“O Burrinho Pedrês” e “Conversa de Bois”: a construção do ator animal em textos de Sagarana
Autor(a) principal: | |
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Data de Publicação: | 2012 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório do Centro Universitário Braz Cubas |
Texto Completo: | https://repositorio.cruzeirodosul.edu.br/handle/123456789/776 |
Resumo: | Our Master’s research utilizes the theoretical framework of French Semiotics to analyze “The Little Dust-Brown Donkey” and “Conversation Among Oxen,” tales by Guimarães Rosa. The aim of this paper is to analyze the construction of the animal-actor in both tales; for this purpose, we observed the enunciator’s artifices used to create a fiduciary contract with the enunciatee, the relationships between the human and animal actors, and the way the meaning effect of truth is developed in Rosa’s speech. We tried to demonstrate how the apprehension of the figures and their reiterations, the figurative isotopies, lead to the themes. We studied the way in which animal-actors and the narrative course constitute a simulacrum of the natural world; we described their trajectory and revealed how they changed from subject of do into subject of state. Methodologically, after detecting the theoretical concepts explored, the paper was divided into four chapters. In the first one, the Semiotic theory of Greimas, which was applied to the texts, is presented. The second chapter brings critical bibliography about the author Guimarães Rosa, in which we highlight the characteristics of his work which are interesting to our corpus analysis. The third chapter analyzes the tale " The Little Dust-Brown Donkey” and the fourth “Conversation Among Oxen” are component of Sagarana, with the purpose of observing the similarity between them. Some results which were achieved: by the procedures of “unclutch” and “clutch”, by the figurativization and thematization, it was noticed that Rosa’s enunciator brings the natural universe close to the human, solidifying the belief in the enunciatee that his stories, in analogy with the fables, create the meaning effect of human truth. The tone of orality of the several micro-narratives that permeate the horseback riders’ trip in “The Little Dust-Brown Donkey” corroborates the meaning effects presented in the main narrative. The enunciatee, noticing the textual proximity to the natural world, establishes a contract with the enunciator by the belief, by the veridiction formed. Guimarães Rosa settles his stories in the sertão of Minas Gerais, where the nature is not mere scenery for the stories, since, in this universe, through pantheism, animal, human and beast form a unity in which rationality is relative, not inherent in man, but in the one that best understands the nature flow. |
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“O Burrinho Pedrês” e “Conversa de Bois”: a construção do ator animal em textos de Sagarana“O Burrinho Pedrês” and “Conversa de Bois”: a construction of the actor in texts by SagaranaGuimarães RosaAnimalAtorEnunciaçãoAntropomorfismoCNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICAOur Master’s research utilizes the theoretical framework of French Semiotics to analyze “The Little Dust-Brown Donkey” and “Conversation Among Oxen,” tales by Guimarães Rosa. The aim of this paper is to analyze the construction of the animal-actor in both tales; for this purpose, we observed the enunciator’s artifices used to create a fiduciary contract with the enunciatee, the relationships between the human and animal actors, and the way the meaning effect of truth is developed in Rosa’s speech. We tried to demonstrate how the apprehension of the figures and their reiterations, the figurative isotopies, lead to the themes. We studied the way in which animal-actors and the narrative course constitute a simulacrum of the natural world; we described their trajectory and revealed how they changed from subject of do into subject of state. Methodologically, after detecting the theoretical concepts explored, the paper was divided into four chapters. In the first one, the Semiotic theory of Greimas, which was applied to the texts, is presented. The second chapter brings critical bibliography about the author Guimarães Rosa, in which we highlight the characteristics of his work which are interesting to our corpus analysis. The third chapter analyzes the tale " The Little Dust-Brown Donkey” and the fourth “Conversation Among Oxen” are component of Sagarana, with the purpose of observing the similarity between them. Some results which were achieved: by the procedures of “unclutch” and “clutch”, by the figurativization and thematization, it was noticed that Rosa’s enunciator brings the natural universe close to the human, solidifying the belief in the enunciatee that his stories, in analogy with the fables, create the meaning effect of human truth. The tone of orality of the several micro-narratives that permeate the horseback riders’ trip in “The Little Dust-Brown Donkey” corroborates the meaning effects presented in the main narrative. The