O Ano de 1993: Eros as Resistance in the Prelude to the Saramaguian Fiction
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Cadernos CESPUC de Pesquisa |
Texto Completo: | http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/28501 |
Resumo: | Abstract: The last work from the Saramaguian poetry phase, O ano de 1993 (1975) narrates the journey of people against persecution and violence brought on by authoritarian forces, which are responsible for controlling and submitting the same people to hostility. However, they resist and try to engage in a collective battle so as to regain their rightful place. One of the elements which are figurativized as a supporting force is love, particularly the love related to eroticism. Moreover, the body itself functions subtly as a means of protection and relief. Based on that, this article aims to identify and analyze the love and the sex in O ano de 1993, with special interest in both the thematic and figurative constructions, and in the emergency of uncanny effects related to the events. For this purpose, we use the discursive semiotics, developed by Algirdas Julien Greimas, as theoretical ground, especially the discursive level. That being said, the works of Greimas and Courtés (2008), José Luiz Fiorin (2008), Diana Luz Pessoa de Barros (2005) are considered fundamental. Besides, the literary references based on Carlos Reis (2018), Horácio Costa (2020), Juan Arias (2003) e Octavio Paz (1994) are valuable to the critical and analytical conception of this article. |
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O Ano de 1993: Eros as Resistance in the Prelude to the Saramaguian FictionO ano de 1993: PoetryErosJosé SaramagoSemioticsPoesiaErosJosé SaramagoSemióticaAbstract: The last work from the Saramaguian poetry phase, O ano de 1993 (1975) narrates the journey of people against persecution and violence brought on by authoritarian forces, which are responsible for controlling and submitting the same people to hostility. However, they resist and try to engage in a collective battle so as to regain their rightful place. One of the elements which are figurativized as a supporting force is love, particularly the love related to eroticism. Moreover, the body itself functions subtly as a means of protection and relief. Based on that, this article aims to identify and analyze the love and the sex in O ano de 1993, with special interest in both the thematic and figurative constructions, and in the emergency of uncanny effects related to the events. For this purpose, we use the discursive semiotics, developed by Algirdas Julien Greimas, as theoretical ground, especially the discursive level. That being said, the works of Greimas and Courtés (2008), José Luiz Fiorin (2008), Diana Luz Pessoa de Barros (2005) are considered fundamental. Besides, the literary references based on Carlos Reis (2018), Horácio Costa (2020), Juan Arias (2003) e Octavio Paz (1994) are valuable to the critical and analytical conception of this article. Resumo: Última obra da fase poética saramaguiana, O ano de 1993 (1975), narra a jornada de pessoas contra a perseguição e a violência provocadas por forças autoritárias responsáveis por submetê-las ao controle e à hostilidade. No entanto, essa gente resiste e procura lutar coletivamente para reconquistar o seu lugar de direito. Um dos aspectos figurativizados como força auxiliadora desse povo é o amor, especialmente o relacionado ao erotismo. A propósito, o próprio corpo funciona sutilmente como meio de proteção e de alívio. A partir disso, o presente artigo pretende identificar e analisar o amor e o sexo na produção O ano de 1993, com o interesse de perceber a construção temático-figurativa do discurso, bem como o surgimento do efeito insólito dos acontecimentos. Para tanto, a Semiótica Discursiva greimasiana funciona nesta pesquisa como base teórica para a investigação, especialmente o nível discursivo do Percurso Gerativo de Sentido. Sendo assim, os estudos de Greimas e Courtés (2008), José Luiz Fiorin (2008) e Diana Luz Pessoa de Barros (2005) apresentam-se como fundamentais. Ademais, as referências literárias pautadas em Carlos Reis (2018), Horácio Costa (2020), Juan Arias (2003) e Octavio Paz (1994) são valiosas para a concepção crítica e analítica deste artigo.Editora PUC Minas2022-09-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/2850110.5752/P.2358-3231.2022n40p156-174Cadernos CESPUC de Pesquisa Série Ensaios; n. 40 (2022): Saramago: amor e engajamento; 156-1742358-3231reponame:Cadernos CESPUC de Pesquisainstname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas)instacron:PUC_MINSporhttp://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/28501/20056Copyright (c) 2022 Editora PUC Minashttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessSilva, Fernângela Diniz da2022-09-21T18:44:05Zoai:ojs.pkp.sfu.ca:article/28501Revistahttp://periodicos.pucminas.br/index.php/cadernoscespuc/indexhttp://periodicos.pucminas.br/index.php/cadernoscespuc/oaicespuc@pucminas.br||cespuc@pucminas.br2358-32311516-4020opendoar:2022-09-21T18:44:05Cadernos CESPUC de Pesquisa - Pontifícia Universidade Católica de Minas Gerais (PUC Minas)false |
