Faceless women: the female body and violence in movie posters
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Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por eng |
Título da fonte: | Comunicação, Mídia e Consumo (Online) |
Texto Completo: | https://revistacmc.espm.br/revistacmc/article/view/2512 |
Resumo: | This study deals with the interpretations of the female body in movie posters whose plots are based on sexual violence against women: “Saló” (1975), “I Spit on Your Grave” (1978) and “Irréversible” (2002). The objective is to identify heteronormative constructions in the posters and the links between violence and desire. The theoretical basis is designated by the approach of Yuri Lótman (1978, 1996, 1998) for the Semiotics of Culture, Stuart Hall (2016) at the intersection with Cultural Studies, Douglas Kellner (2001) referring to the media influence in the construction of subjects, and Judith Butler (2001, 2010), Michelle Perrot (2005, 2007) and Ann E. Kaplan (1995) for heteronormativity and the female body represented in cinema. In the results of the analysis, it was pointed out that the posters enunciate guidelines that connect the female body, even if immersed in violence, desire and sensuality. |
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Faceless women: the female body and violence in movie postersMulheres sem rosto: o corpo feminino e a violência em cartazes de filmesThis study deals with the interpretations of the female body in movie posters whose plots are based on sexual violence against women: “Saló” (1975), “I Spit on Your Grave” (1978) and “Irréversible” (2002). The objective is to identify heteronormative constructions in the posters and the links between violence and desire. The theoretical basis is designated by the approach of Yuri Lótman (1978, 1996, 1998) for the Semiotics of Culture, Stuart Hall (2016) at the intersection with Cultural Studies, Douglas Kellner (2001) referring to the media influence in the construction of subjects, and Judith Butler (2001, 2010), Michelle Perrot (2005, 2007) and Ann E. Kaplan (1995) for heteronormativity and the female body represented in cinema. In the results of the analysis, it was pointed out that the posters enunciate guidelines that connect the female body, even if immersed in violence, desire and sensuality.Este estudo versa acerca das interpretações do corpo feminino em cartazes de filmes cujas tramas alicerçam-se na violência sexual contra mulheres: “120 dias de Sodoma” (1975), “A Vingança de Jennifer” (1978) e “Irreversível” (2002). Objetiva-se identificar construções heteronormativas nos cartazes e os vínculos entre violência e desejo. A base teórica designa-se pela abordagem de Yuri Lótman (1978, 1996, 1998) para a Semiótica da Cultura, Stuart Hall (2016) na intersecção com os Estudos Culturais, Douglas Kellner (2001) referindo-se à influência midiática na construção dos sujeitos, e Judith Butler (2001, 2010), Michelle Perrot (2005, 2007) e Ann E. Kaplan (1995) para a heteronormatividade e o corpo feminino representado no cinema. Nos resultados da análise, apontou-se que os cartazes enunciam diretrizes que conectam o corpo feminino, ainda que imerso na violência, ao desejo e sensualidade. Escola Superior de Propaganda e Marketing2022-04-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://revistacmc.espm.br/revistacmc/article/view/251210.18568/cmc.v18i54.2512Comunicação Mídia e Consumo; Vol. 19 No. 54 (2022): JANEIRO/ABRILComunicação Mídia e Consumo; Vol. 19 Núm. 54 (2022): JANEIRO/ABRILComunicação Mídia e Consumo; v. 19 n. 54 (2022): JANEIRO/ABRIL1983-707010.18568/cmc.v18i54reponame:Comunicação, Mídia e Consumo (Online)instname:Escola Superior de Propaganda e Marketing (ESPM)instacron:ESPMporenghttps://revistacmc.espm.br/revistacmc/article/view/2512/pdfhttps://revistacmc.espm.br/revistacmc/article/view/2512/pdf_1Copyright (c) 2022 Comunicação Mídia e Consumoinfo:eu-repo/semantics/openAccessWazlawick Muller, JanainaSchmidt, Saraí Patricia2022-06-25T00:29:07Zoai:ojs.revistacmc.espm.br:article/2512Revistahttps://revistacmc.espm.br/revistacmc/oaiPRIhttp://revistacmc.espm.br/index.php/revistacmc/oaithoff@espm.br||revistacmc@espm.br1983-70701806-4981opendoar:2022-06-25T00:29:07Comunicação, Mídia e Consumo (Online) - Escola Superior de Propaganda e Marketing (ESPM)false |