enunciatee, noticing the textual proximity to the natural world, establishes a contract with the enunciator by the belief, by the veridiction formed. Guimarães Rosa settles his stories in the sertão of Minas Gerais, where the nature is not mere scenery for the stories, since, in this universe, through pantheism, animal, human and beast form a unity in which rationality is relative, not inherent in man, but in the one that best understands the nature flow.A nossa pesquisa de Mestrado utiliza-se do referencial teórico da Semiótica francesa para analisar “O burrinho pedrês” e “Conversa de bois”, contos de Guimarães Rosa. O objetivo deste trabalho é analisar a construção do ator animal nos dois contos; para isso, observamos as artimanhas do enunciador para criar um contrato fiduciário com o enunciatário, as relações dos atores humanos com os atores animais e a forma como se constrói o efeito de sentido de verdade no discurso rosiano. Procuramos demonstrar como a depreensão das figuras e suas reiterações, as isotopias figurativas, conduzem aos temas. Estudamos de que forma os atores animais e o percurso narrativo constituem um simulacro do mundo natural, descrevemos o seu percurso e revelamos como se transformam de sujeitos de estado em sujeitos de fazer. Metodologicamente, após a detecção dos conteúdos teóricos explorados, o trabalho foi dividido em quatro capítulos. No primeiro, há a apresentação da teoria semiótica greimasiana a ser aplicada aos textos. O segundo capítulo trata da bibliografia crítica sobre o autor Guimarães Rosa no qual destacamos características de sua obra que são importantes para a análise de nosso córpus. O terceiro capítulo analisa o conto “O burrinho pedrês” e o quarto “Conversa de bois”, os dois contos rosianos integrantes da obra Sagarana com o objetivo de observar a similitude entre eles. Alguns resultados a que chegamos: por meio dos procedimentos de debreagem e embreagem, por meio da figurativização e da tematização, percebemos que o enunciador rosiano aproxima o universo natural do humano sedimentando a crença no enunciatário de que suas histórias, em analogia com as fábulas, criam o efeito de sentido de verdade humana. Por sua vez, o tom de oralidade das várias micronarrativas que permeiam a viagem dos cavaleiros em “O burrinho pedrês” corrobora os efeitos de sentido inscritos na narrativa principal. O enunciatário, ao perceber a proximidade textual com o mundo natural, estabelece um contrato com o enunciador pela crença, pela veridicção constituída. Guimarães Rosa sedimenta suas estórias no sertão mineiro, onde a natureza não se limita a ser mero cenário das histórias, pois, nesse universo, por meio do antropomorfismo, animais, homem e bicho formam uma unidade em que a racionalidade é relativizada, não é inerente ao homem, mas àquele que mais compreende o fluxo da natureza.Universidade de FrancaBrasilPós-GraduaçãoPrograma de Mestrado em LinguísticaUNIFRANAbriata, Vera Lucia Rodella0008939878371016http://lattes.cnpq.br/0008939878371016Portela, Jean Cristtus2837392641069264http://lattes.cnpq.br/2837392641069264Schwartzmann, Matheus Nogueira6915498874486160http://lattes.cnpq.br/6915498874486160Andrade, Leide Cândido de2020-06-15T17:12:13Z2020-06-15T17:12:13Z2012-03-15info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfNDRADE, Leide Cândido de. 'O Burrinho Pedrês' e 'Conversa de Bois': a construção do ator animal em textos de Sagarana. Franca, 2012. 86 f. Dissertação (Mestrado em Linguística) - Universidade de Franca. 2012.https://repositorio.cruzeirodosul.edu.br/handle/123456789/776porinfo:eu-repo/semantics/openAccessreponame:Repositório do Centro Universitário Braz Cubasinstname:Centro Universitário Braz Cubas (CUB)instacron:CUB2020-06-15T17:13:12Zoai:repositorio.cruzeirodosul.edu.br:123456789/776Repositório InstitucionalPUBhttps://repositorio.brazcubas.edu.br/oai/requestbibli@brazcubas.edu.bropendoar:2020-06-15T17:13:12Repositório do Centro Universitário Braz Cubas - Centro Universitário Braz Cubas (CUB)false |
dc.title.none.fl_str_mv |
“O Burrinho Pedrês” e “Conversa de Bois”: a construção do ator animal em textos de Sagarana “O Burrinho Pedrês” and “Conversa de Bois”: a construction of the actor in texts by Sagarana |
title |
“O Burrinho Pedrês” e “Conversa de Bois”: a construção do ator animal em textos de Sagarana |
spellingShingle |
“O Burrinho Pedrês” e “Conversa de Bois”: a construção do ator animal em textos de Sagarana Andrade, Leide Cândido de Guimarães Rosa Animal Ator Enunciação Antropomorfismo CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA |
title_short |
“O Burrinho Pedrês” e “Conversa de Bois”: a construção do ator animal em textos de Sagarana |
title_full |
“O Burrinho Pedrês” e “Conversa de Bois”: a construção do ator animal em textos de Sagarana |
title_fullStr |
“O Burrinho Pedrês” e “Conversa de Bois”: a construção do ator animal em textos de Sagarana |
title_full_unstemmed |
“O Burrinho Pedrês” e “Conversa de Bois”: a construção do ator animal em textos de Sagarana |
title_sort |
“O Burrinho Pedrês” e “Conversa de Bois”: a construção do ator animal em textos de Sagarana |
