“A STATGER ON THE WALK”: THE REPRESENTATION OF ANIMALITY IN SERGUILLA'S POETICS

Detalhes bibliográficos
Autor(a) principal: Petronilio Petrot, Paulo
Data de Publicação: 2024
Tipo de documento: Artigo
Idioma: por
Título da fonte: Guará
Texto Completo: https://seer.pucgoias.edu.br/index.php/guara/article/view/14070
Resumo: The aim here is to outline the possible neighborhood zones between the poetics of the poet Luís Serguilha and the philosophy of difference of Deleuze-Guattari. The clipping will be traced from the animal-poem of the poet and the becoming-animal of the nomadic philosopher. I will defend the idea that Serguilha's animality is not part of the way some scholars have been doing in capturing animality, in caging it in representation and in the island of consciousness. In contrast, Serguilha evokes the power of the outside, takes language to the limit of experience, making it stutter. By making this poetic machinery dance, Serguilha removes the animality of enclosure, evokes the animal in us, transfigured into a dancer, because the day we lose the animality in us, we will lose the meaning of life as an event, we will stop dancing and affirm the life.
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spelling “A STATGER ON THE WALK”: THE REPRESENTATION OF ANIMALITY IN SERGUILLA'S POETICS“UM GAGO À ESPREITA”: A REPRESENTAÇÃO DA ANIMALIDADE NA POÉTICA SERGUILHANADevir-animal.Animal-poema.Representação.Diferença.Gagueira.Becoming -animalAnimal-poemRepresentationDifferencestutterThe aim here is to outline the possible neighborhood zones between the poetics of the poet Luís Serguilha and the philosophy of difference of Deleuze-Guattari. The clipping will be traced from the animal-poem of the poet and the becoming-animal of the nomadic philosopher. I will defend the idea that Serguilha's animality is not part of the way some scholars have been doing in capturing animality, in caging it in representation and in the island of consciousness. In contrast, Serguilha evokes the power of the outside, takes language to the limit of experience, making it stutter. By making this poetic machinery dance, Serguilha removes the animality of enclosure, evokes the animal in us, transfigured into a dancer, because the day we lose the animality in us, we will lose the meaning of life as an event, we will stop dancing and affirm the life.Busca-se aqui traçar as possíveis zonas de vizinhanças entre a poética do poeta Luís Serguilha e a filosofia da diferença de Deleuze-Guattari. O recorte será traçado a partir do animal-poema do poeta e do devir-animal do filósofo nômade. Defenderei a ideia de que a animalidade serguilhana não faz parte do modo como alguns estudiosos vêm fazendo ao capturar a animalidade, ao enjaulá-la na representação e na ilha da consciência. Diferente disso, Serguilha evoca a potência do fora, leva a linguagem à experiência-limite, fazendo-a gaguejar. Ao fazer dançar essa maquinaria poética, Serguilha retira a animalidade da clausura, convoca o animal em nós, transfigurado em um dançarino, pois, o dia que perdermos a animalidade em nós, perderemos o sentido da vida como acontecimento, deixaremos de dançar e afirmar a vida. Editora da Pontifícia Universidade Católica de Goiás2024-04-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.pucgoias.edu.br/index.php/guara/article/view/1407010.18224/gua.v13i2.14070Revista Guará - Language and Literature Journal; Vol. 13 No. 2 (2023): LUÍS SERGUILHA: CORPOS DELIRANTES – ENTRE RITMOS E RASTROS À ESPREITA; 194-206Revista Guará - Revista de Lengua y Literatura; Vol. 13 Núm. 2 (2023): LUÍS SERGUILHA: CORPOS DELIRANTES – ENTRE RITMOS E RASTROS À ESPREITA; 194-206Revista Guará - Revista de Linguagem e Literatura; v. 13 n. 2 (2023): LUÍS SERGUILHA: CORPOS DELIRANTES – ENTRE RITMOS E RASTROS À ESPREITA; 194-2062237-495710.18224/gua.v13i2reponame:Guaráinstname:Pontifícia Universidade Católica de Goiás (PUC-GO)instacron:PUC_GOporhttps://seer.pucgoias.edu.br/index.php/guara/article/view/14070/6589Copyright (c) 2024 Elizete Albina Ferreira; Paulo Petronilio Petrothttp://creativecommons.org/licenses/by-nd/4.0info:eu-repo/semantics/openAccessPetronilio Petrot, Paulo2024-04-04T12:10:59Zoai:ojs2.seer.pucgoias.edu.br:article/14070Revistahttp://seer.pucgoias.edu.br/index.php/guaraONGhttps://seer.pucgoias.edu.br/index.php/guara/oairevguara@pucgoias.edu.br||felixpadua@pucgoias.edu.br||guara@pucgoias.edu.br2237-49572237-4957opendoar:2024-04-04T12:10:59Guará - Pontifícia Universidade Católica de Goiás (PUC-GO)false
dc.title.none.fl_str_mv “A STATGER ON THE WALK”: THE REPRESENTATION OF ANIMALITY IN SERGUILLA'S POETICS
“UM GAGO À ESPREITA”: A REPRESENTAÇÃO DA ANIMALIDADE NA POÉTICA SERGUILHANA
title “A STATGER ON THE WALK”: THE REPRESENTATION OF ANIMALITY IN SERGUILLA'S POETICS
spellingShingle “A STATGER ON THE WALK”: THE REPRESENTATION OF ANIMALITY IN SERGUILLA'S POETICS
Petronilio Petrot, Paulo
Devir-animal.
