CANTAR PARA QUÊ? A música gospel no processo de midiatização: o caso do programa Esquenta!

Detalhes bibliográficos
Autor(a) principal: OLIVEIRA, JENIFER ROSA DE
Data de Publicação: 2016
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da METODISTA
Texto Completo: http://tede.metodista.br/jspui/handle/tede/1537
Resumo: This research aims at analyzing the aspects under which the interaction between media and religion takes place, as well as the intricacies and continuities evoked by bringing the sacred and the profane together. For that purpose, the appearance of evangelical Christian artists on the TV Show Esquenta!, which is broadcasted every Sunday afternoon by the TV Channel Globo, has been elected as the subject matter of this study. The concepts on the gospel culture, on mediatization - particularly that of the media driven bios, and the discussion on secularization, as proposed by Habermas, have been chosen as this study's theoretical framework. The methodology provides two stages. The first one consists on investigating the content of five editions of Esquenta!, broadcasted between 2013 and 2014, on which evangelical Christian artists appeared. At that point, this stage's goal was the realization of the role that the Gospel Music plays within the Show's approach. The second stage consists in forming two discussion groups: one group of evangelical Christians and one group of non-evangelical people. This stage's goal was the understanding on how religious contents meanings, outside of their original context, can be re-depicted by the audience. The study results in the perception that the gospel artists performances on Esquenta! provides for new ways to interpret concepts around the Gospel culture, which amplify it and legitimate the media as a locus for religious experience. Furthermore, it illustrates the Habermasian perspective as it reflects the dual affectation between the religious universe and the secular life, emerging from intercrossing media and religion
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spelling Cunha, Magali do NascimentoFaro, Jose SalvadorMartino , Luis Mauro Sáhttp://lattes.cnpq.br/7716788745643197OLIVEIRA, JENIFER ROSA DE2016-08-26T18:31:59Z2016-04-13OLIVEIRA JÊNIFER ROSA DE. CANTAR PARA QUÊ? A música gospel no processo de midiatização: o caso do programa Esquenta!. 2016. [153f]. Dissertação( Comunicacao Social) - Universidade Metodista de Sao Paulo, [São Bernardo do Campo] .http://tede.metodista.br/jspui/handle/tede/1537This research aims at analyzing the aspects under which the interaction between media and religion takes place, as well as the intricacies and continuities evoked by bringing the sacred and the profane together. For that purpose, the appearance of evangelical Christian artists on the TV Show Esquenta!, which is broadcasted every Sunday afternoon by the TV Channel Globo, has been elected as the subject matter of this study. The concepts on the gospel culture, on mediatization - particularly that of the media driven bios, and the discussion on secularization, as proposed by Habermas, have been chosen as this study's theoretical framework. The methodology provides two stages. The first one consists on investigating the content of five editions of Esquenta!, broadcasted between 2013 and 2014, on which evangelical Christian artists appeared. At that point, this stage's goal was the realization of the role that the Gospel Music plays within the Show's approach. The second stage consists in forming two discussion groups: one group of evangelical Christians and one group of non-evangelical people. This stage's goal was the understanding on how religious contents meanings, outside of their original context, can be re-depicted by the audience. The study results in the perception that the gospel artists performances on Esquenta! provides for new ways to interpret concepts around the Gospel culture, which amplify it and legitimate the media as a locus for religious experience. Furthermore, it illustrates the Habermasian perspective as it reflects the dual affectation between the religious universe and the secular life, emerging from intercrossing media and religionEsta pesquisa tem por objetivo analisar sob quais aspectos se dá a interação entre mídia e religião, bem como as tensões ou continuidades que a aproximação do ‘sagrado’ com o ‘profano’ na sociedade midiatizada evoca. Para tal, elegemos como objeto de estudo a participação dos artistas evangélicos no Programa Esquenta!, exibido nas tardes de domingo, pela Rede Globo. Tomamos como referencial teórico os conceitos de cultura gospel, de midiatização, especialmente o conceito de bios midiático, e a discussão sobre secularização proposta por Habermas. A metodologia empregada prevê duas etapas. A primeira consiste numa uma análise de conteúdo de cinco edições do programa que contaram com a participação de artistas evangélicos, exibidas nos anos de 2013 e 2014. Nesse momento, o objetivo foi perceber o lugar que a música gospel ocupa dentro da proposta do programa. A segunda etapa consiste na realização de dois grupos de discussão, um formado por evangélicos e o outro por não-evangélicos, para compreender como os conteúdos religiosos deslocados de seu contexto original são ressignificados pela audiência. Resulta desta pesquisa a observação de que a participação dos artistas gospel no Esquenta! oferece novos modos de olhar que ampliam o conceito de cultura gospel, bem como legitima a mídia como lugar de experiência religiosa. Além disso, ilustra a perspectiva habermasiana ao refletir a dupla afetação entre universo religioso e vida secular, que emerge do entrecruzamento entre mídia e religião.Submitted by Noeme Timbo (noeme.timbo@metodista.br) on 2016-08-26T18:31:59Z No. of bitstreams: 1 Jenifer Rosa de Oliveira.pdf: 2274294 bytes, checksum: 90108a9fafe3042bded6cc130d7f3df2 (MD5)Made available in DSpace on 2016-08-26T18:31:59Z (GMT). No. of bitstreams: 1 Jenifer Rosa de Oliveira.pdf: 2274294 bytes, checksum: 90108a9fafe3042bded6cc130d7f3df2 (MD5) Previous issue date: 2016-04-13Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfhttp://tede.metodista.br/jspui/retrieve/3327/Jenifer%20Rosa%20de%20Oliveira.pdf.jpgporUniversidade Metodista de Sao PauloComunicacao SocialIMSBrasilComunicacao Social:Programa de Pos Graduacao em Comunicacao SocialCultura Gospel; Evangélicos; Esquenta!; MidiatizaçãoGospel Culture; Evangelicals; Esquenta!; MediatizationCIENCIAS SOCIAIS APLICADAS::COMUNICACAOCANTAR PARA QUÊ? A música gospel no processo de midiatização: o caso do programa Esquenta!why singing? 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dc.title.por.fl_str_mv CANTAR PARA QUÊ? A música gospel no processo de midiatização: o caso do programa Esquenta!
