Blotting, breaches and the algorithmizedself: Bianka Nicole and bodily performances on TikTok

Detalhes bibliográficos
Autor(a) principal: Amaral, Diego Granja do
Data de Publicação: 2023
Outros Autores: Bezerril Câmara, Clara
Tipo de documento: Artigo
Idioma: por
Título da fonte: Comunicação, Mídia e Consumo (Online)
Texto Completo: https://revistacmc.espm.br/revistacmc/article/view/2858
Resumo: This article presents the notion of erasure (AUTOR, 2021;2022) to think about the relationship between captures and ruptures in the visual grammar of digital social networks. For that, we use the profile of the influencer BiankaNicoli, from Pernambuco, as a counterexample to discuss the possibility of non-normative articulations in digital environments. In our qualitative proposal, we discuss the question of the look (KAPLAN, 1983; MULVEY, 1997; COLLINS, 2002; MIRZOEFF, 1999, 2012), the examination (FOUCAULT, 1999) and the society of control (DELEUZE, 1990).
id ESPM-3_48891d595c7c5e3633891f6d5d8121c7
oai_identifier_str oai:ojs.revistacmc.espm.br:article/2858
network_acronym_str ESPM-3
network_name_str Comunicação, Mídia e Consumo (Online)
repository_id_str
spelling Blotting, breaches and the algorithmizedself: Bianka Nicole and bodily performances on TikTokRasuras, brechas e visibilidade e o self algoritmizado: Bianka Nicole as performances do corpo no TikTokTikTokBlottingVisual CultureSocieties of ControlPlatformizationTikTokRasuraCultura VisualSociedade de controlePlataformizaçãoThis article presents the notion of erasure (AUTOR, 2021;2022) to think about the relationship between captures and ruptures in the visual grammar of digital social networks. For that, we use the profile of the influencer BiankaNicoli, from Pernambuco, as a counterexample to discuss the possibility of non-normative articulations in digital environments. In our qualitative proposal, we discuss the question of the look (KAPLAN, 1983; MULVEY, 1997; COLLINS, 2002; MIRZOEFF, 1999, 2012), the examination (FOUCAULT, 1999) and the society of control (DELEUZE, 1990).Este artigo apresenta a noção de rasura (AUTOR, 2021) para pensar a relação entre capturas e rupturasna gramática visual de redes sociais digitais. Para tanto, utilizamos o perfil da influenciadora Bianka Nicoli, de Pernambuco, como um contraexemplo para discutir a possibilidade de articulações não-normativas em ambientes digitais. Em nossa proposta qualitativa, discutimos a questão do olhar (KAPLAN, 1983; MULVEY, 1997; COLLINS, 2002; MIRZOEFF, 1999, 2012), o exame (FOUCAULT, 1999) e a sociedade de controle (DELEUZE, 1990).Escola Superior de Propaganda e Marketing2023-12-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistacmc.espm.br/revistacmc/article/view/285810.18568/cmc.v20i59.2858Comunicação Mídia e Consumo; Vol. 20 No. 59 (2023): SET/DEZComunicação Mídia e Consumo; Vol. 20 Núm. 59 (2023): SET/DEZComunicação Mídia e Consumo; v. 20 n. 59 (2023): SET/DEZ1983-707010.18568/cmc.v20i59reponame:Comunicação, Mídia e Consumo (Online)instname:Escola Superior de Propaganda e Marketing (ESPM)instacron:ESPMporhttps://revistacmc.espm.br/revistacmc/article/view/2858/1267Copyright (c) 2023 Comunicação Mídia e Consumoinfo:eu-repo/semantics/openAccessAmaral, Diego Granja doBezerril Câmara, Clara2024-02-12T13:33:40Zoai:ojs.revistacmc.espm.br:article/2858Revistahttps://revistacmc.espm.br/revistacmc/oaiPRIhttp://revistacmc.espm.br/index.php/revistacmc/oaithoff@espm.br||revistacmc@espm.br1983-70701806-4981opendoar:2024-02-12T13:33:40Comunicação, Mídia e Consumo (Online) - Escola Superior de Propaganda e Marketing (ESPM)false
