Female narrative in horror animation: a case study on “Blood Tea and Red String” (2006)

Detalhes bibliográficos
Autor(a) principal: Correa da Silva, Maria Luiza
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: Diálogo com a Economia Criativa
Texto Completo: https://dialogo.espm.br/revistadcec-rj/article/view/469
Resumo: This work aims to analyze the film “Blood Tea and Red String”, from 2006, directed by Christiane Cegavske, and understand how it broke with stereotyped patterns of female characters in animated films. Considering that animated films were, for a long time, written and directed by men, the women’s representation in these narratives was at the mercy of the male perspective, which most often portrayed them as subservient figures waiting for their prince charming. With feminism and the search for new characters gaining space among the public, it is acknowledged that women have been conquering this place and guaranteeing a different and better representation for these characters. Furthermore, the paper also intends to understand how horror is represented in animation and how Christiane Cegavske managed to build a horror story with puppets, taking inspiration from fairy tales to criticize this historically significant place for women.
id ESPM-4_1b9db6f68058cbdd1e167beebd07408b
oai_identifier_str oai:ojs.dialogo.espm.br:article/469
network_acronym_str ESPM-4
network_name_str Diálogo com a Economia Criativa
repository_id_str
spelling Female narrative in horror animation: a case study on “Blood Tea and Red String” (2006)A narrativa feminina na animação de horror: um estudo de caso sobre “Chá de sangue e fio vermelho” (2006)AnimaçãoHorrorMulheres no cinemaChá de sangue e Fio VermelhoAnimationHorrorWomen in CinemaBlood tea and red stringThis work aims to analyze the film “Blood Tea and Red String”, from 2006, directed by Christiane Cegavske, and understand how it broke with stereotyped patterns of female characters in animated films. Considering that animated films were, for a long time, written and directed by men, the women’s representation in these narratives was at the mercy of the male perspective, which most often portrayed them as subservient figures waiting for their prince charming. With feminism and the search for new characters gaining space among the public, it is acknowledged that women have been conquering this place and guaranteeing a different and better representation for these characters. Furthermore, the paper also intends to understand how horror is represented in animation and how Christiane Cegavske managed to build a horror story with puppets, taking inspiration from fairy tales to criticize this historically significant place for women.Este trabajo pretende analizar la película “Blood Tea and Red String”, de 2006, dirigida por Christiane Cegavske, y comprender cómo rompió con los patrones estereotipados de los personajes femeninos en las películas animadas. Teniendo en cuenta que las películas animadas fueron, durante mucho tiempo, escritas y dirigidas por hombres, la representación de las mujeres en estas narrativas estuvo a merced de la perspectiva masculina, que en la mayoría de los casos las retrató como figuras serviles que esperaban a su príncipe azul. Con el feminismo y la búsqueda de nuevos personajes ganando espacio entre el público, es de reconocer que las mujeres han ido conquistando este lugar y garantizando una mejor y diferente representación de estos personajes. Además, el trabajo también tiene como objetivo comprender cómo se representa el horror en la animación y cómo Christiane Cegavske logró construir una historia de terror con títeres, inspirándose en los cuentos de hadas para criticar este lugar históricamente significativo para las mujeresEste trabalho tem a intenção de analisar o filme “Chá de sangue e fio vermelho”, de 2006, dirigido por Christiane Cegavske, e entender como ele quebrou com padrões estereotipados das personagens femininas em filmes de animação. Levando em consideração que os filmes animados foram, por muito tempo, escritos e dirigidos por homens, a representação das mulheres nessas narrativas ficou à mercê da ótica masculina, que na maioria das vezes as retratava como figuras subservientes à espera de seu príncipe encantado. Com o feminismo e a busca por novas personagens ganhando espaço entre o público, é de se reconhecer que as mulheres vêm conquistando esse lugar e garantindo uma distinta e melhor representação para essas personagens. Além disso, o trabalho também objetiva entender como o horror é representado na animação e como Christiane Cegavske conseguiu construir uma história de horror com bonecos, inspirando-se nos contos de fadas para criticar esse lugar historicamente destinado às mulheres.Escola Superior de Propaganda e Marketing2023-12-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://dialogo.espm.br/revistadcec-rj/article/view/46910.22398/2525-2828.82438-49Journal