dc.title.alternative.eng.fl_str_mv why singing? The gospel misic in the mediatization process: the esquenta program case
title CANTAR PARA QUÊ? A música gospel no processo de midiatização: o caso do programa Esquenta!
spellingShingle CANTAR PARA QUÊ? A música gospel no processo de midiatização: o caso do programa Esquenta!
OLIVEIRA, JENIFER ROSA DE
Cultura Gospel; Evangélicos; Esquenta!; Midiatização
Gospel Culture; Evangelicals; Esquenta!; Mediatization
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
title_short CANTAR PARA QUÊ? A música gospel no processo de midiatização: o caso do programa Esquenta!
title_full CANTAR PARA QUÊ? A música gospel no processo de midiatização: o caso do programa Esquenta!
title_fullStr CANTAR PARA QUÊ? A música gospel no processo de midiatização: o caso do programa Esquenta!
title_full_unstemmed CANTAR PARA QUÊ? A música gospel no processo de midiatização: o caso do programa Esquenta!
title_sort CANTAR PARA QUÊ? A música gospel no processo de midiatização: o caso do programa Esquenta!
author OLIVEIRA, JENIFER ROSA DE
author_facet OLIVEIRA, JENIFER ROSA DE
author_role author
dc.contributor.advisor1.fl_str_mv Cunha, Magali do Nascimento
dc.contributor.referee1.fl_str_mv Faro, Jose Salvador
dc.contributor.referee2.fl_str_mv Martino , Luis Mauro Sá
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/7716788745643197
dc.contributor.author.fl_str_mv OLIVEIRA, JENIFER ROSA DE
contributor_str_mv Cunha, Magali do Nascimento
Faro, Jose Salvador
Martino , Luis Mauro Sá
dc.subject.por.fl_str_mv Cultura Gospel; Evangélicos; Esquenta!; Midiatização
topic Cultura Gospel; Evangélicos; Esquenta!; Midiatização
Gospel Culture; Evangelicals; Esquenta!; Mediatization
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
dc.subject.eng.fl_str_mv Gospel Culture; Evangelicals; Esquenta!; Mediatization
dc.subject.cnpq.fl_str_mv CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
description This research aims at analyzing the aspects under which the interaction between media and religion takes place, as well as the intricacies and continuities evoked by bringing the sacred and the profane together. For that purpose, the appearance of evangelical Christian artists on the TV Show Esquenta!, which is broadcasted every Sunday afternoon by the TV Channel Globo, has been elected as the subject matter of this study. The concepts on the gospel culture, on mediatization - particularly that of the media driven bios, and the discussion on secularization, as proposed by Habermas, have been chosen as this study's theoretical framework. The methodology provides two stages. The first one consists on investigating the content of five editions of Esquenta!, broadcasted between 2013 and 2014, on which evangelical Christian artists appeared. At that point, this stage's goal was the realization of the role that the Gospel Music plays within the Show's approach. The second stage consists in forming two discussion groups: one group of evangelical Christians and one group of non-evangelical people. This stage's goal was the understanding on how religious contents meanings, outside of their original context, can be re-depicted by the audience. The study results in the perception that the gospel artists performances on Esquenta! provides for new ways to interpret concepts around the Gospel culture, which amplify it and legitimate the media as a locus for religious experience. Furthermore, it illustrates the Habermasian perspective as it reflects the dual affectation between the religious universe and the secular life, emerging from intercrossing media and religion
publishDate 2016
dc.date.accessioned.fl_str_mv 2016-08-26T18:31:59Z
dc.date.issued.fl_str_mv 2016-04-13
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dc.identifier.citation.fl_str_mv OLIVEIRA JÊNIFER ROSA DE. CANTAR PARA QUÊ? A música gospel no processo de midiatização: o caso do programa Esquenta!. 2016. [153f]. Dissertação( Comunicacao Social) - Universidade Metodista de Sao Paulo, [São Bernardo do Campo] .
dc.identifier.uri.fl_str_mv http://tede.metodista.br/jspui/handle/tede/1537
identifier_str_mv OLIVEIRA JÊNIFER ROSA DE. CANTAR PARA QUÊ? A música gospel no processo de midiatização: o caso do programa Esquenta!. 2016. [153f]. Dissertação( Comunicacao Social) - Universidade Metodista de Sao Paulo, [São Bernardo do Campo] .
url http://tede.metodista.br/jspui/handle/tede/1537
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dc.publisher.department.fl_str_mv Comunicacao Social:Programa de Pos Graduacao em Comunicacao Social
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