CANTAR PARA QUÊ? A música gospel no processo de midiatização: o caso do programa Esquenta!
Autor(a) principal: | |
---|---|
Data de Publicação: | 2016 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da METODISTA |
Texto Completo: | http://tede.metodista.br/jspui/handle/tede/1537 |
Resumo: | This research aims at analyzing the aspects under which the interaction between media and religion takes place, as well as the intricacies and continuities evoked by bringing the sacred and the profane together. For that purpose, the appearance of evangelical Christian artists on the TV Show Esquenta!, which is broadcasted every Sunday afternoon by the TV Channel Globo, has been elected as the subject matter of this study. The concepts on the gospel culture, on mediatization - particularly that of the media driven bios, and the discussion on secularization, as proposed by Habermas, have been chosen as this study's theoretical framework. The methodology provides two stages. The first one consists on investigating the content of five editions of Esquenta!, broadcasted between 2013 and 2014, on which evangelical Christian artists appeared. At that point, this stage's goal was the realization of the role that the Gospel Music plays within the Show's approach. The second stage consists in forming two discussion groups: one group of evangelical Christians and one group of non-evangelical people. This stage's goal was the understanding on how religious contents meanings, outside of their original context, can be re-depicted by the audience. The study results in the perception that the gospel artists performances on Esquenta! provides for new ways to interpret concepts around the Gospel culture, which amplify it and legitimate the media as a locus for religious experience. Furthermore, it illustrates the Habermasian perspective as it reflects the dual affectation between the religious universe and the secular life, emerging from intercrossing media and religion |
id |
METO_040577515397058ddc730e5547b1703a |
---|---|
oai_identifier_str |
oai:tahbit.umesp.edu.dti:tede/1537 |
network_acronym_str |
METO |
network_name_str |
Biblioteca Digital de Teses e Dissertações da METODISTA |
repository_id_str |
|
spelling |
Cunha, Magali do NascimentoFaro, Jose SalvadorMartino , Luis Mauro Sáhttp://lattes.cnpq.br/7716788745643197OLIVEIRA, JENIFER ROSA DE2016-08-26T18:31:59Z2016-04-13OLIVEIRA JÊNIFER ROSA DE. CANTAR PARA QUÊ? A música gospel no processo de midiatização: o caso do programa Esquenta!. 2016. [153f]. Dissertação( Comunicacao Social) - Universidade Metodista de Sao Paulo, [São Bernardo do Campo] .http://tede.metodista.br/jspui/handle/tede/1537This research aims at analyzing the aspects under which the interaction between media and religion takes place, as well as the intricacies and continuities evoked by bringing the sacred and the profane together. For that purpose, the appearance of evangelical Christian artists on the TV Show Esquenta!, which is broadcasted every Sunday afternoon by the TV Channel Globo, has been elected as the subject matter of this study. The concepts on the gospel culture, on mediatization - particularly that of the media driven bios, and the discussion on secularization, as proposed by Habermas, have been chosen as this study's theoretical framework. The methodology provides two stages. The first one consists on investigating the content of five editions of Esquenta!, broadcasted between 2013 and 2014, on which evangelical Christian artists appeared. At that point, this stage's goal was the realization of the role that the Gospel Music plays within the Show's approach. The second stage consists in forming two discussion groups: one group of evangelical Christians and one group of non-evangelical people. This stage's goal was the understanding on how religious contents meanings, outside of their original context, can be re-depicted by the audience. The study results in the perception that the gospel artists performances on Esquenta! provides for new ways to interpret concepts around the Gospel culture, which amplify it and legitimate the media as a locus for religious experience. Furthermore, it illustrates the Habermasian perspective as it reflects the dual affectation between the religious universe and the secular life, emerging from intercrossing media and religionEsta pesquisa tem por objetivo analisar sob quais aspectos se dá a interação entre mídia e religião, bem como as tensões ou continuidades que a aproximação do ‘sagrado’ com o ‘profano’ na sociedade midiatizada evoca. Para tal, elegemos como objeto de estudo a participação dos artistas evangélicos no Programa Esquenta!, exibido nas tardes de domingo, pela Rede Globo. Tomamos como referencial teórico os conceitos de cultura gospel, de midiatização, especialmente o