O Ano de 1993: Eros as Resistance in the Prelude to the Saramaguian Fiction

Detalhes bibliográficos
Autor(a) principal: Silva, Fernângela Diniz da
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Cadernos CESPUC de Pesquisa
Texto Completo: http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/28501
Resumo: Abstract: The last work from the Saramaguian poetry phase, O ano de 1993 (1975) narrates the journey of people against persecution and violence brought on by authoritarian forces, which are responsible for controlling and submitting the same people to hostility. However, they resist and try to engage in a collective battle so as to regain their rightful place. One of the elements which are figurativized as a supporting force is love, particularly the love related to eroticism. Moreover, the body itself functions subtly as a means of protection and relief. Based on that, this article aims to identify and analyze the love and the sex in O ano de 1993, with special interest in both the thematic and figurative constructions, and in the emergency of uncanny effects related to the events. For this purpose, we use the discursive semiotics, developed by Algirdas Julien Greimas, as theoretical ground, especially the discursive level. That being said, the works of Greimas and Courtés (2008), José Luiz Fiorin (2008), Diana Luz Pessoa de Barros (2005) are considered fundamental. Besides, the literary references based on Carlos Reis (2018), Horácio Costa (2020), Juan Arias (2003) e Octavio Paz (1994) are valuable to the critical and analytical conception of this article.  
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spelling O Ano de 1993: Eros as Resistance in the Prelude to the Saramaguian FictionO ano de 1993: PoetryErosJosé SaramagoSemioticsPoesiaErosJosé SaramagoSemióticaAbstract: The last work from the Saramaguian poetry phase, O ano de 1993 (1975) narrates the journey of people against persecution and violence brought on by authoritarian forces, which are responsible for controlling and submitting the same people to hostility. However, they resist and try to engage in a collective battle so as to regain their rightful place. One of the elements which are figurativized as a supporting force is love, particularly the love related to eroticism. Moreover, the body itself functions subtly as a means of protection and relief. Based on that, this article aims to identify and analyze the love and the sex in O ano de 1993, with special interest in both the thematic and figurative constructions, and in the emergency of uncanny effects related to the events. For this purpose, we use the discursive semiotics, developed by Algirdas Julien Greimas, as theoretical ground, especially the discursive level. That being said, the works of Greimas and Courtés (2008), José Luiz Fiorin (2008), Diana Luz Pessoa de Barros (2005) are considered fundamental. Besides, the literary references based on Carlos Reis (2018), Horácio Costa (2020), Juan Arias (2003) e Octavio Paz (1994) are valuable to the critical and analytical conception of this article.  Resumo: Última obra da fase poética saramaguiana, O ano de 1993 (1975), narra a jornada de pessoas contra a perseguição e a violência provocadas por forças autoritárias responsáveis por submetê-las ao controle e à hostilidade. No entanto, essa gente resiste e procura lutar coletivamente para reconquistar o seu lugar de direito. Um dos aspectos figurativizados como força auxiliadora desse povo é o amor, especialmente o relacionado ao erotismo. A propósito, o próprio corpo funciona sutilmente como meio de proteção e de alívio. A partir disso, o presente artigo pretende identificar e analisar o amor e o sexo na produção O ano de 1993, com o interesse de perceber a construção temático-figurativa do discurso, bem como o surgimento do efeito insólito dos acontecimentos. Para tanto, a Semiótica Discursiva greimasiana funciona nesta pesquisa como base teórica para a investigação, especialmente o nível discursivo do Percurso Gerativo de Sentido. Sendo assim, os estudos de Greimas e Courtés (2008), José Luiz Fiorin (2008) e Diana Luz Pessoa de Barros (2005) apresentam-se como fundamentais. Ademais, as referências literárias pautadas em Carlos Reis (2018), Horácio Costa (2020), Juan Arias (2003) e