author |
Andrade, Leide Cândido de |
author_facet |
Andrade, Leide Cândido de |
author_role |
author |
dc.contributor.none.fl_str_mv |
Abriata, Vera Lucia Rodella 0008939878371016 http://lattes.cnpq.br/0008939878371016 Portela, Jean Cristtus 2837392641069264 http://lattes.cnpq.br/2837392641069264 Schwartzmann, Matheus Nogueira 6915498874486160 http://lattes.cnpq.br/6915498874486160 |
dc.contributor.author.fl_str_mv |
Andrade, Leide Cândido de |
dc.subject.por.fl_str_mv |
Guimarães Rosa Animal Ator Enunciação Antropomorfismo CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA |
topic |
Guimarães Rosa Animal Ator Enunciação Antropomorfismo CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA |
description |
Our Master’s research utilizes the theoretical framework of French Semiotics to analyze “The Little Dust-Brown Donkey” and “Conversation Among Oxen,” tales by Guimarães Rosa. The aim of this paper is to analyze the construction of the animal-actor in both tales; for this purpose, we observed the enunciator’s artifices used to create a fiduciary contract with the enunciatee, the relationships between the human and animal actors, and the way the meaning effect of truth is developed in Rosa’s speech. We tried to demonstrate how the apprehension of the figures and their reiterations, the figurative isotopies, lead to the themes. We studied the way in which animal-actors and the narrative course constitute a simulacrum of the natural world; we described their trajectory and revealed how they changed from subject of do into subject of state. Methodologically, after detecting the theoretical concepts explored, the paper was divided into four chapters. In the first one, the Semiotic theory of Greimas, which was applied to the texts, is presented. The second chapter brings critical bibliography about the author Guimarães Rosa, in which we highlight the characteristics of his work which are interesting to our corpus analysis. The third chapter analyzes the tale " The Little Dust-Brown Donkey” and the fourth “Conversation Among Oxen” are component of Sagarana, with the purpose of observing the similarity between them. Some results which were achieved: by the procedures of “unclutch” and “clutch”, by the figurativization and thematization, it was noticed that Rosa’s enunciator brings the natural universe close to the human, solidifying the belief in the enunciatee that his stories, in analogy with the fables, create the meaning effect of human truth. The tone of orality of the several micro-narratives that permeate the horseback riders’ trip in “The Little Dust-Brown Donkey” corroborates the meaning effects presented in the main narrative. The enunciatee, noticing the textual proximity to the natural world, establishes a contract with the enunciator by the belief, by the veridiction formed. Guimarães Rosa settles his stories in the sertão of Minas Gerais, where the nature is not mere scenery for the stories, since, in this universe, through pantheism, animal, human and beast form a unity in which rationality is relative, not inherent in man, but in the one that best understands the nature flow. |
publishDate |
2012 |
dc.date.none.fl_str_mv |
2012-03-15 2020-06-15T17:12:13Z 2020-06-15T17:12:13Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
NDRADE, Leide Cândido de. 'O Burrinho Pedrês' e 'Conversa de Bois': a construção do ator animal em textos de Sagarana. Franca, 2012. 86 f. Dissertação (Mestrado em Linguística) - Universidade de Franca. 2012. https://repositorio.cruzeirodosul.edu.br/handle/123456789/776 |
identifier_str_mv |
NDRADE, Leide Cândido de. 'O Burrinho Pedrês' e 'Conversa de Bois': a construção do ator animal em textos de Sagarana. Franca, 2012. 86 f. Dissertação (Mestrado em Linguística) - Universidade de Franca. 2012. |
url |
https://repositorio.cruzeirodosul.edu.br/handle/123456789/776 |
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por |
language |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
dc.publisher.none.fl_str_mv |
Universidade de Franca Brasil Pós-Graduação Programa de Mestrado em Linguística UNIFRAN |
publisher.none.fl_str_mv |
Universidade de Franca Brasil Pós-Graduação Programa de Mestrado em Linguística UNIFRAN |
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reponame:Repositório do Centro Universitário Braz Cubas instname:Centro Universitário Braz Cubas (CUB) instacron:CUB |
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Centro Universitário Braz Cubas (CUB) |
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CUB |
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CUB |
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Repositório do Centro Universitário Braz Cubas |
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Repositório do Centro Universitário Braz Cubas |
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Repositório do Centro Universitário Braz Cubas - Centro Universitário Braz Cubas (CUB) |
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bibli@brazcubas.edu.br |
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