Blotting, breaches and the algorithmizedself: Bianka Nicole and bodily performances on TikTok
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Comunicação, Mídia e Consumo (Online) |
Texto Completo: | https://revistacmc.espm.br/revistacmc/article/view/2858 |
Resumo: | This article presents the notion of erasure (AUTOR, 2021;2022) to think about the relationship between captures and ruptures in the visual grammar of digital social networks. For that, we use the profile of the influencer BiankaNicoli, from Pernambuco, as a counterexample to discuss the possibility of non-normative articulations in digital environments. In our qualitative proposal, we discuss the question of the look (KAPLAN, 1983; MULVEY, 1997; COLLINS, 2002; MIRZOEFF, 1999, 2012), the examination (FOUCAULT, 1999) and the society of control (DELEUZE, 1990). |
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Blotting, breaches and the algorithmizedself: Bianka Nicole and bodily performances on TikTokRasuras, brechas e visibilidade e o self algoritmizado: Bianka Nicole as performances do corpo no TikTokTikTokBlottingVisual CultureSocieties of ControlPlatformizationTikTokRasuraCultura VisualSociedade de controlePlataformizaçãoThis article presents the notion of erasure (AUTOR, 2021;2022) to think about the relationship between captures and ruptures in the visual grammar of digital social networks. For that, we use the profile of the influencer BiankaNicoli, from Pernambuco, as a counterexample to discuss the possibility of non-normative articulations in digital environments. In our qualitative proposal, we discuss the question of the look (KAPLAN, 1983; MULVEY, 1997; COLLINS, 2002; MIRZOEFF, 1999, 2012), the examination (FOUCAULT, 1999) and the society of control (DELEUZE, 1990).Este artigo apresenta a noção de rasura (AUTOR, 2021) para pensar a relação entre capturas e rupturasna gramática visual de redes sociais digitais. Para tanto, utilizamos o perfil da influenciadora Bianka Nicoli, de Pernambuco, como um contraexemplo para discutir a possibilidade de articulações não-normativas em ambientes digitais. Em nossa proposta qualitativa, discutimos a questão do olhar (KAPLAN, 1983; MULVEY, 1997; COLLINS, 2002; MIRZOEFF, 1999, 2012), o exame (FOUCAULT, 1999) e a sociedade de controle (DELEUZE, 1990).Escola Superior de Propaganda e Marketing2023-12-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistacmc.espm.br/revistacmc/article/view/285810.18568/cmc.v20i59.2858Comunicação Mídia e Consumo; Vol. 20 No. 59 (2023): SET/DEZComunicação Mídia e Consumo; Vol. 20 Núm. 59 (2023): SET/DEZComunicação Mídia e Consumo; v. 20 n. 59 (2023): SET/DEZ1983-707010.18568/cmc.v20i59reponame:Comunicação, Mídia e Consumo (Online)instname:Escola Superior de Propaganda e Marketing (ESPM)instacron:ESPMporhttps://revistacmc.espm.br/revistacmc/article/view/2858/1267Copyright (c) 2023 Comunicação Mídia e Consumoinfo:eu-repo/semantics/openAccessAmaral, Diego Granja doBezerril Câmara, Clara2024-02-12T13:33:40Zoai:ojs.revistacmc.espm.br:article/2858Revistahttps://revistacmc.espm.br/revistacmc/oaiPRIhttp://revistacmc.espm.br/index.php/revistacmc/oaithoff@espm.br||revistacmc@espm.br1983-70701806-4981opendoar:2024-02-12T13:33:40Comunicação, Mídia e Consumo (Online) - Escola Superior de Propaganda e Marketing (ESPM)false |
dc.title.none.fl_str_mv |
Blotting, breaches and the algorithmizedself: Bianka Nicole and bodily performances on TikTok Rasuras, brechas e visibilidade e o self algoritmizado: Bianka Nicole as performances do corpo no TikTok |
title |
Blotting, breaches and the algorithmizedself: Bianka Nicole and bodily performances on TikTok |
spellingShingle |
Blotting, breaches and the algorithmizedself: Bianka Nicole and bodily performances on TikTok Amaral, Diego Granja do TikTok Blotting Visual Culture Societies of Control Platformization TikTok Rasura Cultura Visual Sociedade de controle Plataformização |
title_short |
Blotting, breaches and the algorithmizedself: Bianka Nicole and bodily performances on TikTok |
title_full |
Blotting, breaches and the algorithmizedself: Bianka Nicole and bodily performances on TikTok |
title_fullStr |
Blotting, breaches and the algorithmizedself: Bianka Nicole and bodily performances on TikTok |
title_full_unstemmed |
Blotting, breaches and the algorithmizedself: Bianka Nicole and bodily performances on TikTok |
title_sort |
Blotting, breaches and the algorithmizedself: Bianka Nicole and bodily performances on TikTok |
author |
Amaral, Diego Granja do |
author_facet |
Amaral, Diego Granja do Bezerril Câmara, Clara |
author_role |
author |
author2 |
Bezerril Câmara, Clara |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Amaral, Diego Granja do Bezerril Câmara, Clara |
dc.subject.por.fl_str_mv |
TikTok Blotting Visual Culture Societies of Control Platformization TikTok Rasura Cultura Visual Sociedade de controle Plataformização |
topic |
TikTok Blotting Visual Culture Societies of Control Platformization TikTok Rasura Cultura Visual Sociedade de controle Plataformização |
description |
This article presents the notion of erasure (AUTOR, 2021;2022) to think about the relationship between captures and ruptures in the visual grammar of digital social networks. For that, we use the profile of the influencer BiankaNicoli, from Pernambuco, as a counterexample to discuss the possibility of non-normative articulations in digital environments. In our qualitative proposal, we discuss the question of the look (KAPLAN, 1983; MULVEY, 1997; COLLINS, 2002; MIRZOEFF, 1999, 2012), the examination (FOUCAULT, 1999) and the society of control (DELEUZE, 1990). |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-12-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistacmc.espm.br/revistacmc/article/view/2858 10.18568/cmc.v20i59.2858 |
url |
https://revistacmc.espm.br/revistacmc/article/view/2858 |
identifier_str_mv |
10.18568/cmc.v20i59.2858 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistacmc.espm.br/revistacmc/article/view/2858/1267 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Comunicação Mídia e Consumo info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Comunicação Mídia e Consumo |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Escola Superior de Propaganda e Marketing |
publisher.none.fl_str_mv |
Escola Superior de Propaganda e Marketing |
dc.source.none.fl_str_mv |
Comunicação Mídia e Consumo; Vol. 20 No. 59 (2023): SET/DEZ Comunicação Mídia e Consumo; Vol. 20 Núm. 59 (2023): SET/DEZ Comunicação Mídia e Consumo; v. 20 n. 59 (2023): SET/DEZ 1983-7070 10.18568/cmc.v20i59 reponame:Comunicação, Mídia e Consumo (Online) instname:Escola Superior de Propaganda e Marketing (ESPM) instacron:ESPM |
instname_str |
Escola Superior de Propaganda e Marketing (ESPM) |
instacron_str |
ESPM |
institution |
ESPM |
reponame_str |
Comunicação, Mídia e Consumo (Online) |
collection |
Comunicação, Mídia e Consumo (Online) |
repository.name.fl_str_mv |
Comunicação, Mídia e Consumo (Online) - Escola Superior de Propaganda e Marketing (ESPM) |
repository.mail.fl_str_mv |
thoff@espm.br||revistacmc@espm.br |
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1793890301043015680 |