Octavio Paz (1994) são valiosas para a concepção crítica e analítica deste artigo.Editora PUC Minas2022-09-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/2850110.5752/P.2358-3231.2022n40p156-174Cadernos CESPUC de Pesquisa Série Ensaios; n. 40 (2022): Saramago: amor e engajamento; 156-1742358-3231reponame:Cadernos CESPUC de Pesquisainstname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas)instacron:PUC_MINSporhttp://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/28501/20056Copyright (c) 2022 Editora PUC Minashttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessSilva, Fernângela Diniz da2022-09-21T18:44:05Zoai:ojs.pkp.sfu.ca:article/28501Revistahttp://periodicos.pucminas.br/index.php/cadernoscespuc/indexhttp://periodicos.pucminas.br/index.php/cadernoscespuc/oaicespuc@pucminas.br||cespuc@pucminas.br2358-32311516-4020opendoar:2022-09-21T18:44:05Cadernos CESPUC de Pesquisa - Pontifícia Universidade Católica de Minas Gerais (PUC Minas)false
dc.title.none.fl_str_mv O Ano de 1993: Eros as Resistance in the Prelude to the Saramaguian Fiction
O ano de 1993:
title O Ano de 1993: Eros as Resistance in the Prelude to the Saramaguian Fiction
spellingShingle O Ano de 1993: Eros as Resistance in the Prelude to the Saramaguian Fiction
Silva, Fernângela Diniz da
Poetry
Eros
José Saramago
Semiotics
Poesia
Eros
José Saramago
Semiótica
title_short O Ano de 1993: Eros as Resistance in the Prelude to the Saramaguian Fiction
title_full O Ano de 1993: Eros as Resistance in the Prelude to the Saramaguian Fiction
title_fullStr O Ano de 1993: Eros as Resistance in the Prelude to the Saramaguian Fiction
title_full_unstemmed O Ano de 1993: Eros as Resistance in the Prelude to the Saramaguian Fiction
title_sort O Ano de 1993: Eros as Resistance in the Prelude to the Saramaguian Fiction
author Silva, Fernângela Diniz da
author_facet Silva, Fernângela Diniz da
author_role author
dc.contributor.author.fl_str_mv Silva, Fernângela Diniz da
dc.subject.por.fl_str_mv Poetry
Eros
José Saramago
Semiotics
Poesia
Eros
José Saramago
Semiótica
topic Poetry
Eros
José Saramago
Semiotics
Poesia
Eros
José Saramago
Semiótica
description Abstract: The last work from the Saramaguian poetry phase, O ano de 1993 (1975) narrates the journey of people against persecution and violence brought on by authoritarian forces, which are responsible for controlling and submitting the same people to hostility. However, they resist and try to engage in a collective battle so as to regain their rightful place. One of the elements which are figurativized as a supporting force is love, particularly the love related to eroticism. Moreover, the body itself functions subtly as a means of protection and relief. Based on that, this article aims to identify and analyze the love and the sex in O ano de 1993, with special interest in both the thematic and figurative constructions, and in the emergency of uncanny effects related to the events. For this purpose, we use the discursive semiotics, developed by Algirdas Julien Greimas, as theoretical ground, especially the discursive level. That being said, the works of Greimas and Courtés (2008), José Luiz Fiorin (2008), Diana Luz Pessoa de Barros (2005) are considered fundamental. Besides, the literary references based on Carlos Reis (2018), Horácio Costa (2020), Juan Arias (2003) e Octavio Paz (1994) are valuable to the critical and analytical conception of this article.  
publishDate 2022
dc.date.none.fl_str_mv 2022-09-09
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url http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/28501
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dc.relation.none.fl_str_mv http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/28501/20056
dc.rights.driver.fl_str_mv Copyright (c) 2022 Editora PUC Minas
https://creativecommons.org/licenses/by-nc-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Editora PUC Minas
https://creativecommons.org/licenses/by-nc-nd/4.0
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dc.publisher.none.fl_str_mv Editora PUC Minas
publisher.none.fl_str_mv Editora PUC Minas
dc.source.none.fl_str_mv Cadernos CESPUC de Pesquisa Série Ensaios; n. 40 (2022): Saramago: amor e engajamento; 156-174
2358-3231
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