Mannerism in contemporary Brazilian cinema

Detalhes bibliográficos
Autor(a) principal: Callou, Hermano
Data de Publicação: 2024
Tipo de documento: Artigo
Idioma: por
Título da fonte: Rebeca (São Paulo)
Texto Completo: https://rebeca.socine.org.br/1/article/view/960
Resumo: This article comments on the mannerist tendency that has marked contemporary Brazilian independent cinema and its relation to the country's social and political situation during the period 2013-2018. The hypothesis that the text defends is that the mannerist attitude expresses some social anxieties of the moment and manifests a disbelief in the modern forms of experiencing history, which traditionally offered the intelligibility and legitimacy of Brazilian experience of modernization. The text proposes a reconstruction of the concept of mannerist cinema, based on a genealogy of the critique of the maniera in art history, which articulates the repudiation of mannerism with the understanding of history as a moving singularity, directed towards an open future. The article interprets a constellation of films made during the 2010s, proposing an articulation between the mannerist attitude and the recurrence of a series of historical motifs, in which the films sought to elaborate the experience of national economic development in the first half of the decade and the political crisis triggered by the 2016 parliamentary coup.
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spelling Mannerism in contemporary Brazilian cinemaEl manierismo en el cine brasileño contemporáneoManiérisme dans le cinéma brésilien contemporainO maneirismo no cinema brasileiro contemporâneoMannerismMannerist cinemaContemporary Brazilian cinemaNew Brazilian cinemaContemporary Brazilian cinemaManierismoCine manieristaCine brasileño contemporáneoNuevo cine brasileñoCine brasileño contemporáneomaniérismecinéma maniéristecinéma brésilien contemporainnouveau cinéma brésilienCinéma brésilien contemporainManeirismoCinema maneiristaCinema brasileiro contemporâneoNovíssimo cinema brasileiroCinema brasileiro contemporâneoThis article comments on the mannerist tendency that has marked contemporary Brazilian independent cinema and its relation to the country's social and political situation during the period 2013-2018. The hypothesis that the text defends is that the mannerist attitude expresses some social anxieties of the moment and manifests a disbelief in the modern forms of experiencing history, which traditionally offered the intelligibility and legitimacy of Brazilian experience of modernization. The text proposes a reconstruction of the concept of mannerist cinema, based on a genealogy of the critique of the maniera in art history, which articulates the repudiation of mannerism with the understanding of history as a moving singularity, directed towards an open future. The article interprets a constellation of films made during the 2010s, proposing an articulation between the mannerist attitude and the recurrence of a series of historical motifs, in which the films sought to elaborate the experience of national economic development in the first half of the decade and the political crisis triggered by the 2016 parliamentary coup.Este artículo comenta la tendencia manierista que ha marcado el cine independiente brasileño contemporáneo y su relación con la situación social y política del país durante el período 2013-2018. La hipótesis que defiende el texto es que la adopción de una postura manierista acomodó ciertas angustias sociales que marcaron el período, convirtiéndose en una expresión de incredulidad en las formas modernas de experiencia de la historia, que tradicionalmente ofrecía la inteligibilidad y legitimidad de la experiencia de la modernización brasileña. El texto propone una reconstrucción del concepto de cine manierista a partir de una genealogía de la crítica de la maniera en la historia del arte, que articula la censura del manierismo con la comprensión de la historia como una singularidad en movimiento, dirigida hacia un futuro abierto. El ensayo interpreta comparativamente una constelación de películas realizadas durante la década de 2010, proponiendo una articulación entre la postura manierista y la recurrencia de una serie de motivos históricos, en las  las películas buscaban elaborar la experiencia del desarrollo económico nacional en la primera mitad de la década y la crisis política desencadenada por el golpe de 2016.Cet essai commente la tendance maniériste qui a marqué le cinéma indépendant brésilien contemporain et sa relation avec la situation sociale et politique du pays au cours des années 2013-2018. L'hypothèse que défend le texte est que l'adoption d'une posture maniériste a permis accueillir certaines angoisses sociales qui ont marqué la période, devenant une expression d'incrédulité envers les formes modernes de faire l'expérience de l'histoire, qui a offrait traditionnellement intelligibilité et légitimité à l'expérience de la modernisation brésilienne. Le texte propose une reconstruction du concept de cinéma maniériste, à partir d'une généalogie de la critique de la manière en histoire de l'art, qui articule la censure du maniérisme avec la compréhension de l'histoire comme singularité mouvante, tournée vers un futur ouvert. L'essai interprète comparativement une constellation de films réalisés au cours des années 2010, proposant un lien entre la posture maniériste et la récurrence d'une série de motifs historiques, dans lesquels les films cherchaient à élaborer l'expérience du développement économique national dans la première moitié de la décennie. et la crise politique déclenchée par le coup d'État parlementaire de 2016.Este artigo comenta a tendência maneirista que tem marcado o cinema independente brasileiro contemporâneo e sua relação com a conjuntura social e política do país durante o período de 2013 – 2018. A hipótese que o texto defende é a de que a adoção de uma postura maneirista permitiu acolher certas ansiedades sociais que marcaram o período, tornando-se expressão de uma descrença das formas modernas de experiência da história que, tradicionalmente, ofereceram inteligibilidade e legitimidade para a experiência de modernização brasileira. O texto propõe uma reconstrução do conceito de cinema maneirista, baseado em uma genealogia da crítica da maneira na história da arte, que articula a censura do maneirismo com a compreensão da história como uma singularidade em movimento, dirigida para um futuro em aberto. O artigo interpreta comparativamente uma constelação de filmes realizados durante os anos 2010, propondo um vínculo entre a postura maneirista e a recorrência de uma série de motivos históricos, nos quais os filmes procuraram elaborar a experiência de desenvolvimento econômico nacional da primeira metade da década e da crise política deflagrada pelo golpe parlamentar de 2016.Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual2024-07-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoArtigo avaliado pelos paresTextoinfo:eu-repo/semantics/otherapplication/pdfhttps://rebeca.socine.org.br/1/article/view/96010.22475/rebeca.v13n1.960Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 13 No. 1 (2024): Rebeca 25Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 13 Núm. 1 (2024): Rebeca 25Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 13 No 1 (2024): Rebeca 25Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 13 n. 1 (2024): Rebeca 252316-9230reponame:Rebeca (São Paulo)instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)instacron:SOCINEporhttps://rebeca.socine.org.br/1/article/view/960/612Copyright (c) 2024 Hermano Callouhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCallou, Hermano2024-07-02T23:33:33Zoai:ojs.emnuvens.com.br:article/960Revistahttps://rebeca.socine.org.br/1ONGhttps://rebeca.socine.org.br/1/oairebeca@socine.org.br2316-92302316-9230opendoar:2024-07-02T23:33:33Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)false
dc.title.none.fl_str_mv Mannerism in contemporary Brazilian cinema
El manierismo en el cine brasileño contemporáneo
Maniérisme dans le cinéma brésilien contemporain
O maneirismo no cinema brasileiro contemporâneo
title Mannerism in contemporary Brazilian cinema
spellingShingle Mannerism in contemporary Brazilian cinema
Callou, Hermano
Mannerism
Mannerist cinema
Contemporary Brazilian cinema
New Brazilian cinema
Contemporary Brazilian cinema
Manierismo
Cine manierista
Cine brasileño contemporáneo
Nuevo cine brasileño
Cine brasileño contemporáneo
maniérisme
cinéma maniériste
cinéma brésilien contemporain
nouveau cinéma brésilien
Cinéma brésilien contemporain
Maneirismo
Cinema maneirista
Cinema brasileiro contemporâneo
Novíssimo cinema brasileiro
Cinema brasileiro contemporâneo
title_short Mannerism in contemporary Brazilian cinema
title_full Mannerism in contemporary Brazilian cinema
title_fullStr Mannerism in contemporary Brazilian cinema
title_full_unstemmed Mannerism in contemporary Brazilian cinema
title_sort Mannerism in contemporary Brazilian cinema
author Callou, Hermano
author_facet Callou, Hermano
author_role author
dc.contributor.author.fl_str_mv Callou, Hermano
dc.subject.por.fl_str_mv Mannerism
Mannerist cinema
Contemporary Brazilian cinema
New Brazilian cinema
Contemporary Brazilian cinema
Manierismo
Cine manierista
Cine brasileño contemporáneo
Nuevo cine brasileño
Cine brasileño contemporáneo
maniérisme
cinéma maniériste
cinéma brésilien contemporain
nouveau cinéma brésilien
Cinéma brésilien contemporain
Maneirismo
Cinema maneirista
Cinema brasileiro contemporâneo
Novíssimo cinema brasileiro
Cinema brasileiro contemporâneo
topic Mannerism
Mannerist cinema
Contemporary Brazilian cinema
New Brazilian cinema
Contemporary Brazilian cinema
Manierismo
Cine manierista
Cine brasileño contemporáneo
Nuevo cine brasileño
Cine brasileño contemporáneo
maniérisme
cinéma maniériste
cinéma brésilien contemporain
nouveau cinéma brésilien
Cinéma brésilien contemporain
Maneirismo
Cinema maneirista
Cinema brasileiro contemporâneo
Novíssimo cinema brasileiro
Cinema brasileiro contemporâneo
description This article comments on the mannerist tendency that has marked contemporary Brazilian independent cinema and its relation to the country's social and political situation during the period 2013-2018. The hypothesis that the text defends is that the mannerist attitude expresses some social anxieties of the moment and manifests a disbelief in the modern forms of experiencing history, which traditionally offered the intelligibility and legitimacy of Brazilian experience of modernization. The text proposes a reconstruction of the concept of mannerist cinema, based on a genealogy of the critique of the maniera in art history, which articulates the repudiation of mannerism with the understanding of history as a moving singularity, directed towards an open future. The article interprets a constellation of films made during the 2010s, proposing an articulation between the mannerist attitude and the recurrence of a series of historical motifs, in which the films sought to elaborate the experience of national economic development in the first half of the decade and the political crisis triggered by the 2016 parliamentary coup.
publishDate 2024
dc.date.none.fl_str_mv 2024-07-02
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Texto
Artigo avaliado pelos pares
Texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://rebeca.socine.org.br/1/article/view/960
10.22475/rebeca.v13n1.960
url https://rebeca.socine.org.br/1/article/view/960
identifier_str_mv 10.22475/rebeca.v13n1.960
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://rebeca.socine.org.br/1/article/view/960/612
dc.rights.driver.fl_str_mv Copyright (c) 2024 Hermano Callou
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2024 Hermano Callou
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual
publisher.none.fl_str_mv Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual
dc.source.none.fl_str_mv Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 13 No. 1 (2024): Rebeca 25
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 13 Núm. 1 (2024): Rebeca 25
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 13 No 1 (2024): Rebeca 25
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 13 n. 1 (2024): Rebeca 25
2316-9230
reponame:Rebeca (São Paulo)
instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron:SOCINE
instname_str Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron_str SOCINE
institution SOCINE
reponame_str Rebeca (São Paulo)
collection Rebeca (São Paulo)
repository.name.fl_str_mv Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
repository.mail.fl_str_mv rebeca@socine.org.br
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