dc.title.none.fl_str_mv Blotting, breaches and the algorithmizedself: Bianka Nicole and bodily performances on TikTok
Rasuras, brechas e visibilidade e o self algoritmizado: Bianka Nicole as performances do corpo no TikTok
title Blotting, breaches and the algorithmizedself: Bianka Nicole and bodily performances on TikTok
spellingShingle Blotting, breaches and the algorithmizedself: Bianka Nicole and bodily performances on TikTok
Amaral, Diego Granja do
TikTok
Blotting
Visual Culture
Societies of Control
Platformization
TikTok
Rasura
Cultura Visual
Sociedade de controle
Plataformização
title_short Blotting, breaches and the algorithmizedself: Bianka Nicole and bodily performances on TikTok
title_full Blotting, breaches and the algorithmizedself: Bianka Nicole and bodily performances on TikTok
title_fullStr Blotting, breaches and the algorithmizedself: Bianka Nicole and bodily performances on TikTok
title_full_unstemmed Blotting, breaches and the algorithmizedself: Bianka Nicole and bodily performances on TikTok
title_sort Blotting, breaches and the algorithmizedself: Bianka Nicole and bodily performances on TikTok
author Amaral, Diego Granja do
author_facet Amaral, Diego Granja do
Bezerril Câmara, Clara
author_role author
author2 Bezerril Câmara, Clara
author2_role author
dc.contributor.author.fl_str_mv Amaral, Diego Granja do
Bezerril Câmara, Clara
dc.subject.por.fl_str_mv TikTok
Blotting
Visual Culture
Societies of Control
Platformization
TikTok
Rasura
Cultura Visual
Sociedade de controle
Plataformização
topic TikTok
Blotting
Visual Culture
Societies of Control
Platformization
TikTok
Rasura
Cultura Visual
Sociedade de controle
Plataformização
description This article presents the notion of erasure (AUTOR, 2021;2022) to think about the relationship between captures and ruptures in the visual grammar of digital social networks. For that, we use the profile of the influencer BiankaNicoli, from Pernambuco, as a counterexample to discuss the possibility of non-normative articulations in digital environments. In our qualitative proposal, we discuss the question of the look (KAPLAN, 1983; MULVEY, 1997; COLLINS, 2002; MIRZOEFF, 1999, 2012), the examination (FOUCAULT, 1999) and the society of control (DELEUZE, 1990).
publishDate 2023
dc.date.none.fl_str_mv 2023-12-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistacmc.espm.br/revistacmc/article/view/2858
10.18568/cmc.v20i59.2858
url https://revistacmc.espm.br/revistacmc/article/view/2858
identifier_str_mv 10.18568/cmc.v20i59.2858
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistacmc.espm.br/revistacmc/article/view/2858/1267
dc.rights.driver.fl_str_mv Copyright (c) 2023 Comunicação Mídia e Consumo
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Comunicação Mídia e Consumo
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Escola Superior de Propaganda e Marketing
publisher.none.fl_str_mv Escola Superior de Propaganda e Marketing
dc.source.none.fl_str_mv Comunicação Mídia e Consumo; Vol. 20 No. 59 (2023): SET/DEZ
Comunicação Mídia e Consumo; Vol. 20 Núm. 59 (2023): SET/DEZ
Comunicação Mídia e Consumo; v. 20 n. 59 (2023): SET/DEZ
1983-7070
10.18568/cmc.v20i59
reponame:Comunicação, Mídia e Consumo (Online)
instname:Escola Superior de Propaganda e Marketing (ESPM)
instacron:ESPM
instname_str Escola Superior de Propaganda e Marketing (ESPM)
instacron_str ESPM
institution ESPM
reponame_str Comunicação, Mídia e Consumo (Online)
collection Comunicação, Mídia e Consumo (Online)
repository.name.fl_str_mv Comunicação, Mídia e Consumo (Online) - Escola Superior de Propaganda e Marketing (ESPM)
repository.mail.fl_str_mv thoff@espm.br||revistacmc@espm.br
_version_ 1793890301043015680