Inaccurate boundaries: the anthropological documentary between the exploitation of the exotic and the representation of the other

Detalhes bibliográficos
Autor(a) principal: Freire, Marcius
Data de Publicação: 2008
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista FAMECOS: Mídia cultura e tecnologia
Texto Completo: https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3341
Resumo: Anthropological film has often joggled in the borderline of two tendencies: exploitation of exoticism and ethnographic concern. Films like John Marshall’s The Hunters, or Robert Gardner’s Dead Birds are examples of how specificities of other cultures may be framed as the extraordinary, the unusual and be embedded in a scientific artifact. The aim of this text is to explore the ambiguous relationship anthropological documentary has entertained with the abnormal and the exotic, examining its ethical and esthetical issues.
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spelling Inaccurate boundaries: the anthropological documentary between the exploitation of the exotic and the representation of the otherFronteiras imprecisas: o documentário antropológico entre a exploração do exótico e a representação do outrodocumentaryexploitationanthropologyMovieDocumentárioExploraçãoAntropologiaCinemaAnthropological film has often joggled in the borderline of two tendencies: exploitation of exoticism and ethnographic concern. Films like John Marshall’s The Hunters, or Robert Gardner’s Dead Birds are examples of how specificities of other cultures may be framed as the extraordinary, the unusual and be embedded in a scientific artifact. The aim of this text is to explore the ambiguous relationship anthropological documentary has entertained with the abnormal and the exotic, examining its ethical and esthetical issues.O filme antropológico tem sido freqüentemente identificado com duas tendências do documentário: exploração do exotismo e preocupação etnográfica. Filmes como The Hunters, de John Marshall ou Dead Birds de Robert Gardner são exemplos de como algumas especificidades de outras culturas podem ser assimiladas ao extraordinário, ao incomum e apresentadas com uma roupagem científica. O objetivo deste texto é explorar a relação ambígua que o documentário antropológico entretém com o anormal e o exótico, examinando seus aspectos éticos e estéticos.Editora da PUCRS - ediPUCRS2008-04-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/334110.15448/1980-3729.2005.28.3341Revista FAMECOS; Vol. 12 No. 28 (2005); 107-114Revista FAMECOS; Vol. 12 Núm. 28 (2005); 107-114Revista FAMECOS; v. 12 n. 28 (2005); 107-1141980-37291415-054910.15448/1980-3729.2005.28reponame:Revista FAMECOS: Mídia cultura e tecnologiainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3341/2598Freire, Marciusinfo:eu-repo/semantics/openAccess2017-05-15T19:22:14Zoai:ojs.revistaseletronicas.pucrs.br:article/3341Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecosPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/oai||revistafamecos@gmail.com1980-37291980-3729opendoar:2017-05-15T19:22:14Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false
dc.title.none.fl_str_mv Inaccurate boundaries: the anthropological documentary between the exploitation of the exotic and the representation of the other
Fronteiras imprecisas: o documentário antropológico entre a exploração do exótico e a representação do outro
title Inaccurate boundaries: the anthropological documentary between the exploitation of the exotic and the representation of the other
spellingShingle Inaccurate boundaries: the anthropological documentary between the exploitation of the exotic and the representation of the other
Freire, Marcius
documentary
exploitation
anthropology
Movie
Documentário
Exploração
Antropologia
Cinema
title_short Inaccurate boundaries: the anthropological documentary between the exploitation of the exotic and the representation of the other
title_full Inaccurate boundaries: the anthropological documentary between the exploitation of the exotic and the representation of the other
title_fullStr Inaccurate boundaries: the anthropological documentary between the exploitation of the exotic and the representation of the other
title_full_unstemmed Inaccurate boundaries: the anthropological documentary between the exploitation of the exotic and the representation of the other
title_sort Inaccurate boundaries: the anthropological documentary between the exploitation of the exotic and the representation of the other
author Freire, Marcius
author_facet Freire, Marcius
author_role author
dc.contributor.author.fl_str_mv Freire, Marcius
dc.subject.por.fl_str_mv documentary
exploitation
anthropology
Movie
Documentário
Exploração
Antropologia
Cinema
topic documentary
exploitation
anthropology
Movie
Documentário
Exploração
Antropologia
Cinema
description Anthropological film has often joggled in the borderline of two tendencies: exploitation of exoticism and ethnographic concern. Films like John Marshall’s The Hunters, or Robert Gardner’s Dead Birds are examples of how specificities of other cultures may be framed as the extraordinary, the unusual and be embedded in a scientific artifact. The aim of this text is to explore the ambiguous relationship anthropological documentary has entertained with the abnormal and the exotic, examining its ethical and esthetical issues.
publishDate 2008
dc.date.none.fl_str_mv 2008-04-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3341
10.15448/1980-3729.2005.28.3341
url https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3341
identifier_str_mv 10.15448/1980-3729.2005.28.3341
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3341/2598
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
dc.source.none.fl_str_mv Revista FAMECOS; Vol. 12 No. 28 (2005); 107-114
Revista FAMECOS; Vol. 12 Núm. 28 (2005); 107-114
Revista FAMECOS; v. 12 n. 28 (2005); 107-114
1980-3729
1415-0549
10.15448/1980-3729.2005.28
reponame:Revista FAMECOS: Mídia cultura e tecnologia
instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron:PUC_RS
instname_str Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron_str PUC_RS
institution PUC_RS
reponame_str Revista FAMECOS: Mídia cultura e tecnologia
collection Revista FAMECOS: Mídia cultura e tecnologia
repository.name.fl_str_mv Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
repository.mail.fl_str_mv ||revistafamecos@gmail.com
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