dc.title.none.fl_str_mv |
O Ano de 1993: Eros as Resistance in the Prelude to the Saramaguian Fiction O ano de 1993: |
title |
O Ano de 1993: Eros as Resistance in the Prelude to the Saramaguian Fiction |
spellingShingle |
O Ano de 1993: Eros as Resistance in the Prelude to the Saramaguian Fiction Silva, Fernângela Diniz da Poetry Eros José Saramago Semiotics Poesia Eros José Saramago Semiótica |
title_short |
O Ano de 1993: Eros as Resistance in the Prelude to the Saramaguian Fiction |
title_full |
O Ano de 1993: Eros as Resistance in the Prelude to the Saramaguian Fiction |
title_fullStr |
O Ano de 1993: Eros as Resistance in the Prelude to the Saramaguian Fiction |
title_full_unstemmed |
O Ano de 1993: Eros as Resistance in the Prelude to the Saramaguian Fiction |
title_sort |
O Ano de 1993: Eros as Resistance in the Prelude to the Saramaguian Fiction |
author |
Silva, Fernângela Diniz da |
author_facet |
Silva, Fernângela Diniz da |
author_role |
author |
dc.contributor.author.fl_str_mv |
Silva, Fernângela Diniz da |
dc.subject.por.fl_str_mv |
Poetry Eros José Saramago Semiotics Poesia Eros José Saramago Semiótica |
topic |
Poetry Eros José Saramago Semiotics Poesia Eros José Saramago Semiótica |
description |
Abstract: The last work from the Saramaguian poetry phase, O ano de 1993 (1975) narrates the journey of people against persecution and violence brought on by authoritarian forces, which are responsible for controlling and submitting the same people to hostility. However, they resist and try to engage in a collective battle so as to regain their rightful place. One of the elements which are figurativized as a supporting force is love, particularly the love related to eroticism. Moreover, the body itself functions subtly as a means of protection and relief. Based on that, this article aims to identify and analyze the love and the sex in O ano de 1993, with special interest in both the thematic and figurative constructions, and in the emergency of uncanny effects related to the events. For this purpose, we use the discursive semiotics, developed by Algirdas Julien Greimas, as theoretical ground, especially the discursive level. That being said, the works of Greimas and Courtés (2008), José Luiz Fiorin (2008), Diana Luz Pessoa de Barros (2005) are considered fundamental. Besides, the literary references based on Carlos Reis (2018), Horácio Costa (2020), Juan Arias (2003) e Octavio Paz (1994) are valuable to the critical and analytical conception of this article. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-09-09 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/28501 10.5752/P.2358-3231.2022n40p156-174 |
url |
http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/28501 |
identifier_str_mv |
10.5752/P.2358-3231.2022n40p156-174 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/28501/20056 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Editora PUC Minas https://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Editora PUC Minas https://creativecommons.org/licenses/by-nc-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora PUC Minas |
publisher.none.fl_str_mv |
Editora PUC Minas |
dc.source.none.fl_str_mv |
Cadernos CESPUC de Pesquisa Série Ensaios; n. 40 (2022): Saramago: amor e engajamento; 156-174 2358-3231 reponame:Cadernos CESPUC de Pesquisa instname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas) instacron:PUC_MINS |
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Pontifícia Universidade Católica de Minas Gerais (PUC Minas) |
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PUC_MINS |
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PUC_MINS |
reponame_str |
Cadernos CESPUC de Pesquisa |
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Cadernos CESPUC de Pesquisa |
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Cadernos CESPUC de Pesquisa - Pontifícia Universidade Católica de Minas Gerais (PUC Minas) |
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cespuc@pucminas.br||cespuc@pucminas.br |
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