conceito de bios midiático, e a discussão sobre secularização proposta por Habermas. A metodologia empregada prevê duas etapas. A primeira consiste numa uma análise de conteúdo de cinco edições do programa que contaram com a participação de artistas evangélicos, exibidas nos anos de 2013 e 2014. Nesse momento, o objetivo foi perceber o lugar que a música gospel ocupa dentro da proposta do programa. A segunda etapa consiste na realização de dois grupos de discussão, um formado por evangélicos e o outro por não-evangélicos, para compreender como os conteúdos religiosos deslocados de seu contexto original são ressignificados pela audiência. Resulta desta pesquisa a observação de que a participação dos artistas gospel no Esquenta! oferece novos modos de olhar que ampliam o conceito de cultura gospel, bem como legitima a mídia como lugar de experiência religiosa. Além disso, ilustra a perspectiva habermasiana ao refletir a dupla afetação entre universo religioso e vida secular, que emerge do entrecruzamento entre mídia e religião.Submitted by Noeme Timbo (noeme.timbo@metodista.br) on 2016-08-26T18:31:59Z No. of bitstreams: 1 Jenifer Rosa de Oliveira.pdf: 2274294 bytes, checksum: 90108a9fafe3042bded6cc130d7f3df2 (MD5)Made available in DSpace on 2016-08-26T18:31:59Z (GMT). No. of bitstreams: 1 Jenifer Rosa de Oliveira.pdf: 2274294 bytes, checksum: 90108a9fafe3042bded6cc130d7f3df2 (MD5) Previous issue date: 2016-04-13Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfhttp://tede.metodista.br/jspui/retrieve/3327/Jenifer%20Rosa%20de%20Oliveira.pdf.jpgporUniversidade Metodista de Sao PauloComunicacao SocialIMSBrasilComunicacao Social:Programa de Pos Graduacao em Comunicacao SocialCultura Gospel; Evangélicos; Esquenta!; MidiatizaçãoGospel Culture; Evangelicals; Esquenta!; MediatizationCIENCIAS SOCIAIS APLICADAS::COMUNICACAOCANTAR PARA QUÊ? A música gospel no processo de midiatização: o caso do programa Esquenta!why singing? The gospel misic in the mediatization process: the esquenta program caseinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis4333470630449360357500500600600-7662988059372876986-40560210555028745732075167498588264571info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da METODISTAinstname:Universidade Metodista de São Paulo (METODISTA)instacron:METODISTATHUMBNAILJenifer Rosa de Oliveira.pdf.jpgJenifer Rosa de Oliveira.pdf.jpgimage/jpeg1947http://tede.metodista.br/jspui/bitstream/tede/1537/3/Jenifer+Rosa+de+Oliveira.pdf.jpgee26c78a62066213eab919d8a7febc39MD53ORIGINALJenifer Rosa de Oliveira.pdfJenifer Rosa de Oliveira.pdfapplication/pdf2274294http://tede.metodista.br/jspui/bitstream/tede/1537/2/Jenifer+Rosa+de+Oliveira.pdf90108a9fafe3042bded6cc130d7f3df2MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://tede.metodista.br/jspui/bitstream/tede/1537/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51tede/15372017-02-02 12:16:21.454oai:tahbit.umesp.edu.dti: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede.metodista.br/jspui/http://tede.metodista.br/oai/requestbiblioteca@metodista.br||erick.roberto@metodista.bropendoar:2017-02-02T14:16:21Biblioteca Digital de Teses e Dissertações da METODISTA - Universidade Metodista de São Paulo (METODISTA)false |
dc.title.por.fl_str_mv |
CANTAR PARA QUÊ? A música gospel no processo de midiatização: o caso do programa Esquenta! |
dc.title.alternative.eng.fl_str_mv |
why singing? The gospel misic in the mediatization process: the esquenta program case |
title |
CANTAR PARA QUÊ? A música gospel no processo de midiatização: o caso do programa Esquenta! |
spellingShingle |
CANTAR PARA QUÊ? A música gospel no processo de midiatização: o caso do programa Esquenta! OLIVEIRA, JENIFER ROSA DE Cultura Gospel; Evangélicos; Esquenta!; Midiatização Gospel Culture; Evangelicals; Esquenta!; Mediatization CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
title_short |
CANTAR PARA QUÊ? A música gospel no processo de midiatização: o caso do programa Esquenta! |
title_full |
CANTAR PARA QUÊ? A música gospel no processo de midiatização: o caso do programa Esquenta! |
title_fullStr |
CANTAR PARA QUÊ? A música gospel no processo de midiatização: o caso do programa Esquenta! |
title_full_unstemmed |
CANTAR PARA QUÊ? A música gospel no processo de midiatização: o caso do programa Esquenta! |
title_sort |
CANTAR PARA QUÊ? A música gospel no processo de midiatização: o caso do programa Esquenta! |
author |
OLIVEIRA, JENIFER ROSA DE |
author_facet |
OLIVEIRA, JENIFER ROSA DE |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Cunha, Magali do Nascimento |
dc.contributor.referee1.fl_str_mv |
Faro, Jose Salvador |
dc.contributor.referee2.fl_str_mv |
Martino , Luis Mauro Sá |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/7716788745643197 |
dc.contributor.author.fl_str_mv |
OLIVEIRA, JENIFER ROSA DE |