Animal-poema.
Representação.
Diferença.
Gagueira.
Becoming -animal
Animal-poem
Representation
Difference
stutter
title_short “A STATGER ON THE WALK”: THE REPRESENTATION OF ANIMALITY IN SERGUILLA'S POETICS
title_full “A STATGER ON THE WALK”: THE REPRESENTATION OF ANIMALITY IN SERGUILLA'S POETICS
title_fullStr “A STATGER ON THE WALK”: THE REPRESENTATION OF ANIMALITY IN SERGUILLA'S POETICS
title_full_unstemmed “A STATGER ON THE WALK”: THE REPRESENTATION OF ANIMALITY IN SERGUILLA'S POETICS
title_sort “A STATGER ON THE WALK”: THE REPRESENTATION OF ANIMALITY IN SERGUILLA'S POETICS
author Petronilio Petrot, Paulo
author_facet Petronilio Petrot, Paulo
author_role author
dc.contributor.author.fl_str_mv Petronilio Petrot, Paulo
dc.subject.por.fl_str_mv Devir-animal.
Animal-poema.
Representação.
Diferença.
Gagueira.
Becoming -animal
Animal-poem
Representation
Difference
stutter
topic Devir-animal.
Animal-poema.
Representação.
Diferença.
Gagueira.
Becoming -animal
Animal-poem
Representation
Difference
stutter
description The aim here is to outline the possible neighborhood zones between the poetics of the poet Luís Serguilha and the philosophy of difference of Deleuze-Guattari. The clipping will be traced from the animal-poem of the poet and the becoming-animal of the nomadic philosopher. I will defend the idea that Serguilha's animality is not part of the way some scholars have been doing in capturing animality, in caging it in representation and in the island of consciousness. In contrast, Serguilha evokes the power of the outside, takes language to the limit of experience, making it stutter. By making this poetic machinery dance, Serguilha removes the animality of enclosure, evokes the animal in us, transfigured into a dancer, because the day we lose the animality in us, we will lose the meaning of life as an event, we will stop dancing and affirm the life.
publishDate 2024
dc.date.none.fl_str_mv 2024-04-04
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.pucgoias.edu.br/index.php/guara/article/view/14070
10.18224/gua.v13i2.14070
url https://seer.pucgoias.edu.br/index.php/guara/article/view/14070
identifier_str_mv 10.18224/gua.v13i2.14070
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.pucgoias.edu.br/index.php/guara/article/view/14070/6589
dc.rights.driver.fl_str_mv Copyright (c) 2024 Elizete Albina Ferreira; Paulo Petronilio Petrot
http://creativecommons.org/licenses/by-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2024 Elizete Albina Ferreira; Paulo Petronilio Petrot
http://creativecommons.org/licenses/by-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da Pontifícia Universidade Católica de Goiás
publisher.none.fl_str_mv Editora da Pontifícia Universidade Católica de Goiás
dc.source.none.fl_str_mv Revista Guará - Language and Literature Journal; Vol. 13 No. 2 (2023): LUÍS SERGUILHA: CORPOS DELIRANTES – ENTRE RITMOS E RASTROS À ESPREITA; 194-206
Revista Guará - Revista de Lengua y Literatura; Vol. 13 Núm. 2 (2023): LUÍS SERGUILHA: CORPOS DELIRANTES – ENTRE RITMOS E RASTROS À ESPREITA; 194-206
Revista Guará - Revista de Linguagem e Literatura; v. 13 n. 2 (2023): LUÍS SERGUILHA: CORPOS DELIRANTES – ENTRE RITMOS E RASTROS À ESPREITA; 194-206
2237-4957
10.18224/gua.v13i2
reponame:Guará
instname:Pontifícia Universidade Católica de Goiás (PUC-GO)
instacron:PUC_GO
instname_str Pontifícia Universidade Católica de Goiás (PUC-GO)
instacron_str PUC_GO
institution PUC_GO
reponame_str Guará
collection Guará
repository.name.fl_str_mv Guará - Pontifícia Universidade Católica de Goiás (PUC-GO)
repository.mail.fl_str_mv revguara@pucgoias.edu.br||felixpadua@pucgoias.edu.br||guara@pucgoias.edu.br
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