Dialogue with Creative Economy; Vol. 8 No. 24 (2023): Dossier SEANIMA#3 ; 38-49Diálogo com a Economia Criativa; v. 8 n. 24 (2023): Dossiê SEANIMA#3; 38-492525-2828reponame:Diálogo com a Economia Criativainstname:Escola Superior de Propaganda e Marketing (ESPM)instacron:ESPMporenghttps://dialogo.espm.br/revistadcec-rj/article/view/469/399https://dialogo.espm.br/revistadcec-rj/article/view/469/398Copyright (c) 2023 Maria Luiza Correa da Silvahttp://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessCorrea da Silva, Maria Luiza2023-12-22T16:08:28Zoai:ojs.dialogo.espm.br:article/469Revistahttps://dialogo.espm.br/revistadcec-rj/ONGhttps://dialogo.espm.br/revistadcec-rj/oai||revistadcec-rj@espm.br2525-28282525-2828opendoar:2023-12-22T16:08:28Diálogo com a Economia Criativa - Escola Superior de Propaganda e Marketing (ESPM)false
dc.title.none.fl_str_mv Female narrative in horror animation: a case study on “Blood Tea and Red String” (2006)
A narrativa feminina na animação de horror: um estudo de caso sobre “Chá de sangue e fio vermelho” (2006)
title Female narrative in horror animation: a case study on “Blood Tea and Red String” (2006)
spellingShingle Female narrative in horror animation: a case study on “Blood Tea and Red String” (2006)
Correa da Silva, Maria Luiza
Animação
Horror
Mulheres no cinema
Chá de sangue e Fio Vermelho
Animation
Horror
Women in Cinema
Blood tea and red string
title_short Female narrative in horror animation: a case study on “Blood Tea and Red String” (2006)
title_full Female narrative in horror animation: a case study on “Blood Tea and Red String” (2006)
title_fullStr Female narrative in horror animation: a case study on “Blood Tea and Red String” (2006)
title_full_unstemmed Female narrative in horror animation: a case study on “Blood Tea and Red String” (2006)
title_sort Female narrative in horror animation: a case study on “Blood Tea and Red String” (2006)
author Correa da Silva, Maria Luiza
author_facet Correa da Silva, Maria Luiza
author_role author
dc.contributor.author.fl_str_mv Correa da Silva, Maria Luiza
dc.subject.por.fl_str_mv Animação
Horror
Mulheres no cinema
Chá de sangue e Fio Vermelho
Animation
Horror
Women in Cinema
Blood tea and red string
topic Animação
Horror
Mulheres no cinema
Chá de sangue e Fio Vermelho
Animation
Horror
Women in Cinema
Blood tea and red string
description This work aims to analyze the film “Blood Tea and Red String”, from 2006, directed by Christiane Cegavske, and understand how it broke with stereotyped patterns of female characters in animated films. Considering that animated films were, for a long time, written and directed by men, the women’s representation in these narratives was at the mercy of the male perspective, which most often portrayed them as subservient figures waiting for their prince charming. With feminism and the search for new characters gaining space among the public, it is acknowledged that women have been conquering this place and guaranteeing a different and better representation for these characters. Furthermore, the paper also intends to understand how horror is represented in animation and how Christiane Cegavske managed to build a horror story with puppets, taking inspiration from fairy tales to criticize this historically significant place for women.
publishDate 2023
dc.date.none.fl_str_mv 2023-12-22
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://dialogo.espm.br/revistadcec-rj/article/view/469
10.22398/2525-2828.82438-49
url https://dialogo.espm.br/revistadcec-rj/article/view/469
identifier_str_mv 10.22398/2525-2828.82438-49
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv https://dialogo.espm.br/revistadcec-rj/article/view/469/399
https://dialogo.espm.br/revistadcec-rj/article/view/469/398
dc.rights.driver.fl_str_mv Copyright (c) 2023 Maria Luiza Correa da Silva
http://creativecommons.org/licenses/by-nc-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Maria Luiza Correa da Silva
http://creativecommons.org/licenses/by-nc-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Escola Superior de Propaganda e Marketing
publisher.none.fl_str_mv Escola Superior de Propaganda e Marketing
dc.source.none.fl_str_mv Journal Dialogue with Creative Economy; Vol. 8 No. 24 (2023): Dossier SEANIMA#3 ; 38-49
Diálogo com a Economia Criativa; v. 8 n. 24 (2023): Dossiê SEANIMA#3; 38-49
2525-2828
reponame:Diálogo com a Economia Criativa
instname:Escola Superior de Propaganda e Marketing (ESPM)
instacron:ESPM
instname_str Escola Superior de Propaganda e Marketing (ESPM)
instacron_str ESPM
institution ESPM
reponame_str Diálogo com a Economia Criativa
collection Diálogo com a Economia Criativa
repository.name.fl_str_mv Diálogo com a Economia Criativa - Escola Superior de Propaganda e Marketing (ESPM)
repository.mail.fl_str_mv ||revistadcec-rj@espm.br
_version_ 1797231688776941568

Registros relacionados