contributor_str_mv |
Cunha, Magali do Nascimento Faro, Jose Salvador Martino , Luis Mauro Sá |
dc.subject.por.fl_str_mv |
Cultura Gospel; Evangélicos; Esquenta!; Midiatização |
topic |
Cultura Gospel; Evangélicos; Esquenta!; Midiatização Gospel Culture; Evangelicals; Esquenta!; Mediatization CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
dc.subject.eng.fl_str_mv |
Gospel Culture; Evangelicals; Esquenta!; Mediatization |
dc.subject.cnpq.fl_str_mv |
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
description |
This research aims at analyzing the aspects under which the interaction between media and religion takes place, as well as the intricacies and continuities evoked by bringing the sacred and the profane together. For that purpose, the appearance of evangelical Christian artists on the TV Show Esquenta!, which is broadcasted every Sunday afternoon by the TV Channel Globo, has been elected as the subject matter of this study. The concepts on the gospel culture, on mediatization - particularly that of the media driven bios, and the discussion on secularization, as proposed by Habermas, have been chosen as this study's theoretical framework. The methodology provides two stages. The first one consists on investigating the content of five editions of Esquenta!, broadcasted between 2013 and 2014, on which evangelical Christian artists appeared. At that point, this stage's goal was the realization of the role that the Gospel Music plays within the Show's approach. The second stage consists in forming two discussion groups: one group of evangelical Christians and one group of non-evangelical people. This stage's goal was the understanding on how religious contents meanings, outside of their original context, can be re-depicted by the audience. The study results in the perception that the gospel artists performances on Esquenta! provides for new ways to interpret concepts around the Gospel culture, which amplify it and legitimate the media as a locus for religious experience. Furthermore, it illustrates the Habermasian perspective as it reflects the dual affectation between the religious universe and the secular life, emerging from intercrossing media and religion |
publishDate |
2016 |
dc.date.accessioned.fl_str_mv |
2016-08-26T18:31:59Z |
dc.date.issued.fl_str_mv |
2016-04-13 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
OLIVEIRA JÊNIFER ROSA DE. CANTAR PARA QUÊ? A música gospel no processo de midiatização: o caso do programa Esquenta!. 2016. [153f]. Dissertação( Comunicacao Social) - Universidade Metodista de Sao Paulo, [São Bernardo do Campo] . |
dc.identifier.uri.fl_str_mv |
http://tede.metodista.br/jspui/handle/tede/1537 |
identifier_str_mv |
OLIVEIRA JÊNIFER ROSA DE. CANTAR PARA QUÊ? A música gospel no processo de midiatização: o caso do programa Esquenta!. 2016. [153f]. Dissertação( Comunicacao Social) - Universidade Metodista de Sao Paulo, [São Bernardo do Campo] . |
url |
http://tede.metodista.br/jspui/handle/tede/1537 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.program.fl_str_mv |
4333470630449360357 |
dc.relation.confidence.fl_str_mv |
500 500 600 600 |
dc.relation.department.fl_str_mv |
-7662988059372876986 |
dc.relation.cnpq.fl_str_mv |
-4056021055502874573 |
dc.relation.sponsorship.fl_str_mv |
2075167498588264571 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Metodista de Sao Paulo |
dc.publisher.program.fl_str_mv |
Comunicacao Social |
dc.publisher.initials.fl_str_mv |
IMS |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Comunicacao Social:Programa de Pos Graduacao em Comunicacao Social |
publisher.none.fl_str_mv |
Universidade Metodista de Sao Paulo |
dc.source.none.fl_str_mv |
reponame:Biblioteca Digital de Teses e Dissertações da METODISTA instname:Universidade Metodista de São Paulo (METODISTA) instacron:METODISTA |
instname_str |
Universidade Metodista de São Paulo (METODISTA) |
instacron_str |
METODISTA |
institution |
METODISTA |
reponame_str |
Biblioteca Digital de Teses e Dissertações da METODISTA |
collection |
Biblioteca Digital de Teses e Dissertações da METODISTA |
bitstream.url.fl_str_mv |
http://tede.metodista.br/jspui/bitstream/tede/1537/3/Jenifer+Rosa+de+Oliveira.pdf.jpg http://tede.metodista.br/jspui/bitstream/tede/1537/2/Jenifer+Rosa+de+Oliveira.pdf http://tede.metodista.br/jspui/bitstream/tede/1537/1/license.txt |
bitstream.checksum.fl_str_mv |
ee26c78a62066213eab919d8a7febc39 90108a9fafe3042bded6cc130d7f3df2 bd3efa91386c1718a7f26a329fdcb468 |
bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 MD5 |
repository.name.fl_str_mv |
Biblioteca Digital de Teses e Dissertações da METODISTA - Universidade Metodista de São Paulo (METODISTA) |
repository.mail.fl_str_mv |
biblioteca@metodista.br||erick.roberto@metodista.br |
_version_ |
1791079561928114176 |