinema brasileiro recente tem elaborado a experiência histórica. Para tanto, realiza um pequeno inventário, testando a reunião dos filmes em séries, de modo a indicar e caracterizar “figuras de elaboração histórica” recorrentes nessa filmografia. Em nosso mapeamento, destaca-se a aposta no “presente como história”: sob a sombra de um “passado que não passa” ou desenhado como “avesso do futuro”, o presente ganha centralidade nessas obras.ABEC2021-11-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.e-compos.org.br/e-compos/article/view/246310.30962/ec.2463E-Compós; Vol. 26 (2023): E-Compós 2023E-Compós; Vol. 26 (2023): E-Compós 2023E-Compós; v. 26 (2023): E-Compós 20231808-2599reponame:E-Compósinstname:Associação Nacional dos Programas de Pós-Graduação em Comunicaçãoinstacron:ANPPCporhttps://www.e-compos.org.br/e-compos/article/view/2463/2052Copyright (c) 2021 Claudia Mesquitahttps://creativecommons.org/licenses/by-nd/4.0info:eu-repo/semantics/openAccessMesquita, Claudia2023-12-31T01:53:51Zoai:ojs.www.e-compos.org.br:article/2463Revistahttps://www.e-compos.org.br/e-compos/PUBhttps://www.e-compos.org.br/e-compos/oairevistaecompos@gmail.com1808-25991808-2599opendoar:2023-12-31T01:53:51E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicaçãofalse
dc.title.none.fl_str_mv The Present as History: Aesthetics of Elaboration in Contemporary Brazilian Cinema
El El presente como historia: estéticas de la elaboración en el cine brasileño contemporáneo
O presente como história: estéticas da elaboração no cinema brasileiro contemporâneo
title The Present as History: Aesthetics of Elaboration in Contemporary Brazilian Cinema
spellingShingle The Present as History: Aesthetics of Elaboration in Contemporary Brazilian Cinema
Mesquita, Claudia
Cinema brasileiro contemporâneo
Memória
Elaboração histórica
Cine brasileño contemporáneo
Memoria
Elaboración histórica
Contemporary brazilian cinema
Memory
Historical elaboration
title_short The Present as History: Aesthetics of Elaboration in Contemporary Brazilian Cinema
title_full The Present as History: Aesthetics of Elaboration in Contemporary Brazilian Cinema
title_fullStr The Present as History: Aesthetics of Elaboration in Contemporary Brazilian Cinema
title_full_unstemmed The Present as History: Aesthetics of Elaboration in Contemporary Brazilian Cinema
title_sort The Present as History: Aesthetics of Elaboration in Contemporary Brazilian Cinema
author Mesquita, Claudia
author_facet Mesquita, Claudia
author_role author
dc.contributor.author.fl_str_mv Mesquita, Claudia
dc.subject.por.fl_str_mv Cinema brasileiro contemporâneo
Memória
Elaboração histórica
Cine brasileño contemporáneo
Memoria
Elaboración histórica
Contemporary brazilian cinema
Memory
Historical elaboration
topic Cinema brasileiro contemporâneo
Memória
Elaboração histórica
Cine brasileño contemporáneo
Memoria
Elaboración histórica
Contemporary brazilian cinema
Memory
Historical elaboration
description Following Andreas Huyssen’s path (2014), who pinpoints a pivotal concern with memory in contemporary culture, a response to Western societies’ decreasing confidence in the future, the article seeks to examine how contemporary Brazilian cinema has been elaborating historical experience. To do so, we have created a small inventory, experimenting with the grouping of films in series, in order to indicate and characterize recurring “figures of historical elaboration” in such filmography. The emphasis on the “present as history” stands out in our mapping: under the shade of a “past that does not pass” or designed as “the reverse of the future” the present becomes the center of these films.
publishDate 2021
dc.date.none.fl_str_mv 2021-11-03
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/2463
10.30962/ec.2463
url https://www.e-compos.org.br/e-compos/article/view/2463
identifier_str_mv 10.30962/ec.2463
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/2463/2052
dc.rights.driver.fl_str_mv Copyright (c) 2021 Claudia Mesquita
https://creativecommons.org/licenses/by-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Claudia Mesquita
https://creativecommons.org/licenses/by-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv ABEC
publisher.none.fl_str_mv ABEC
dc.source.none.fl_str_mv E-Compós; Vol. 26 (2023): E-Compós 2023
E-Compós; Vol. 26 (2023): E-Compós 2023
E-Compós; v. 26 (2023): E-Compós 2023
1808-2599
reponame:E-Compós
instname:Associação Nacional dos Programas de Pós-Graduação em Comunicação
instacron:ANPPC
instname_str Associação Nacional dos Programas de Pós-Graduação em Comunicação
instacron_str ANPPC
institution ANPPC
reponame_str E-Compós
collection E-Compós
repository.name.fl_str_mv E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicação
repository.mail.fl_str_mv revistaecompos@gmail.com
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