WARBURG AND BENJAMIN: the incompleteness and the montage as forms of knowledge

Detalhes bibliográficos
Autor(a) principal: Reinaldo, Gabriela
Data de Publicação: 2019
Outros Autores: dos Reis Filho, Osmar Gonçalves
Tipo de documento: Artigo
Idioma: por
Título da fonte: E-Compós
Texto Completo: https://www.e-compos.org.br/e-compos/article/view/1811
Resumo: Aby Warburg (1866-1929) and Walter Benjamin (1892-1940), Jews and intellectuals born in Germany in the second half of the 19th century, share the idea of suspending the movement of history's linear course and have a critical and aesthetic view of the techniques. Tied to relatively distinct universes, they never met, despite Walter Benjamin's attempts. Among the many correspondences between their thoughts, we will focus on two unfinished projects - Aby Warburg's Atlas Mnemosyne and Walter Benjamin's The Arcades Project - in order to reflect on their legacy to aesthetic research methods, especially with regard to images.
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spelling WARBURG AND BENJAMIN: the incompleteness and the montage as forms of knowledgeWARBURG Y BENJAMIN: el carácter incompleto y el montaje como métodos de conocimientoWARBURG E BENJAMIN: o inacabamento e a montagem como métodos de conhecimentoImagemMontagemConhecimentoImagenMontajeConocimientoImage 1; Montage 2; Knowledge 3.Aby Warburg (1866-1929) and Walter Benjamin (1892-1940), Jews and intellectuals born in Germany in the second half of the 19th century, share the idea of suspending the movement of history's linear course and have a critical and aesthetic view of the techniques. Tied to relatively distinct universes, they never met, despite Walter Benjamin's attempts. Among the many correspondences between their thoughts, we will focus on two unfinished projects - Aby Warburg's Atlas Mnemosyne and Walter Benjamin's The Arcades Project - in order to reflect on their legacy to aesthetic research methods, especially with regard to images.Aby Warburg (1866-1929) y Walter Benjamin (1892-1940), judíos e intelectuales nacidos en Alemania de la segunda mitad del siglo XIX, comparten la idea de suspensión del movimiento del curso lineal de la historia y tienen una visión crítica y estética de las técnicas. Vinculado a universos relativamente distintos, nunca se dieron a conocer, a pesar de los intentos de Walter Benjamín. Entre las correspondencias entre sus pensamientos, nos detendremos, en este trabajo, en dos proyectos inacabados -el Atlas Mnemosyne, de Aby Warburg, y El Libro de los Pasajes, de Walter Benjamin - con el propósito de reflexionar sobre el legado de esos autores para los métodos de investigación estética , especialmente con respecto a las imágenes.Aby Warburg (1866-1929) e Walter Benjamin (1892-1940), judeus e intelectuais nascidos na Alemanha da segunda metade do século XIX, partilham da ideia de suspensão do movimento do curso linear da História e têm uma visão crítica e estética das técnicas. Ligados a universos relativamente distintos, nunca chegaram a se encontrar, a despeito das tentativas de Benjamin. Dentre as muitas correspondências entre seus pensamentos, nos deteremos, neste trabalho, em dois projetos inacabados – o Atlas Mnemosyne, de Aby Warburg, e Passagens, de Walter Benjamin – com o intuito de refletir sobre o legado desses autores para os métodos de investigação estética, especialmente no que se refere às imagens.ABEC2019-10-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.e-compos.org.br/e-compos/article/view/181110.30962/ec.1811E-Compós; Vol. 22 (2019)E-Compós; Vol. 22 (2019)E-Compós; v. 22 (2019)1808-2599reponame:E-Compósinstname:Associação Nacional dos Programas de Pós-Graduação em Comunicaçãoinstacron:ANPPCporhttps://www.e-compos.org.br/e-compos/article/view/1811/1949Copyright (c) 2019 Gabriela Reinaldo, Osmar Gonçalves dos Reis Filhoinfo:eu-repo/semantics/openAccessReinaldo, Gabrielados Reis Filho, Osmar Gonçalves2020-05-19T23:57:51Zoai:ojs.www.e-compos.org.br:article/1811Revistahttps://www.e-compos.org.br/e-compos/PUBhttps://www.e-compos.org.br/e-compos/oairevistaecompos@gmail.com1808-25991808-2599opendoar:2020-05-19T23:57:51E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicaçãofalse
dc.title.none.fl_str_mv WARBURG AND BENJAMIN: the incompleteness and the montage as forms of knowledge
WARBURG Y BENJAMIN: el carácter incompleto y el montaje como métodos de conocimiento
WARBURG E BENJAMIN: o inacabamento e a montagem como métodos de conhecimento
title WARBURG AND BENJAMIN: the incompleteness and the montage as forms of knowledge
spellingShingle WARBURG AND BENJAMIN: the incompleteness and the montage as forms of knowledge
Reinaldo, Gabriela
Imagem
Montagem
Conhecimento
Imagen
Montaje
Conocimiento
Image 1; Montage 2; Knowledge 3.
