The concept of "novelty" in the project of the Nuevo Cine
Autor(a) principal: | |
---|---|
Data de Publicação: | 2013 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Estudos Históricos (Rio de Janeiro) |
Texto Completo: | https://periodicos.fgv.br/reh/article/view/7197 |
Resumo: | This article approaches the cinema development project known as the New Latin American cinema, by analyzing the concept of “novelty”. It focuses on what led some filmmakers, at the end of the 1960s, to consider that their movies were new. It analyzes their peculiarities compared with the new European cinemas, by emphasizing the revolutionary nuances that the term “new” has in Latin America. Finally, the concept is studied by using as sources the statements and the public debates which took place during the festivals of Sodre, in Montevideo (1958), Sestri Levante (1962 and 1963) and Viña del Mar (1967). |
id |
FGV-10_20533598943a72a2733c7d6871fe09c0 |
---|---|
oai_identifier_str |
oai:ojs.periodicos.fgv.br:article/7197 |
network_acronym_str |
FGV-10 |
network_name_str |
Estudos Históricos (Rio de Janeiro) |
repository_id_str |
|
spelling |
The concept of "novelty" in the project of the Nuevo CineO conceito de "novidade" no projeto do Nuevo Cine Latinoamericanonoveltynew cinemasindependent cinemaauteur theoryrevolutionnovidadecinemas novoscinema independentepolítica dos autoresrevoluçãoThis article approaches the cinema development project known as the New Latin American cinema, by analyzing the concept of “novelty”. It focuses on what led some filmmakers, at the end of the 1960s, to consider that their movies were new. It analyzes their peculiarities compared with the new European cinemas, by emphasizing the revolutionary nuances that the term “new” has in Latin America. Finally, the concept is studied by using as sources the statements and the public debates which took place during the festivals of Sodre, in Montevideo (1958), Sestri Levante (1962 and 1963) and Viña del Mar (1967).Este artigo aborda o projeto de desenvolvimento cinematográfico conhecido como Nuevo Cine Latinoamericano a partir de uma análise do conceito de “novidade”. Ele está centrado nas razões que levaram alguns cineastas, no final dos anos 1960, a considerar que seus filmes eram “novos”. Analisa assim suas particularidades em relação aos novos cinemas europeus, com foco no viés revolucionário que adquire o termo “novo” na América Latina. Por fim, o conceito é estudado utilizando como fonte as declarações e os debates públicos dos festivais do Sodre, em Montevidéu (1958), Sestri Levante (1962 e 1963) e Viña del Mar (1967).Editora FGV2013-08-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.fgv.br/reh/article/view/7197Revista Estudos Históricos; Vol. 26 No. 51 (2013): History and Audiovisual; 173-192Revista Estudos Históricos; v. 26 n. 51 (2013): História e Audiovisual; 173-1922178-14940103-2186reponame:Estudos Históricos (Rio de Janeiro)instname:Fundação Getulio Vargas (FGV)instacron:FGVporhttps://periodicos.fgv.br/reh/article/view/7197/9375Dávila, Ignacio Del Valleinfo:eu-repo/semantics/openAccess2017-06-14T20:55:19Zoai:ojs.periodicos.fgv.br:article/7197Revistahttps://periodicos.fgv.br/rehONGhttps://periodicos.fgv.br/reh/oai||biblioteca.digital@fgv.br||eh@fgv.br2178-14940103-2186opendoar:2024-03-06T13:01:55.791229Estudos Históricos (Rio de Janeiro) - Fundação Getulio Vargas (FGV)true |
dc.title.none.fl_str_mv |
The concept of "novelty" in the project of the Nuevo Cine O conceito de "novidade" no projeto do Nuevo Cine Latinoamericano |
title |
The concept of "novelty" in the project of the Nuevo Cine |
spellingShingle |
The concept of "novelty" in the project of the Nuevo Cine Dávila, Ignacio Del Valle novelty new cinemas independent cinema auteur theory revolution novidade cinemas novos cinema independente política dos autores revolução |
title_short |
The concept of "novelty" in the project of the Nuevo Cine |
title_full |
The concept of "novelty" in the project of the Nuevo Cine |
title_fullStr |
The concept of "novelty" in the project of the Nuevo Cine |
title_full_unstemmed |
The concept of "novelty" in the project of the Nuevo Cine |
title_sort |
The concept of "novelty" in the project of the Nuevo Cine |
author |
Dávila, Ignacio Del Valle |
author_facet |
Dávila, Ignacio Del Valle |
author_role |
author |
dc.contributor.author.fl_str_mv |
Dávila, Ignacio Del Valle |
dc.subject.por.fl_str_mv |
novelty new cinemas independent cinema auteur theory revolution novidade cinemas novos cinema independente política dos autores revolução |
topic |
novelty new cinemas independent cinema auteur theory revolution novidade cinemas novos cinema independente política dos autores revolução |
description |
This article approaches the cinema development project known as the New Latin American cinema, by analyzing the concept of “novelty”. It focuses on what led some filmmakers, at the end of the 1960s, to consider that their movies were new. It analyzes their peculiarities compared with the new European cinemas, by emphasizing the revolutionary nuances that the term “new” has in Latin America. Finally, the concept is studied by using as sources the statements and the public debates which took place during the festivals of Sodre, in Montevideo (1958), Sestri Levante (1962 and 1963) and Viña del Mar (1967). |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-08-16 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.fgv.br/reh/article/view/7197 |
url |
https://periodicos.fgv.br/reh/article/view/7197 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.fgv.br/reh/article/view/7197/9375 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora FGV |
publisher.none.fl_str_mv |
Editora FGV |
dc.source.none.fl_str_mv |
Revista Estudos Históricos; Vol. 26 No. 51 (2013): History and Audiovisual; 173-192 Revista Estudos Históricos; v. 26 n. 51 (2013): História e Audiovisual; 173-192 2178-1494 0103-2186 reponame:Estudos Históricos (Rio de Janeiro) instname:Fundação Getulio Vargas (FGV) instacron:FGV |
instname_str |
Fundação Getulio Vargas (FGV) |
instacron_str |
FGV |
institution |
FGV |
reponame_str |
Estudos Históricos (Rio de Janeiro) |
collection |
Estudos Históricos (Rio de Janeiro) |
repository.name.fl_str_mv |
Estudos Históricos (Rio de Janeiro) - Fundação Getulio Vargas (FGV) |
repository.mail.fl_str_mv |
||biblioteca.digital@fgv.br||eh@fgv.br |
_version_ |
1798942526976032768 |