THE BAROQUE THEATHER OF “O ALEIJADINHO”

Detalhes bibliográficos
Autor(a) principal: Mucci, Latuf Isaias
Data de Publicação: 2007
Tipo de documento: Artigo
Idioma: por
Título da fonte: Linguagens
Texto Completo: https://ojsrevista.furb.br/ojs/index.php/linguagens/article/view/175
Resumo: This essay aims to present a brief reading of the entrance hall of the Sanctuary of Bom Jesus of Matosinhos, where O Aleijadinho (Little Cripple) mounted a play/theater in soapstone, an architect – architecture and text – spectacular. It starts out from the essay of Mário de Andrade, “O Aleijadinho”, of 1928, in which the author sustain that the sculptor from Ouro Preto created a way of the Brazilian art, molded in the native blood alchemy, with the African sap and with the Portuguese racy. The knowledge and recognition of the Brazilian baroque and specially, “mineiro” baroque, of whom O Aleijadinho constitutes the maximum expression, exploded, in Brazil, from the“paulistas” modernism that, in their trips of 1924 through the historical cities of Minas Gerais, panned off the roots of the most archaic of the national identity. Key Words: Baroque; O Aleijadinho; History; Architecture; Theather.
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spelling THE BAROQUE THEATHER OF “O ALEIJADINHO”O TEATRO BARROCO DE O ALEIJADINHOBarrocoO AleijadinhoHistóriaArquiteturaTeatro.This essay aims to present a brief reading of the entrance hall of the Sanctuary of Bom Jesus of Matosinhos, where O Aleijadinho (Little Cripple) mounted a play/theater in soapstone, an architect – architecture and text – spectacular. It starts out from the essay of Mário de Andrade, “O Aleijadinho”, of 1928, in which the author sustain that the sculptor from Ouro Preto created a way of the Brazilian art, molded in the native blood alchemy, with the African sap and with the Portuguese racy. The knowledge and recognition of the Brazilian baroque and specially, “mineiro” baroque, of whom O Aleijadinho constitutes the maximum expression, exploded, in Brazil, from the“paulistas” modernism that, in their trips of 1924 through the historical cities of Minas Gerais, panned off the roots of the most archaic of the national identity. Key Words: Baroque; O Aleijadinho; History; Architecture; Theather.Este ensaio visa a apresentar uma breve leitura do átrio do Santuário do Senhor Bom Jesus do Matosinhos, onde O Aleijadinho montou um teatro em pedra-sabão, um arquitexto - arquitetura e texto – espetacular. Parte-se do ensaio de Mário de Andrade, “O Aleijadinho”, de 1928, em que o autor sustenta que o escultor de Ouro Preto inventou a forma da arte brasileira, vazada na alquimia do sangue indígena,com a seiva africana e com a verve do português. O conhecimento e o reconhecimento do barroco brasileiro e, em especial, do barroco mineiro, de que O Aleijadinho constitui a máxima expressão, deflagrou-se, no Brasil, a partir dos modernistas paulistas que, em sua viagem de 1924 pelas cidades históricas mineiras, garimpavam as raízes mais arcaicas da identidade nacional. Palavras-chave: Barroco; O Aleijadinho; História; Arquitetura; Teatro.Fundação Universidade Regional de Blumenau2007-04-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojsrevista.furb.br/ojs/index.php/linguagens/article/view/17510.7867/1981-9943.2007v1n1p34-42Linguagens - Revista de Letras, Artes e Comunicação; v. 1 n. 1 (2007); 34-421981-9943reponame:Linguagensinstname:Universidade Regional de Blumenau (FURB)instacron:FURBporhttps://ojsrevista.furb.br/ojs/index.php/linguagens/article/view/175/139Copyright (c) 2014 Linguagens - Revista de Letras, Artes e Comunicaçãoinfo:eu-repo/semantics/openAccessMucci, Latuf Isaias2010-02-18T17:32:53Zoai:ojs.bu.furb.br:article/175Revistahttp://proxy.furb.br/ojs/index.php/linguagensPUBhttp://proxy.furb.br/ojs/index.php/linguagens/oailinguagens@furb.br||linguagens.revista@gmail.com1981-99431981-9943opendoar:2010-02-18T17:32:53Linguagens - Universidade Regional de Blumenau (FURB)false
dc.title.none.fl_str_mv THE BAROQUE THEATHER OF “O ALEIJADINHO”
O TEATRO BARROCO DE O ALEIJADINHO
title THE BAROQUE THEATHER OF “O ALEIJADINHO”
spellingShingle THE BAROQUE THEATHER OF “O ALEIJADINHO”
Mucci, Latuf Isaias
Barroco
O Aleijadinho
História
Arquitetura
Teatro.
title_short THE BAROQUE THEATHER OF “O ALEIJADINHO”
title_full THE BAROQUE THEATHER OF “O ALEIJADINHO”
title_fullStr THE BAROQUE THEATHER OF “O ALEIJADINHO”
title_full_unstemmed THE BAROQUE THEATHER OF “O ALEIJADINHO”
title_sort THE BAROQUE THEATHER OF “O ALEIJADINHO”
author Mucci, Latuf Isaias
author_facet Mucci, Latuf Isaias
author_role author
dc.contributor.author.fl_str_mv Mucci, Latuf Isaias
dc.subject.por.fl_str_mv Barroco
O Aleijadinho
História
Arquitetura
Teatro.
topic Barroco
O Aleijadinho
História
Arquitetura
Teatro.
description This essay aims to present a brief reading of the entrance hall of the Sanctuary of Bom Jesus of Matosinhos, where O Aleijadinho (Little Cripple) mounted a play/theater in soapstone, an architect – architecture and text – spectacular. It starts out from the essay of Mário de Andrade, “O Aleijadinho”, of 1928, in which the author sustain that the sculptor from Ouro Preto created a way of the Brazilian art, molded in the native blood alchemy, with the African sap and with the Portuguese racy. The knowledge and recognition of the Brazilian baroque and specially, “mineiro” baroque, of whom O Aleijadinho constitutes the maximum expression, exploded, in Brazil, from the“paulistas” modernism that, in their trips of 1924 through the historical cities of Minas Gerais, panned off the roots of the most archaic of the national identity. Key Words: Baroque; O Aleijadinho; History; Architecture; Theather.
publishDate 2007
dc.date.none.fl_str_mv 2007-04-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojsrevista.furb.br/ojs/index.php/linguagens/article/view/175
10.7867/1981-9943.2007v1n1p34-42
url https://ojsrevista.furb.br/ojs/index.php/linguagens/article/view/175
identifier_str_mv 10.7867/1981-9943.2007v1n1p34-42
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojsrevista.furb.br/ojs/index.php/linguagens/article/view/175/139
dc.rights.driver.fl_str_mv Copyright (c) 2014 Linguagens - Revista de Letras, Artes e Comunicação
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2014 Linguagens - Revista de Letras, Artes e Comunicação
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Fundação Universidade Regional de Blumenau
publisher.none.fl_str_mv Fundação Universidade Regional de Blumenau
dc.source.none.fl_str_mv Linguagens - Revista de Letras, Artes e Comunicação; v. 1 n. 1 (2007); 34-42
1981-9943
reponame:Linguagens
instname:Universidade Regional de Blumenau (FURB)
instacron:FURB
instname_str Universidade Regional de Blumenau (FURB)
instacron_str FURB
institution FURB
reponame_str Linguagens
collection Linguagens
repository.name.fl_str_mv Linguagens - Universidade Regional de Blumenau (FURB)
repository.mail.fl_str_mv linguagens@furb.br||linguagens.revista@gmail.com
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