title_short WARBURG AND BENJAMIN: the incompleteness and the montage as forms of knowledge
title_full WARBURG AND BENJAMIN: the incompleteness and the montage as forms of knowledge
title_fullStr WARBURG AND BENJAMIN: the incompleteness and the montage as forms of knowledge
title_full_unstemmed WARBURG AND BENJAMIN: the incompleteness and the montage as forms of knowledge
title_sort WARBURG AND BENJAMIN: the incompleteness and the montage as forms of knowledge
author Reinaldo, Gabriela
author_facet Reinaldo, Gabriela
dos Reis Filho, Osmar Gonçalves
author_role author
author2 dos Reis Filho, Osmar Gonçalves
author2_role author
dc.contributor.author.fl_str_mv Reinaldo, Gabriela
dos Reis Filho, Osmar Gonçalves
dc.subject.por.fl_str_mv Imagem
Montagem
Conhecimento
Imagen
Montaje
Conocimiento
Image 1; Montage 2; Knowledge 3.
topic Imagem
Montagem
Conhecimento
Imagen
Montaje
Conocimiento
Image 1; Montage 2; Knowledge 3.
description Aby Warburg (1866-1929) and Walter Benjamin (1892-1940), Jews and intellectuals born in Germany in the second half of the 19th century, share the idea of suspending the movement of history's linear course and have a critical and aesthetic view of the techniques. Tied to relatively distinct universes, they never met, despite Walter Benjamin's attempts. Among the many correspondences between their thoughts, we will focus on two unfinished projects - Aby Warburg's Atlas Mnemosyne and Walter Benjamin's The Arcades Project - in order to reflect on their legacy to aesthetic research methods, especially with regard to images.
publishDate 2019
dc.date.none.fl_str_mv 2019-10-25
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/1811
10.30962/ec.1811
url https://www.e-compos.org.br/e-compos/article/view/1811
identifier_str_mv 10.30962/ec.1811
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/1811/1949
dc.rights.driver.fl_str_mv Copyright (c) 2019 Gabriela Reinaldo, Osmar Gonçalves dos Reis Filho
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Gabriela Reinaldo, Osmar Gonçalves dos Reis Filho
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv ABEC
publisher.none.fl_str_mv ABEC
dc.source.none.fl_str_mv E-Compós; Vol. 22 (2019)
E-Compós; Vol. 22 (2019)
E-Compós; v. 22 (2019)
1808-2599
reponame:E-Compós
instname:Associação Nacional dos Programas de Pós-Graduação em Comunicação
instacron:ANPPC
instname_str Associação Nacional dos Programas de Pós-Graduação em Comunicação
instacron_str ANPPC
institution ANPPC
reponame_str E-Compós
collection E-Compós
repository.name.fl_str_mv E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicação
repository.mail.fl_str_mv revistaecompos@gmail.com
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