dc.title.none.fl_str_mv |
Faceless women: the female body and violence in movie posters Mulheres sem rosto: o corpo feminino e a violência em cartazes de filmes |
title |
Faceless women: the female body and violence in movie posters |
spellingShingle |
Faceless women: the female body and violence in movie posters Wazlawick Muller, Janaina |
title_short |
Faceless women: the female body and violence in movie posters |
title_full |
Faceless women: the female body and violence in movie posters |
title_fullStr |
Faceless women: the female body and violence in movie posters |
title_full_unstemmed |
Faceless women: the female body and violence in movie posters |
title_sort |
Faceless women: the female body and violence in movie posters |
author |
Wazlawick Muller, Janaina |
author_facet |
Wazlawick Muller, Janaina Schmidt, Saraí Patricia |
author_role |
author |
author2 |
Schmidt, Saraí Patricia |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Wazlawick Muller, Janaina Schmidt, Saraí Patricia |
description |
This study deals with the interpretations of the female body in movie posters whose plots are based on sexual violence against women: “Saló” (1975), “I Spit on Your Grave” (1978) and “Irréversible” (2002). The objective is to identify heteronormative constructions in the posters and the links between violence and desire. The theoretical basis is designated by the approach of Yuri Lótman (1978, 1996, 1998) for the Semiotics of Culture, Stuart Hall (2016) at the intersection with Cultural Studies, Douglas Kellner (2001) referring to the media influence in the construction of subjects, and Judith Butler (2001, 2010), Michelle Perrot (2005, 2007) and Ann E. Kaplan (1995) for heteronormativity and the female body represented in cinema. In the results of the analysis, it was pointed out that the posters enunciate guidelines that connect the female body, even if immersed in violence, desire and sensuality. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-04-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistacmc.espm.br/revistacmc/article/view/2512 10.18568/cmc.v18i54.2512 |
url |
https://revistacmc.espm.br/revistacmc/article/view/2512 |
identifier_str_mv |
10.18568/cmc.v18i54.2512 |
dc.language.iso.fl_str_mv |
por eng |
language |
por eng |
dc.relation.none.fl_str_mv |
https://revistacmc.espm.br/revistacmc/article/view/2512/pdf https://revistacmc.espm.br/revistacmc/article/view/2512/pdf_1 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Comunicação Mídia e Consumo info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Comunicação Mídia e Consumo |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Escola Superior de Propaganda e Marketing |
publisher.none.fl_str_mv |
Escola Superior de Propaganda e Marketing |
dc.source.none.fl_str_mv |
Comunicação Mídia e Consumo; Vol. 19 No. 54 (2022): JANEIRO/ABRIL Comunicação Mídia e Consumo; Vol. 19 Núm. 54 (2022): JANEIRO/ABRIL Comunicação Mídia e Consumo; v. 19 n. 54 (2022): JANEIRO/ABRIL 1983-7070 10.18568/cmc.v18i54 reponame:Comunicação, Mídia e Consumo (Online) instname:Escola Superior de Propaganda e Marketing (ESPM) instacron:ESPM |
instname_str |
Escola Superior de Propaganda e Marketing (ESPM) |
instacron_str |
ESPM |
institution |
ESPM |
reponame_str |
Comunicação, Mídia e Consumo (Online) |
collection |
Comunicação, Mídia e Consumo (Online) |
repository.name.fl_str_mv |
Comunicação, Mídia e Consumo (Online) - Escola Superior de Propaganda e Marketing (ESPM) |
repository.mail.fl_str_mv |
thoff@espm.br||revistacmc@espm.br |
_version_ |
1793890300943400960 |