Display and demonstration of dialectical Eros
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Hypnos |
Texto Completo: | https://hypnos.org.br/index.php/hypnos/article/view/457 |
Resumo: | In the writing of his dialogues Plato applies a significant variety of resources, whether imagistic or theoretical, to support his ideas. The present paper aims to recover the ways in which the Greek philosopher uses two discursive genres to support his theories: display and demonstration. In the process of re-elaborating the image of eros in the Symposium, Plato performs a drama of exposition by the use of epideixis, the Greek word for display, and apodeixis, the Greek word for demonstration. He thereby creates an inseparable and interlocking bond between these two rhetorical genres, as if there were no limits or distinctions between them. |
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Display and demonstration of dialectical ErosMostração e demonstração do eros dialéticoepideixisapodeixiserosSymposiumPlato.epideixisapodeixiserosBanquetePlatãoIn the writing of his dialogues Plato applies a significant variety of resources, whether imagistic or theoretical, to support his ideas. The present paper aims to recover the ways in which the Greek philosopher uses two discursive genres to support his theories: display and demonstration. In the process of re-elaborating the image of eros in the Symposium, Plato performs a drama of exposition by the use of epideixis, the Greek word for display, and apodeixis, the Greek word for demonstration. He thereby creates an inseparable and interlocking bond between these two rhetorical genres, as if there were no limits or distinctions between them.Na escrita de seus diálogos, Platão aplica os mais variados recursos, sejam eles imagéticos ou teóricos, para fundamentar suas ideias. O presente artigo pretende resgatar os modos como o filósofo grego emprega, na fundamentação de suas teorias, dois gêneros discursivos, a mostração e a demonstração. No processo de reelaboração da imagem de eros, no Banquete, o seu jogo expositivo compreende tanto a utilização da epideixis, palavra grega cujo significado é “mostração”, como da apodeixis, “demonstração”, realizando o uso concomitante e indissociável dos dois elementos, como se não houvesse limites, ou distinções, entre cada uma das modalidades retóricas.Revista HypnosHypnos Journal2015-04-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://hypnos.org.br/index.php/hypnos/article/view/457Revista Hypnos; n. 35 (2015)Hypnos Journal; No. 35 (2015)2177-53461413-9138reponame:Hypnosinstname:Faculdade de São Bento (FSB)instacron:FSBporhttps://hypnos.org.br/index.php/hypnos/article/view/457/523Copyright (c) 2015 Jovelina Maria Ramos de Souzainfo:eu-repo/semantics/openAccessRamos de Souza, Jovelina Maria2015-10-03T03:19:42Zoai:ojs.hypnos.org.br:article/457Revistahttps://hypnos.org.br/index.php/hypnosPRIhttps://hypnos.org.br/index.php/hypnos/oairachelgazolla@gmail.com2177-53461413-9138opendoar:2023-01-13T09:47:06.187024Hypnos - Faculdade de São Bento (FSB)false |
dc.title.none.fl_str_mv |
Display and demonstration of dialectical Eros Mostração e demonstração do eros dialético |
title |
Display and demonstration of dialectical Eros |
spellingShingle |
Display and demonstration of dialectical Eros Ramos de Souza, Jovelina Maria epideixis apodeixis eros Symposium Plato. epideixis apodeixis eros Banquete Platão |
title_short |
Display and demonstration of dialectical Eros |
title_full |
Display and demonstration of dialectical Eros |
title_fullStr |
Display and demonstration of dialectical Eros |
title_full_unstemmed |
Display and demonstration of dialectical Eros |
title_sort |
Display and demonstration of dialectical Eros |
author |
Ramos de Souza, Jovelina Maria |
author_facet |
Ramos de Souza, Jovelina Maria |
author_role |
author |
dc.contributor.author.fl_str_mv |
Ramos de Souza, Jovelina Maria |
dc.subject.por.fl_str_mv |
epideixis apodeixis eros Symposium Plato. epideixis apodeixis eros Banquete Platão |
topic |
epideixis apodeixis eros Symposium Plato. epideixis apodeixis eros Banquete Platão |
description |
In the writing of his dialogues Plato applies a significant variety of resources, whether imagistic or theoretical, to support his ideas. The present paper aims to recover the ways in which the Greek philosopher uses two discursive genres to support his theories: display and demonstration. In the process of re-elaborating the image of eros in the Symposium, Plato performs a drama of exposition by the use of epideixis, the Greek word for display, and apodeixis, the Greek word for demonstration. He thereby creates an inseparable and interlocking bond between these two rhetorical genres, as if there were no limits or distinctions between them. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-04-13 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://hypnos.org.br/index.php/hypnos/article/view/457 |
url |
https://hypnos.org.br/index.php/hypnos/article/view/457 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://hypnos.org.br/index.php/hypnos/article/view/457/523 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2015 Jovelina Maria Ramos de Souza info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2015 Jovelina Maria Ramos de Souza |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Revista Hypnos Hypnos Journal |
publisher.none.fl_str_mv |
Revista Hypnos Hypnos Journal |
dc.source.none.fl_str_mv |
Revista Hypnos; n. 35 (2015) Hypnos Journal; No. 35 (2015) 2177-5346 1413-9138 reponame:Hypnos instname:Faculdade de São Bento (FSB) instacron:FSB |
instname_str |
Faculdade de São Bento (FSB) |
instacron_str |
FSB |
institution |
FSB |
reponame_str |
Hypnos |
collection |
Hypnos |
repository.name.fl_str_mv |
Hypnos - Faculdade de São Bento (FSB) |
repository.mail.fl_str_mv |
rachelgazolla@gmail.com |
_version_ |
1797051293740564480 |